ONCE UPON A MATTRESS (1972)

Carol Burnett sings "Shy"

ONCE UPON A MATTRESS (1972 TV adaptation). Directed by Ron Field and Dave Powers. Music by Mary Rodgers. Lyrics by Marshall Barer.

Having done a black and white TV adaptation of her Broadway triumph, Carol Burnett decided to do it again -- this time in color -- about a decade later. Jack Gilford and Jane White reprise their roles as the king and queen, Bernadette Peters and Ron Husmann play the young lovers, Wally Cox is the jester, Ken Berry is Prince Dauntless, and Lyle Waggoner is the wizard, Sir Studley. At first you might think that Burnett is a little off her game, having lost that sort of gauche quality that she had before she became so famous, but then she digs into her showstopper "Happily Ever After" (left out of the earlier version) and brings the house down. She's sensational. 

Jane White and Ken Berry

However, she almost has to take a back seat to Jane White, who is even better than she was in the first version, and who is given a little more to do, such as being flirtatious with Sir Studley. One of the love duets, "In a Little While," arguably the best song in the show, has been reinstated, and the lovers -- the gal is pregnant -- are once again unmarried, this being the swingin' seventies. Ken Berry reveals a pleasant singing voice and while not quite as good as Joseph Bova in the original telecast, works well with Burnett. Ron Husmann was a busy Broadway performer. 

Verdict: Another charming and tuneful adaptation. ***.                    

LOVE HAS MANY FACES

LOVE HAS MANY FACES (1965). Director: Alexander Singer.

Wealthy Kit Jordan (Lana Turner) is living in Acapulco and married to ex-beach bum, Pete (Cliff Robertson of Obsession). When an old flame of hers, another beach bum named Billy, washes up dead on the shore, it causes tension in her marriage, a situation that isn't helped by the arrival of Carol (Stefanie Powers of Die, Die My Darling), who once cared for Billy, and who attracts the attentions of Pete. Meanwhile half-naked hustler Hank (Hugh O'Brian) and his buddy, Chuck (Ron Husmann), zero in on two middle-aged tourists, Margot (Ruth Roman) and Irene (Virginia Grey). Although the movie is in general well-acted [by Hollywood standards] -- with an especially noteworthy and reptilian O'Brian -- the actors still aren't brilliant enough to make these stereotypes come to life. Marguerite Roberts' thrice-removed screenplay moves the characters around in allegedly interesting tableaux but nothing of consequence ever happens, and the dialogue is as empty as the people. The sub-plot with O'Brian and the ladies really goes nowhere.

Verdict: Go to the beach instead -- or Acapulco! *1/2.