VILLAGE OF THE DAMNED (1960)

VILLAGE OF THE DAMNED (1960), Director: Wolf Rilla. Colorized. 

All of a sudden everyone in the town of Midwich collapses into unconsciousness, and remains that way for several hours. Months later virtually every woman in the village is pregnant, and they all give birth to strange, emotionless children with the same blond hair and uncertain stare. One of the fathers, Gordon Zellaby (George Sanders of Jupiter's Darling), tries to get through to the children and become their friend, while his wife, Anthea (Barbara Shelley of Dracula Prince of Darkness), can only love her beautiful if essentially unresponsive son as best she can. It isn't long before the children demonstrate frightening mind-control powers that they use against perceived enemies, including a man who accidentally hits one of the girls but doesn't injure her. Zellaby, his brother-in-law Alan (Michael Gwynn of Never Take Candy from a Stranger), and others in authority such as Dr. Willers (Laurence Naismith of Jason and the Argonauts), learn that other weird children have been born elsewhere in the world, with terrible results. Little David Zellaby (Martin Stephens of Another Time, Another Place) wants his father to arrange for him and the other children to go away, infiltrate other societies, and in essence, take over the world, but Gordon comes up with another scheme that just might mean the death of him. 

"Beware Their Stare:" Martin Stephens and pals 

Village of the Damned is based on John Wyndham's sci fi classic "The Midwich Cukoos," which undoubtedly goes into more detail about these extra-terrestrial babies, their origins, abilities and so on, as well as the moral implications of the story and the notion of killing children, no matter how malevolent or bizarre they may be. Gordon does his best to mentor the children, and talks about teaching them morality as they grow, but these sequences are not shown. The performances in this are quite good, and little Martin Stephens with his angelic, dispassionate face makes an impression despite being dubbed to give him an "otherworldly" voice. The film was a very big hit, and a sequel, Children of the Damned, soon followed. Remade in 1995 with Christopher Reeve.( If memory serves me right, it was decent.) Ronald Colman was penciled in to play the lead but died -- he was replaced by Sanders, who also married Colman's widow!

Verdict: Classic, creepy science fiction. ***. 

ANOTHER TIME, ANOTHER PLACE

Sean Connery and Lana Turner as lovers

ANOTHER TIME, ANOTHER PLACE (1958). Director: Lewis Allen.

"Odd, how the presence of someone you love can make a whole place beautiful."

In 1945 London reporter Sara Scott (Lana Turner) falls in love with BBC journalist Mark Trevor (Sean Connery). Unfortunately, Mark tells Sara that he is already married. Sara will never find out if Mark would have stayed with Sara or gone back to his wife, Kay (Glynis Johns), because he's killed in a plane crash shortly after his disclosure. After some time recuperating from her grief in a sanitarium, Sara travels to Cornwall where Mark lived and in a rather contrived development winds up meeting, and then living with, Mark's widow and his young son, Brian (Martin Stephens). The plot is pure soap opera, but it does present an intriguing situation, if only the characters were more dimensional (especially Sara) and if the script rose above its fairly trite level. Turner is okay, but she only indicates whatever her character is feeling without really exploring it, but Glynis Johns [The Vault of Horror] is excellent as Mark's widow. Although Sean Connery [Marnie] was "introduced"in this film, he'd appeared in several movies before this, and gives a more than satisfactory performance as Mark, convincingly making love to Turner, who was ten years or so older at the time. Barry Sullivan [Night Gallery] has the thankless role of Sara's boss, who has been in love with Sara for some time, and was even engaged to her before she met and fell in love with Mark. Sullivan is meant to be a stoic type who keeps his emotions to himself, but he adds no nuances or complexities to his performance, albeit his part is also underwritten. Johns and Connery come off the best, with a nod to little Martin Stephens, who is very good and charming as Brian.

Verdict: "Another Movie" -- or script --  might have helped, but this has its moments. **1/2.