CHARLIE CHAN IN PARIS

CHARLIE CHAN IN PARIS (1935). Director: Lewis Seller.

Charlie Chan (Warner Oland) comes to Paris to investigate some counterfeit bank bonds when his associate, the Apache dancer Nardi (Dorothy Appleby), is murdered at the end of her act. Then Yvette (Mary Brian of Manhattan Tower), the fiancee of Chan's handsome young friend Victor (Thomas Beck of Every Saturday Night) gets in trouble when she goes to get some compromising letters from a former boyfriend, Henri Latouche (Murray Kinnell), who is also murdered. Chan now has at least two murders to solve, with the help of Inspector Renard (Minor Watson) and his irrepressible son Lee (Keye Luke). A weird old beggar goes around causing mayhem, and there's a scene in the Paris sewers. The cast is good, and Erik Rhodes is especially memorable as the ever-amusing artist Max Corday. The best scene has Corday assuming Chan can't speak English well and asking him if he wants a "little dlinky," after which Chan makes clear that he speaks English quite well, thank you. Kinnell often appeared in Charlie Chan movies in a variety of roles. This was the first appearance of Keye Luke as Lee Chan.

Verdict: Acceptable if minor Charlie Chan mystery. **1/2.

MANHATTAN TOWER

Mary Brian in a pensive moment

MANHATTAN TOWER (1932). Director: Frank R. Strayer.

Inside the high stories of the Manhattan Tower the lives of several people begin to intersect. Mary (Mary Brian) and her boyfriend Jimmy (James Hall) are saving up to get married and buy a home in Kew Gardens. Mary is secretary to the lecherous and all around unpleasant Kenneth Burns (Clay Clement), whose wife, Ann (Irene Rich), has finally had enough and wants her freedom to marry lawyer David Witman (Hale Hamilton) -- whose office is also in the Tower. Whitman has a dizzy secretary who unwittingly causes a run on the bank in the building because of something she overhears. Then there's Marge (Noel Francis), another rather sluttish secretary who is not unwelcoming of Burns' oily advances. Mary asks Burns to invest some money for her, which does not sit well with Jimmy. It all culminates in a horrifying confrontation in Burns' office. The film is well-directed and edited and has an interesting cinematic technique in that the camera turns into film strips that go higher or lower depending on which floor the next scene occurs. There's a morally ambiguous ending in which one brash character pretty much gets away with causing another's death. While the victim may not have been an especially nice person, even he didn't deserve the awful fate he endures [and the other characters are much too blase about it all]. The only familiar faces in this are Wade Boteler as Jimmy's boss and Walter Brennan in a small role as Jimmy's stuttering co-worker. [Ironically, Brennan went on to fame while the others were all forgotten.] The film is full of more than competent actors who never achieved any kind of lasting fame. Mary Brian, who started in silents, had quite a few credits both before and after this film. Hall also started in silents; this was his last film credit and he died 8 years later at age 39.

Verdict: Entertaining trifle with some good actors and interesting developments. **1/2.