THE LONG HAUL

Diana Dors and Victor Mature

THE LONG HAUL (1957). Director/co-screenplay: Ken Hughes. Colorized. 

American ex-GI Harry Miller (Victor Mature) lives in England with his wife, Connie (Gene Anderson) and little boy, Butch (Michael Wade). Desperate to find work he comes afoul of crooked trucker, Joe Easy (Patrick Allen of Night Creatures) and Easy's "easy" girlfriend, Lynn (Diana Dors), who transfers her affections to Harry after Joe is brutal with her. Naturally this doesn't sit well with either Connie or Joe. Still Joe, Harry and Lynn wind up driving a truck full of stolen furs to the river for an illicit rendezvous. They've been told they must get on the ship and sail to America with the furs to avoid prosecution, but Harry may not be able to leave his wife and child behind no matter what ...

Patrick Allen with Mature

The Long Haul is a very good example of British film noir with all of the usual elements. Of course these elements -- desperate man pulled into crime, a tug of war between wife and mistress, sexy femme fatale with redeemable features -- are all quite familiar to the viewer, but they are all blended together quite well and bolstered by some fine acting. In the right role, as this is, Mature can certainly deliver and his portrait of this weak, confused man is right on target. Dors proves that she isn't just big breasts and blond hair. Patrick Allen is also terrific as the slimy Joe, calculating the odds until the last. Liam Redmond and Peter Reynolds are also notable as two ill-fated gentlemen, Casey and Lynn's brother, Frank. Trevor Duncan has crafted an exciting score as well. Reynolds and Dors both appeared in Man Bait. Ken Hughes also wrote and directed Heatwave. 

Verdict: Absorbing, well-acted British crime thriller. ***. 

NEVER TAKE CANDY FROM A STRANGER

Patrick Allen, Budd Knapp, and Bill Nagy

NEVER TAKE CANDY FROM A STRANGER (aka Never Take Sweets from a Stranger/1960). Director: Cyril Frankel.

High school principal Peter Carter (Patrick Allen of Night Creatures) and his wife Sally (Gwen Watford) have moved to a new community with their young daughter, Jean (Janina Faye), and her grandmother, Martha (Alison Leggatt). One afternoon Jean tells her parents that she and her friend Lucille (Frances Green) were given candy by an elderly man in a house nearby who told them to take off their clothing. Peter wants to confront the old man, Sally wants to call the police, and the grandmother advises caution -- they aren't completely sure what if anything happened and the old man, Clarence Olderberry Sr. (Felix Aylmer) has a lot of clout in the town. Because of this the Carters find a lot of opposition when they have the man arrested and a trial ensues. Will the entire town turn against them and will Olderberry get away with his inappropriate behavior or get the help he clearly needs? Never Take Candy from a Stranger is a non-sensational look at a repellent subject, and is generally well-done and well-acted; Leggatt is especially good, as are Michael Gwynn [The Revenge of Frankenstein] as the prosecutor and Bill Nagy as Olderberry's son. This absorbing and distressing film leads up to a tragic and hard-hitting finale. One of the film's flaws, however, is that the "pervert" in question seems rather feeble and to be suffering from Alzheimer's, making some of his actions possibly unlikely, and his behavior perhaps more demented than criminal. A more menacing and younger antagonist, a more formidable and devious pedophile, might have given the film even more dramatic heft, although the ending is nevertheless uncompromising. Freddie Francis' cinematography gives the film a nice look, and there is a fine musical score by Elisabeth Lutyens [Paranoiac].

Verdict: Sobering look at a town's dirty secret. ***.

NIGHT CREATURES

NIGHT CREATURES (aka Captain Clegg/1962). Director: Peter Graham Scott.

Based on the Dr. Syn novels that first appeared in 1915 [also the basis of Walt Disney's Dr. Syn, the Scarecrow of Romney Marsh], this interesting Hammer feature takes place in the village of Dymchurch in 1792. British sailors led by Captain Collier (Patrick Allen) come to town hunting for smugglers who want to bypass the high taxes on liquor and other items. The whole town leads Collier and his men on a merry chase as they do their best to hide the taxable items and outwit the revenue men. The supernatural aspects of the film -- the phantoms of Romney Marsh or the "night creatures" of the American title -- are a bit of a cheat, but the film is suspenseful and entertaining enough in its own right. Peter Cushing is excellent, as usual, as the reverend Dr. Blyss, who may have a secret or two up his sleeve, and Martin Benson [The Cosmic Monsters] and Michael Ripper also offer superior performances as two of his co-conspirators; Allen is also fine as Collier. Oliver Reed [Paranoiac] is as intense as ever as young Harry, who has fallen in love with barmaid Imogene (Yvonne Romain), who is the secret daughter of the supposedly dead and notorious pirate Captain Clegg. Jack MacGowran [The Giant Behemoth] offers another of his flavorful portrayals as a villager who tries to mislead Collier and his band, and Milton Reid is vivid as the "mulatto" who hates Clegg and causes all manner of mischief. Dan Banks' exciting musical score helps keep things percolating.

Verdict: Something different! ***.