Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label James Shigeta. Show all posts
Showing posts with label James Shigeta. Show all posts

Friday, June 27, 2008

THE CRIMSON KIMONO


THE CRIMSON KIMONO (1959). Written and directed by Samuel Fuller.


When a stripper is shot to death in her dressing room, two police detectives -- one Caucasian, one Japanese-American -- who are partners, friends and war buddies are assigned to the case. The real trouble begins when both of the men fall in love with the same woman, an artist named Christine (Victoria Shaw). The film doesn't shy away from the subject of racism, but once it brings it up it dismisses it without examining its reality. Glenn Corbett isn't bad as Detective Charlie Bancroft but James Shigeta makes more of a dramatic impression as his partner, Joe. Samuel Fuller's script has some interesting elements, but is decidedly half-baked. Shaw gives a nice performance and she and Shigeta have a lovely romantic scene together. Anna Lee adds some spice as an tibbling artist-friend of Charlie's.

Verdict: Good idea, so-so execution. **.

Monday, June 23, 2008

BRIDGE TO THE SUN


BRIDGE TO THE SUN (1961). Director: Etienne Perier.

A pretty young woman named Gwen (Carroll Baker) falls in love with a handsome Japanese diplomat named Hidenari Terasaki (James Shigeta), marries him, and moves to Japan, where she's expected to conform to the docile, subservient role of a typical Japanese housewife, causing friction, to say the least. The couple and their young daughter are back in the U.S. when the Japanese bomb Pearl Harbor; when Hidenari is deported, Gwen -- to her mother's horror -- decides to go with him. Hidenari is distrusted by his colleagues not only because of his American wife but because he is secretly working for peace (exactly what he's doing is never really specified). Based on a true story, Bridge to the Sun is interesting and well-acted, but despite some good scenes, its examination of some serious and provocative situations is on the superficial side. (The whole business of atomic bombs being dropped on Japan is completely glossed over so we never learn the reactions of either Gwen or Hidenari.) However, the ending is very moving.

Verdict: An A for effort. **1/2.