SURFSIDE 6

Troy Donahue, Lee Patterson, Van Williams

SURFSIDE 6 (1961).

This hour-long action-mystery series lasted for two seasons. Dave Thorne (Lee Patterson of The Flying Scot) and Kenny Madison (Van Williams of The Green Hornet) lived on a houseboat in Miami Beach and formed the Thorne-Madison private detective agency. Their rich buddy, Sandy Winfield III (Troy Donahue of Parrish) lived at the yacht club and kibitzed with the other two until he seemed to be working for, or with, them full-time. Each episode would star one of these three actors, although there were times when the others would appear; sometimes all three guys would get involved in a particularly difficult case. Beside the assorted women who would appear in each episode, there were two female regulars: Diane McBain as Daphne Dutton, a pretty heiress who hangs around the boys and occasionally gets mired in one of their cases; and Margarita Sierra as "Cha Cha" O'Brien, a poor man's Carmen Miranda and night club entertainer. Sierra was never a good fit for the program, as sometimes the story would have to stop dead to include one of her numbers while the other actors wore frozen smiles in reaction shots. On rare occasions "Cha Cha" would have something to do with the main storyline. Sierra over-sang everything terribly. In the first season the boys' police liaison was the gruff, nearly barking Lt. Snedigar (Don "Red" Barry), while in the second season he was replaced by Lt. Plehn (Richard Crane), who was a bit more pleasant but just as professional. Both actors offered interesting and adept portrayals, and Crane was especially good.

The most memorable episodes of the series include: "The Old School Tie," with Gloria Talbott involved with murder at a reunion; "Midnight for Prince Charming," with a lonely man conned by a criminal couple; "Race Against Time," with Lee's associates desperately trying to save his life after he's been poisoned on an airliner; "Vengeance is Bitter," concerning a roman a clef about a murder case and the attempts to uncover the author; "Anniversary Special," a twisted domestic drama about a TV host and his unhappy wife, with both roles played superbly by William Windom and Jeanne Cooper; and "Overdose of Justice," in which a ferociously good Mara Corday [Tarantula] plays a vicious beauty involved with a love-sick insurance man played by Ed Platt [Get Smart]. The vast majority of episodes in the series were solid "B"s if not better with a few clunkers along the way. Although Donahue tended to be a bit stiff, he was okay in most episodes, with Williams and Patterson exhibiting a bit more flair and charm. Diane McBain was lovely and talented. I can't make up my mind if the theme music is catchy or really annoying.

Verdict: Entertaining mystery series with handsome studs and pretty gals awash in intrigue. ***.

THE MAN FROM U.N.C.L.E. Season Two

Napoleon Solo and Illya Kuryakin -- in color

THE MAN FROM U.N.C.L.E. Season Two. 1965.

Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) came back for a second season of the generally light-hearted spy show, this time in color and "armed" with special pen communicators. There was more humor this season, with some rather stupid episodes, but quite a few were memorable. The two-part "Alexander the Greater Affair" features Rip Torn as a megalomaniac out to rule the world. "The Foxes and Hounds Affair" presents an amusing -- and explosive --  rivalry between two Thrush agents played by Patricia Medina and a wonderful Vincent Price. "The Dippy Blonde Affair" has a Thrush executive falling for the girlfriend (Joyce Jameson) of a colleague he murdered after she's enlisted by UNCLE to play along and find out what she can. Thrush develops a strain of deadly and nearly invisible bees in "The Birds and the Bees Affair," in which Illya and a lovely companion are subjected to torture by sonics. "The Bridge of Lions Affair" features Maurice Evans, Bernard Fox and Vera Miles in a tale of artificial rejuvenation and the power plays surrounding it. The season's best episode, "The Waverly Ring Affair," is a suspenseful business in which the agents must figure out which co-worker, Larry Blyden or Elizabeth Allen, is a traitor working for Thrush. Other good episodes include "The Ultimate Computer;" "Discotheque Affair;" "Re-Collectors;" "Arabian Affair;" "Adriatic Express;" "Project Deephole;" "Minus X Affair" with Eve Arden; and "The Children's Day Affair," in which Jeanne Cooper plays Mother Fear, who runs a boy's school and is training the little fellows to wipe out agents at a special conference. The worst episode is probably "The Deadly Toys Affair," which guest-stars an overbearing Angela Lansbury in one of her least memorable performances; way too much camp. Vaughn and McCallum are perfect and Leo G. Carroll nearly steals the show as their boss, Alexander Waverly. The souped-up theme music is pretty neat. NOTE: The big-screen adaptation of the show due in 2014 will not star Tom Cruise but rather Henry Cavell of The Man of Steel.

Verdict: Cool show if too often on the edges of camp. ***. 

OVER-EXPOSED

OVER-EXPOSED (1956). Director: Lewis Seiler.

"You'd use your grandmother's bones to pry open a cash register!"

The ads for this picture made it seem as if it was a behind-the-scenes story of scandal sheets such as Confidential that were popular at the time, but it's really just another lousy Cleo Moore movie. In this Moore plays Lily Krenshka, who is nearly run out of town before being befriended by an elderly photographer named Max (Raymond Greenleaf) who teaches her all the tricks of the trade. Before long she's been rechristened Lila Crane and is off to Manhattan where she shrewdly and ruthlessly rises to the top of her profession, moving from a "flash" girl snapping photos in night clubs to fashion photographer, as well as being offered photo-journalistic assignments by her boyfriend, newspaper reporter Russell Bassett (Richard Crenna). Bassett fears that all Lila is interested in is making money, and his fears are confirmed when he assumes she sold a photo of a sweet dowager (Isobel Elsom of Ladies in Retirement) having a fatal heart attack to a scandal sheet. With its one-dimensional characters and busy if dull story line, Over-Exposed just doesn't grip. It also suffers from not having a more mesmeric lead actress, although Moore certainly isn't bad, although the scene when she argues with a jealous co-worker played by a vivid and excellent Jeanne Cooper illustrates the difference between acting and merely expressing personality; Moore's chief note is one of petulance. With only a couple of minutes screen time Cooper steals the movie away from the star. Over-Exposed would certainly have been more palatable with a gripping actress like Stanwyck or Crawford in it -- or Cooper in the lead --  but even then it wouldn't have been one of their more memorable movies. Crenna is competent but uninteresting as the boyfriend so its no wonder he only became a leading man on television. Constance Towers is supposed to be in this movie as Shirley but her role is too small to make an impression. The occasional sharp bit of dialogue isn't enough to save this.

Verdict: At 79 minutes it's 77 minutes too long. *1/2.

NOT YOUNG, STILL RESTLESS Jeanne Cooper

NOT YOUNG, STILL RESTLESS A Memoir. Jeanne Cooper with Lindsay Harrison. Harper Luxe; 2012.

Jeanne Cooper has appeared in films and many television programs [including Highway Patrol, Thriller, Perry Mason, and a very notable turn on The Man from U.N.C.L.E.] but has become most famous for her very long stint on the popular CBS soap The Young and the Restless as matriarch Katherine Chancellor. Naturally, most of her memoir focuses on the show and her cast-mates [as well as her children and grandchildren], so if you're hoping for anecdotes about Cooper working on Black Zoo with Michael Gough you'll be disappointed. [Similarly, while she mentions her friendship with Barbara Hale -- and Raymond Burr -- of Perry Mason, you won't find any notes about her working on The Houston Story with Hale, Gene Barry and William Castle.] However, there is a lot about her upbringing in a liberal household, her lovers and some co-stars, and a lot about her marriage to her handsome but otherwise unsatisfactory husband. Cooper allows herself a few diva moments, and in some of her write ups about her Y&R co-stars seems to be offering as much a slap as a hug, but why not? Cooper is a very talented actress, and in this book emerges as a likable lady as well. Great title!

Verdict: A good read about an interesting woman. ***.

THE HOUSTON STORY

Barbara Hale and Gene Barry

THE HOUSTON STORY (1956). Director: William Castle.

Frank Duncan (Gene Barry), a wannabee player, interests the mob in his plan to steal oil and winds up bogged deeper and deeper in corruption. This is an entertaining, fairly fast-paced crime thriller with good performances from Barry and the rest of the cast. Edward Arnold scores as the mobster Paul Atlas, as does Frank Jenks as Barry's old buddy Louie. Jeanne Cooper is customarily saucy and fine as a waitress that Duncan dallies with but it's Barbara Hale who provides the biggest surprise. Usually cast as comparatively bland good girls (a la "Della Street" on TV's Perry Mason) in this she's a sexed-up blond singer and bad girl Zoe and she seems to be having a ball playing the part. Paul Richards is also vivid as Duncan's rival, Gordy. Some exciting chases and fight scenes.

Verdict: Barbara runs off with the picture! **1/2.