JURASSIC PARK III (2001). Director: Joe Johnston.
In this third installment of the Jurassic Park series -- the fourth, Jurassic World, is just about to open -- paleontologist Alan Grant (Sam Neill) is importuned to travel with his associate Billy (Alessandro Nivola) to an alternate dinosaur-riddled island due to the manipulations of an estranged couple, the Kirbys (William H. Macy and Tea Leoni). The Kirbys don't tell Grant that they are searching for their young son, who was lost on the island when he and his mother's boyfriend unaccountably went paragliding near the island. After their plane is destroyed by a dinosaur, Grant has to wonder if anyone can survive let alone if they can find the boy, assuming he's alive after all this time. Jurassic Park III is an entertaining film with outstanding special effects, and if you ignore its stupid moments and uneven characterization you can concentrate instead on that wonderful and scary spinosaurus who keeps popping up for a snack when you least expect it. As usual in movies of this nature, the pilot and another man are quickly eaten and then forgotten about, but even stranger, even the boy and his mother seem to have zero feelings about her boyfriend, whose half-eaten corpse she comes across. As for the acting, Macy and Leoni are so busy being "cute" that they never quite get across that a.) their son may be dead or b.) they may never get off the island even if they find him. Neill and Nivola strike a more realistic note. Along with that marvelous spinosaurus, there are also the usual complement of nasty, intelligent raptors, big apatosauri, and of course flying pterodactyals, who carry off more than one member of the cast. The climax on the river is a bit disappointing, but basically this has more than enough thrills to keep fans of the genre satisfied and it has less ugly scenes than the first two pictures.
Verdict: Give that spinosaurus his own movie! ***.
Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Joe Johnston. Show all posts
Showing posts with label Joe Johnston. Show all posts
Thursday, June 11, 2015
Thursday, November 17, 2011
CAPTAIN AMERICA: THE FIRST AVENGER
CAPTAIN AMERICA: THE FIRST AVENGER (2011). Director: Joe Johnston.
The super-hero Captain America first appeared in comics during the golden age of the 1940's. He was brought back in the sixties with the explanation that he had been in suspended animation for decades. Captain America, The First Avenger takes the same tack, but decides to make the movie a long flashback to the forties, presumably hoping sequels and the upcoming Avengers movie will show Cap in action in the modern age. Steve Rogers is a short, skinny but brave and plucky young man who wants to serve his country but is judged 4-F. The character is so likable that you root for him to make it just as he is [the comics never delved too much into Roger's pre-Captain America life], although to be fair it is not his new physique [after he volunteers for an experiment] that wins him admiration, but his actions. For inexplicable reasons the script [by Christopher Markus, Stephen McFeely and others] includes a dumb middle section in which the new Cap is not sent into action but only used as a poster boy in war bonds advertisements, allowing other characters to call him "Tinkerbell" and "chorus girl." This has absolutely nothing to do with the comics. One intelligent change is that his boy partner, Bucky, has been turned into an adult, another soldier and good friend of Steve's [he never actually becomes a costumed partner, however].
Chris Evans is quite good as Steve Rogers/Captain America. Hayley Atwell is acceptable as Peggy Carter, who was a spy in the comics but here is a drill sergeant [not likely in the forties!]. Tommy Lee Jones, looking like the wreck of the Hesperus, plays an old warhorse colonel. Hugo Weaving is effective enough as Johann Schmidt, better known as the evil Red Skull, Cap's nemesis. [In this the Skull belongs to the evil organization Hydra.] The trouble with Captain America is that it doesn't have much of a story, the action scenes are all kind of blah and are poorly directed and edited for the most part, and it never catches the sheer colorful excitement of the comic book hero. Believe it or not, despite all the money spent on this production, it really isn't much better than that the low-budget Captain America with Matt Salinger. And it's never as thrilling or entertaining as the old cliffhanger serial, Captain America. It also at times has an old-fashioned sensibility that is not really explained away by the time period. NOTE: To read more of the sixties comic book adventures of Captain America, see The Silver Age of Comics.
Verdict: A major disappointment. **.
The super-hero Captain America first appeared in comics during the golden age of the 1940's. He was brought back in the sixties with the explanation that he had been in suspended animation for decades. Captain America, The First Avenger takes the same tack, but decides to make the movie a long flashback to the forties, presumably hoping sequels and the upcoming Avengers movie will show Cap in action in the modern age. Steve Rogers is a short, skinny but brave and plucky young man who wants to serve his country but is judged 4-F. The character is so likable that you root for him to make it just as he is [the comics never delved too much into Roger's pre-Captain America life], although to be fair it is not his new physique [after he volunteers for an experiment] that wins him admiration, but his actions. For inexplicable reasons the script [by Christopher Markus, Stephen McFeely and others] includes a dumb middle section in which the new Cap is not sent into action but only used as a poster boy in war bonds advertisements, allowing other characters to call him "Tinkerbell" and "chorus girl." This has absolutely nothing to do with the comics. One intelligent change is that his boy partner, Bucky, has been turned into an adult, another soldier and good friend of Steve's [he never actually becomes a costumed partner, however].
Chris Evans is quite good as Steve Rogers/Captain America. Hayley Atwell is acceptable as Peggy Carter, who was a spy in the comics but here is a drill sergeant [not likely in the forties!]. Tommy Lee Jones, looking like the wreck of the Hesperus, plays an old warhorse colonel. Hugo Weaving is effective enough as Johann Schmidt, better known as the evil Red Skull, Cap's nemesis. [In this the Skull belongs to the evil organization Hydra.] The trouble with Captain America is that it doesn't have much of a story, the action scenes are all kind of blah and are poorly directed and edited for the most part, and it never catches the sheer colorful excitement of the comic book hero. Believe it or not, despite all the money spent on this production, it really isn't much better than that the low-budget Captain America with Matt Salinger. And it's never as thrilling or entertaining as the old cliffhanger serial, Captain America. It also at times has an old-fashioned sensibility that is not really explained away by the time period. NOTE: To read more of the sixties comic book adventures of Captain America, see The Silver Age of Comics.
Verdict: A major disappointment. **.
Saturday, April 5, 2008
HERE'S THE NEW WOLF MAN

BOO!
Benicio Del Toro plays Lawrence Talbot -- the role originally essayed by Lon Chaney (Jr.) in the original The Wolf Man (1941) -- and Anthony Hopkins plays Sir John Talbot in this remake due out in 2009 and directed by Joe Johnston. Special Makeup Effects are by Rick Baker.
Looks like a pretty scary fellow, eh?
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