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| Gene Barry and Rhonda Fleming |
THOSE REDHEADS FROM SEATTLE (1953). Director: Lewis R. Foster.
Mrs. Edmonds (Agnes Moorehead) brings her four daughters from Seattle to the Klondike to meet up with her husband, a reformer who is trying to clean up the town during the gold rush. Unfortunately, when they arrive they discover that the man has been murdered. The chief suspect is saloon owner Johnny Kisco (Gene Barry of
Burke's Law), who does what he can for the ladies, including giving one daughter, Patricia (Teresa Brewer) a job as an entertainer in his club. Her sister Katherine (Rhonda Fleming of
The Killer is Loose) falls for Johnny and vice versa, but she can't deal with the rumors about his part in her father's death. Patricia winds up on the outs with the rest of her family as Katherine, taking over her late father's newspaper, does her best to run Johnny out of town.
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| Teresa Brewer |
With a storyline like that you wouldn't think that
Those Redheads from Seattle would be a musical, but it is; unfortunately it was produced by Paramount and not MGM. The songs are by a variety of composers and lyricists, some of whom went on to better things. But the big problem is that you would think the movie would have employed some famous musical stars, but neither of the two leads really do any singing (Barry later wound up starring on Broadway in
La cage aux folles, but he was no great shakes as a singer). Teresa Brewer can sing, more or less, but the less said about her overbearing style the better -- as actress she is more palatable, but this was her only movie. There's only one halfway memorable song anyway, "I Guess It Was You All the Time," very well sung by Guy Mitchell, who plays Johnny's buddy, Joe. This was Mitchell's first movie. Essentially a vocalist, he had only a few credits on TV and in pictures.
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| Moorehead with Fleming, Brewer and one Bell Sister |
Barry and Fleming make a pretty good team, even if they barely talk to one another throughout most of the movie.
Moorehead is as terrific as ever as the somewhat feisty widow. The other two daughters in the film are played by "The Bell Sisters," about which little is known -- this was their only movie. The last few minutes of the film are taken up with a shoot out between Johnny and the real murderer as he tries to bring him in to clear his name, an abrupt shift in tone that doesn't bring nearly enough excitement to the proceedings. On a whole, the movie is pleasant enough, but aside from some of the performances there's little to distinguish it from numerous mediocre musicals. NOTE: This was originally released in 3D, probably the first musical to do so. Not that it helped that much.
Verdict: If we must have western-melodrama-musicals, this one will do until something better comes along. **1/2.
