GREMLINS

Gizmo, the mogwai

GREMLINS (1984). Director: Joe Dante.

Looking for a special present for his son, Billy (Zach Galligan), Randall Peltzer (Hoyt Axton) buys a strange creature called a mogwai from a Chinatown curiosity shop. Christened "Gizmo,' the adorable creature loves to sing, but certain rules regarding the animal must be followed or disaster will follow. Naturally these rules are inadvertently broken and before long the bucolic town of Kingston Falls is besieged by a horde of nasty, chittering "gremlins" causing utter havoc. Gremlins is a pretty silly movie, but it's also an entertaining and amusing one, with an interesting premise (a take on the dangerous and mythical "gremlins" that allegedly plagued airmen and others), and some superior special effects work, especially in puppetry and make-up effects. Zach Galligan and Phoebe Cates make a charming romantic couple, and Polly Holliday is fun as the town's heartless old woman who takes a deadly trip on a staircase elevator that goes riotously out of control. Jackie Joseph and Dick Miller [A Bucket of Blood] score as neighbors of the Peltzers, and there's a cameo from Kenneth Tobey as well. Keye Luke, Scott Brady [Mohawk] , and Jonathan Banks [Wiseguy] also have significant roles and are fine. Ditto for Mushroom, who plays the dog, Barry, and nearly steals the picture, no easy feat. There is an uncomfortable aspect to the film, however, and that's that the evil gremlins (as opposed to Gizmo, who in a sense, gives birth to these monsters) are dark in color and there are times when they are clearly modeled on certain black stereotypes -- almost as if the movie is depicting an inner city invasion of a mostly Caucasian town [We see only one black inhabitant, a likable school teacher, who comes afoul of the Gremlins.] None of this may have been intended, but it does seem in bad taste. While there are quite a few inventive ideas in this, the picture needs tightening in both the editing and pacing departments. This was a very, very successful picture and engendered one sequel and a whole slew of imitations. Although several people are apparently killed by the end of the film, the Peltzer family, who essentially created the whole mess, seem completely unaffected by it.

Verdict: Hardly for every taste, but this is an often clever black comedy. ***.

ALEXANDER: THE OTHER SIDE OF DAWN

Leigh McCloskey

ALEXANDER: THE OTHER SIDE OF DAWN (1977 telefilm). Director: John Erman.

Dawn: Portrait of a Teenage Runaway, a telefilm aired in 1976, was a ratings success, so it was decided to come out with a sequel. Alexander Duncan (Leigh McCloskey), who was introduced in the first film as young prostitute Dawn's (Eve Plumb) boyfriend, is thrown out by his family (who can't afford to feed him) and winds up in L.A., where he, too, sells his body. Then he meets a closeted football player, Chuck Selby (Alan Feinstein), and begins to bond with him. But are they only just using one another? ... Alexander is a dishonest, superficial, ersatz "gay" movie where the lead character has sex with men but is supposedly straight. The scenes with him getting into cars with men, and his exact relationship with Chuck, are glossed over, and the "happy" ending doesn't seem to resolve Alexander's conflicts over his sexuality. Made for television in the seventies, it would have been a surprise that so much of the gay content made it to broadcast were it not for the fact that the far superior and much gayer That Certain Summer aired five years earlier. In this Alexander attends a rap session in a gay center, and goes to gay bars with Chuck (ever dreaming of sweet if drippy Dawn). Eric Holliman portrays a sympathetic gay counselor, and there are nice vignettes from Larry Rosenberg and Jonathan Banks [Wiseguy], among others, as young men at the center. Holliman's character says that he believes in people making their own choices, although nowadays it is not being gay that is considered a choice, but accepting oneself. McCloskey was actually twenty-two when he played this seventeen-year-old character, and while at times he seems a little too sophisticated, he gives a good performance. Holliman [The Power] is fine, as is Feinstein, although Chuck's dallying with a seventeen-year-old and getting him to go off and buy drugs for him, is problematic. Jean Hagen [No Questions Asked] scores as a landlady who's seen better days and has a picture of herself as "Miss Newcomer" of the Year on her wall, and Asher Brauner is also notable as a friend of Alexander's who gets him into hustling wealthy women, such as  Juliet Mills (these scenes have little veracity, frankly). Lonnie Chapman and Diana Douglas are effective as Alexander's parents. Miss Frances Faye plays herself and is apparently female, although in the film she comes off like a drag queen.

Verdict: The sequel, "Alexander Moves to New York and Comes Out," never materialized. **.

WISEGUY Seasons 2, 3, and 4

Jerry Lewis

WISEGUY Season 2, 3 4. 1988 - 1990.

Wiseguy continued to be a good and watchable series throughout its second season. As already noted, the "Dead Dog Records" arc was not included on the official DVD but was the highlight of the second season if not of the show itself. There were other fine story arcs in season 2, however, such as one in which Jerry Lewis and Ron Silver played father and son in the garment industry who were in conflict with a riveting Stanley Tucci as a gangster. For several of these episodes Anthony Dennison filled in for an injured Ken Wahl, and was fine. There was also a shorter arc with an excellent Fred Dalton Thompson as a politician involved with a white supremacy group. Vinnie's priest brother is murdered, and in a truly unlikely development his mother marries an old retired mafioso well-played by George Petrie (who frequently appeared on The Honeymooners with Jackie Gleason). One of the best second season episodes was a stand-alone story in which Frank's wife is dying and he and Vinnie try to figure out how to get the money for an operation for her.Wahl continued to exhibit his star charisma and Jonathan Banks was superb as Frank McPike.

Wiseguy  took a real nose dive in its third season, however. It started off well enough with story arcs in which Vinnie takes his stepfather's place at the table of assorted mafioso -- surely a very strange situation -- and has to contend with assorted rivalries and resentments all the while maintaining his cover. Another story arc in which Vinnie goes to Washington D.C., uncovers all sorts of skulduggery, including a plot to ruin the Japanese economy, and winds up arrested, featured fine performances from Ray Stricklyn and especially Norman Lloyd. Wahl exhibited his versatility by playing Vinnie's father in a stand-alone flashback episode, but another single episode in which an old girlfriend turns out to be a cop and thinks Vinnie is a hood, was left dangling. Instead we got the worst story arc in the series' history, in which Vinnie goes to a small town to investigate a man who seems to hold sway over the citizens like an old time European lord. This man, Volcheck, badly played by Steve Ryan, is obsessed with the film Mr. Sardonicus, which is a hell of a lot more watchable than these truly awful episodes of Wiseguy. The unbelievable story also brought back Roger LoCocco (William Russ) in a completely contrived manner, and had Vinnie freaking out and running off in the middle of an assignment, a development which was even more implausible than the rest of the story arc. The season ended up with Eddie Bracken playing a priest and giving a poor performance that matched the general third-rateness of these episodes. We saw more of Jim Byrnes as Lifeguard, who got a girlfriend.

For the fourth and final season, Vinnie -- or rather Ken Wahl -- ran off for good and left the series. Vinnie Terranova was killed off off-screen, but as his body was not found it may have left the door open for a return which never happened. Instead the new hero of the show was Michael Santana (Steven Bauer) a former prosecutor who winds up working with Frank McPike to take down a powerful man (an excellent Maximilian Shell) who thinks of Michael as a son. These episodes weren't terrible, but it just wasn't the same show. In further changes, both Michael and McPike joined the U.S. Attorney's office when the OCB [Organized Crime Bureau] was dissolved. Yet another change occurred in the final episode which featured a dynamic Billy Dee Williams as a tough high school principal who is asked to run for mayor and wants Santana to help in his campaign. How McPike would have fit in with this, no one knows; the series was canceled and the last three episodes, including the one with Williams, were never telecast. The best fourth season episode, in which Michael's friend Hillary (Cecil Hoffman) tries to bring a company that sells defective plane parts to justice, was also never aired. Bauer, Banks and Hoffman gave very good performances, however, and there was also nice work from Michael Learned as Hillary's mother and Fredric Lehne as lawyer Winston Chambers.

Verdict: Season 2: ***1/2. Season 3: **1/2. Season 4: **1/2.

WISEGUY Season One

Ken Wahl as Vinnie Terranova

 WISEGUY Season One. 1987.

Vinnie Terranova (Ken Wahl) gets out of prison after several months and is the shame of his mother, whose other son is a priest. What Ma doesn't know -- and his brother does -- is that Vinnie only went to jail to cement his cover as an agent for the OCB (Organized Crime Bureau). His first assignment is to go to work for mob boss Sonny Steelgrave (Ray Sharkey), with whom he truly becomes friends. Wiseguy looks at the conflicted feelings of agents who have to get close to bad guys as part of their job, but who get to know them on a personal level and ultimately feel as if they are betraying them. In the first season's second story arc, Vinnie gets involved with hit man Roger LoCocco (William Russ) and his bosses, the nutty brother and sister team of Mel (Kevin Spacey, in his first major role) and Susan Profitt (Joan Severance). Wahl is perfect as Terranova, embodying the toughness he would need as an undercover hoodlum as well as the sensitivity to care not only for victims but on occasion for the bad guys as well (this gets a little sticky at times); his Brooklyn accent gets thicker as the season progresses. The other players already mentioned are also on the money, and there's fine work as well from Dennis Lipscomb as mob accountant Sidney; David Steinberg as a rogue government agent; Elsa Raven as Vinnie's mother; David Marciano as the psychotic Lorenzo; and others. Jim Byrnes is fine as "Lifeguard," an agent who answers all of Vinnie's questions and gives him information, and Jonathan Banks, a superb actor, is simply outstanding as Frank McPike, Vinnie's hard-headed but complex liaison in the agency. Joe Dallesandro is certainly interesting casting as rival mob boss, Patrice. While some of the developments in the series are not credible -- Vinnie proposing to a perfectly psychotic woman at one point -- and Vinnie is sometimes too sympathetic to the criminals (the second story arc in particular has a head-scratching wind-up) Wiseguy is entertaining and well-acted.

Verdict: Not quite a classic show but not bad and often suspenseful. ***.