FALLING HARE

The Gremlin and the Rabbit

FALLING HARE (1943). Merrie Melodies starring Bugs Bunny. Director: Robert Clampett.

In this WW2 cartoon classic, Bugs Bunny laughs at the notion of "gremlins" committing sabotage only to encounter such a gremlin, who -- to Bugs' annoyance, consternation, and then terror -- manages to not only outwit the rabbit but employ the kind of tactics that Bugs generally employs on his nemesis, Elmer Fudd. The gremlin is a cute little fellow, albeit dangerous, culminating in a scary and hilarious scene when he tries to throw Bugs out of an airplane, which then runs amok and unpiloted over the skyscrapers of Manhattan. Will poor Bugs survive this encounter, let alone the gremlin? Writer Warren Foster supplies the clever and amusing answer.  The terrific voice characterizations are by Mel Blanc and the director, Robert Clampett. Believe it or not, some fans object to this cartoon because Bugs doesn't have the upper hand, and according to one critic, acts "like a coward and a weakling" -- how is he supposed to act being thrown out of an airplane? Get a life!

Verdict: Very funny Bugs-spectacular. ***. 

DUET FOR BUGS

Bugs Bunny and the Fabulous Elmer Fudd

STAGE DOOR CARTOON (1944). Director: Friz Freleng.
HERR MEETS HARE (1945). Director: Friz Freleng.

The DVD for Hollywood Canteen features two vintage wartime Bugs Bunny cartoons. In the first, Stage Door Cartoon, the "wascally wabbitt" is chased by Elmer Fudd into a theater, where the luckless hunter is forced to perform on stage for an audience, including a bit where he does a frightfully high dive into a very, very small glass of water. In Herr Meets Hare, Bugs takes a wrong turn at Albuquerque and winds up in Germany, where he encounters a Nazi hunter and even Adolf Hitler. At one point Bugs pretends to be a diva in a Wagnerian opera (recalling the classic What's Opera, Doc?). As usual, Mel Blanc does his brilliant voice characterizations.

The strange thing is that the latter cartoon features a disclaimer from TCM (which released the DVD) about ethnic and racial stereotyping, but the only stereotypes in the cartoon are of Nazis. Have we become so ridiculously politically correct that we have to worry about offending Nazis? Oy vey!

Verdict: Amusing, fluid, and well-done cartoons. ***.

SNOW WHITE AND THE THREE STOOGES

Stooges

SNOW WHITE AND THE THREE STOOGES (1961). Director: Walter Lang.

The evil queen (Patricia Medina) imprisons her stepdaughter, Snow White (Carol Heiss), because the queen's mirror tells her she is the more beautiful of the two. Meanwhile Prince Charming (Edson Stroll) was banished as a boy and is now a traveling player with his adoptive fathers, the Three Stooges (Joe DeRita, Larry Fine, Moe Howard), who also sell the tonic "Yuk.". When the prince discovers who he is, he determines to rescue the princess and gain back his kingdom, but the queen and Count Oga (Guy Rolfe) may put a crimp in his plans. Snow White and the Three Stooges is a very odd Stooges feature, in that there's not much of their trademark shtick, and the movie is more or less played straight! True, there have been plenty of comedies where the comedians mug while the other cast members play it seriously, but the Stooges normally made farcical films and in a lot of this picture there is not even an attempt to garner laughs. Carol Heiss was an Olympic-class figure skater -- a skating sequence is the highlight of the movie -- but while she's perfectly competent in this she only made one movie. Edson Stroll [The Three Stooges in Orbit] makes an excellent Prince Charming; Medina [The Magic Carpet] is nastily effective (as the queen), as is Rolfe [Mr. Sardonicus]; and there are also roles for Marie Blake as a nursemaid; Buddy Baer as a soldier; Edgar Barrier as the briefly-seen king; and Mel Blanc as the voice of the puppet, Quinto. The Stooges aren't given enough to do and the film is less of a parody than a rather dark fantasy film. The stooges have no problem capably handling the more "dramatic" scenes. Kids were probably bored long before the halfway mark; I was. The songs by Harry Barris  are vaguely pleasant but undistinguished. This is one of several sixties films the Stooges made when their careers were revived by television showings of their older short comedies.

Verdict: Not awful, but not the best of the Stooges, either. **1/2.

THE FULLER BRUSH GIRL

Eddie Albert and Lucille Ball

THE FULLER BRUSH GIRL (1950). Director: Lloyd Bacon. Written by Frank Tashlin.

Sally Elliott (Lucille Ball) is engaged to co-worker Humphrey Briggs (Eddie Albert), and the two have their eye on a home they can't afford. After a spectacular accident at work involving an exploding switchboard, Sally is fired and tries her hand at selling cosmetics as a Fuller Brush girl (she hasn't actually got the job yet, but is kind of "auditioning"). She and Humphrey wind up in the midst of a murder mystery, on the run both from police and from the real killer, winding up on a ship at sea with a bomb aboard! Red Skelton's The Fuller Brush Man was a success, so it was only natural for there to be a Fuller Brush Girl, and Lucy was an inspired choice as star, as she's wonderful in this. Franklin Tashlin's funny script (he also co-wrote Fuller Brush Man), has lots of thrills and laughs, and is full of his trademark inventive "cartoon-style" comedy, such as a great scene when Lucy, wearing several round life preservers, goes rapidly rolling around the deck of the ship and almost goes kerplunk into the ocean. Albert [On Your Toes] provides fine support for Lucy, and there are good performances from Jerome Cowan [Have Rocket, Will Travel] as her boss; Lee Patrick as his wife; Gail Robbins as dancer Ruby Rawlings; Arthur Space as Inspector Rogers; and Jeff Donnell [Night Editor] as Sally's friend, Jane. Red Skelton has a cameo playing himself and a potential customer -- he sells some items to Lucy instead of the other way around! There's a lot of clever stuff in this and the two parrots on the ship (voiced by Mel Blanc) are a scream.

Verdict: Cute picture with lots of laughs and a resplendent Lucy! ***.

JOHNNY DOESN'T LIVE HERE ANYMORE

William Terry, Simone Simon and James Ellison

JOHNNY DOESN'T LIVE HERE ANYMORE (1944). Director: Joe May.

In this very weird movie a young lady named Kathie (Simone Simon of Girls' Dormitory) takes a train to Washington D.C. and becomes the victim of a tiny bad luck gremlin named Rumplestilzken (voiced by Bugs Bunny's Mel Blanc). She winds up taking the apartment of a departing marine named Johnny (William Terry), but learns too late that he has given out keys to friends, soldiers, lady friends, and other apartment dwellers who need to use the bathroom. (Kathie makes all sorts of repairs to the apartment, but it never occurs to her to have the lock changed!) A sailor named Mike (James Ellison of Next Time I Marry) is one of the interlopers, along with his pal Jack (Chick Chandler of Lost Continent), and he finds himself vying with a returning Johnny, on leave, for Kathie's affections. The first thing you think while watching the beginning of this movie is that it could be either cute or stupid, and unfortunately it's much more of the latter than the former. The cast is appealing, especially a winsome Simon and sensitive Terry, and there are a couple of chuckles, but mostly it's more irritating than amusing. The ending is interesting, however, as you wait to find out which man Kathie is going to agree to marry and there's a surprise or two. Poor Rondo Hatton [House of Horrors] has a bit where he plays an undertaker who frightens Kathie. Grady Sutton and Robert Mitchum have smaller roles and are swell.

Verdict:  Seems different at first but is really the same old silly stuff. **.