Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label John Rogers. Show all posts
Showing posts with label John Rogers. Show all posts

Thursday, May 18, 2017

THINK FAST, MR. MOTO

Peter Lorre as Mr. Moto
THINK FAST, MR. MOTO (1937). Director: Norman Foster.

"Half of the world spends its time laughing at the other half -- and both are fools." -- Mr. Moto.

"Strange people, these Americans." -- ditto.

On a liner heading for China, a mysterious Japanese man named Mr. Moto (Peter Lorre) encounters a pleasant young fellow named Bob Hitchings (Thomas Beck), whose father owns the steamship company. Bob falls hard for another mysterious person, Gloria (Virginia Field), who is employed as a singer at the International Club in Shanghai. Gloria's employer, Nicolas Marloff (Sig Ruman) is up to some skulduggery and Mr. Moto seems to have an uncertain role in this. Is he good guy or bad? Although Think Fast, Mr. Moto, the first of the Mr. Moto films, has a workable script and a fast pace, its primarily the performances that put it over, with Lorre superb as the importer who dabbles in detective work as a sideline, especially where his own concerns are involved. Thomas Beck is quite appealing as Bob, and Virginia Field [Repeat Performance] offers another of her expert portrayals as the mystery woman who has, perhaps, gotten herself in too deep. John Rogers scores as ship's steward, Carson, who may be hiding a shiv under his likable exterior, and there are nice turns from J. Carrol Naish as an assassin; Murray Kinnell as a business associate of Bob's father; and Lotus Long [Mr. Wong in Chinatown] as a hotel switchboard operator who helps Moto and is nearly killed for her troubles. Thomas Beck and Murray Kinnell both appeared in Charlie Chan in Paris.

Verdict: Good, snappy introduction to the Mr. Moto series. ***.

Thursday, January 8, 2015

CHARLIE CHAN IN LONDON

Drue Leyton, Warner Oland and Ray Milland
CHARLIE CHAN IN LONDON (1934). Director: Eugene Ford.

Pamela Gray (Drue Leyton) is convinced that her brother, Paul (uncredited), is innocent of the murder of an inventor named Hamilton, but his appeal has been denied and he is facing execution. Although Pamela's fiance, Neil (Ray Milland), Paul's lawyer, doesn't believe in his client's innocence, Charlie Chan (Warner Oland) isn't so sure. He has only a couple of days to prove the man's innocence and save his life. Then there's a "suicide" of one of the suspects, and an attempt is made on Chan's life ... Among the suspects are the horse groom Lake (John Rogers); grumpy, uncooperative Major Jardine (George Barraud); Phillips, the butler (Murray Kinnell); Geoffrey Richmond (Alan Mowbray); and his girlfriend, Lady Mary (Mona Barrie), among others. Detective Sergeant Thacker is played by E. E. Clive. Considering the circumstances, Charlie Chan in London should have been a lot more suspenseful than it is, but the actors, Oland included, are more than competent and the movie is watchable. The ending is charming.

Verdict: Chan capably treading water. **1/2.