PILLOW OF DEATH

PILLOW OF DEATH (1945). Director: Wallace Fox.

Donna Kincaid (Brenda Joyce of Tarzan and the Amazons) lives with her mostly stern and unpleasant relatives in a creeky old house. Her Aunt Belle (Clara Blandick) heartily disapproves of Donna's relationship with her boss, Wayne Fletcher (Lon Chaney, Jr.), because he already has a wife. This becomes moot when Mrs. Fletcher is found murdered in her bed. Things get complicated when the murders continue, with the victims always found suffocated (hence the "pillow"). In addition to the already named, the suspects include the medium, Julian (J. Edward Bromberg of The Mark of Zorro); the poor relation and servant Amelia (Rosalind Ivan of The Corn is Green); old Uncle Sam (George Cleveland); and creepy next-door neighbor Bruce (Bernard Thomas), who has a thing for Donna and is always puttering surreptitiously around the estate. Pillow of Death is decidedly one of the better "Inner Sanctum" mysteries, with an entertaining story, interesting characters, and a lot of plot twists, not to mention its quota of stupid moments along with a generous amount of suspense. The acting in general is quite good as well, with the character actors being somewhat more effective than the leads.

Verdict: Good "Inner Sanctum" mystery. ***.

THE FROZEN GHOST

THE FROZEN GHOST (1945). Director: Harold Young.

Okay Inner Sanctum mystery stars -- who else? -- Lon Chaney (Jr.) as a mentalist who's convinced that he's psychically responsible for a heckler (Arthur Hohl) dropping dead during his act, even though the man was a heavy drinker with a heart condition. To recover, he breaks off his engagement to Evelyn Ankers and retreats to a wax museum owned by Valerie Monet (Tala Birell). There he also encounters Monet's niece Nina (Elena Verdugo) and a sinister assistant played by Martin Kosleck. When Valerie disappears, Inspector Brant (Douglass Dumbrille) investigates while Chaney's friend George (Milburn Stone) tries to lend sensible support. This mystery has some interesting elements to it, even if it doesn't always jell. Chaney's whispering is kept to a minimum, and his performance is adequate. Kosleck pretty much steals the picture. There is no ghost in the movie -- the title refers to suspended animation.

Verdict: Acceptable time waster, nothing more. **1/2.

STRANGE CONFESSION

STRANGE CONFESSION (1945). Director: John Hoffman.

The fifth "Inner Sanctum" mystery has a good, absorbing storyline about a chemist, Jeff Carter (Lon Chaney Jr.) who is taken advantage of by his venal boss Roger Graham (J. Carroll Naish). Graham sends Jeff down to South America so he can move in on Carter's wife, Mary (Brenda Joyce). Greedy Graham also releases an anti-influenza formula, Zymurgine, to the public before Carter has a chance to perfect it, leading to tragic consequences and a gruesome revenge. Strange Confession holds the attention, but it just isn't horrific enough and doesn't quite work. Naish is excellent as the bad guy, Chaney is mediocre, and Joyce delivers a fairly weak performance as his wife. Milburn Stone and Lloyd Bridges also have small roles and are competent.

Verdict: Okay time passer **.

WEIRD WOMAN

WEIRD WOMAN (1944). Director: Reginald LeBorg.

Undoubtedly the best "Inner Sanctum" feature, this is the first film version of Frtiz Leiber's novel "Conjure Wife." Lon Chaney Jr. is a college professor who marries Paula (Anne Gwynne), much to the consternation of gal pal Ilona (Evelyn Ankers, in one of her best roles). When Chaney has one bit of good fortune after another, he discovers his wife is using witchcraft to ward off his enemies' influences. A disgusted Chaney destroys all of Paula's magic talismans -- and boy does his luck begin to change for the worse. This study of small town college jealousies and romantic rivalries with a supernatural twist is compelling and creepy, with good performances and a suspenseful climax. Chaney isn't bad (although his whispered utterances are as annoying as ever and he's not very credible as a romantic figure), and in addition to the above-named performances there is solid work from Elisabeth Risdon as the blunt Dean of Women, Ralph Morgan as a professor, Elizabeth Russell as his ambitious wife, Lois Collier as an amorous student, and Phil Brown as her jealous boyfriend. This was remade as Burn, Witch, Burn and again as a comic version, Witches' Brew.

Verdict: Quite good little B movie. ***.

CALLING DR. DEATH

CALLING DR DEATH (1943). Director: Reginald LeBorg.

Universal studios' first "Inner Sanctum" mystery should have put paid to the series. Although it runs a little over an hour, it seems to be three hours long. Lon Chaney (Jr.) is a doctor whose wife (Ramsay Ames) is murdered. Chaney thinks he must have done it, but there are other suspects, including one of the wife's boyfriends, as well as his disabled wife. The solution is almost obvious from the start. J. Carroll Naish is fine as a policeman, and Patricia Morison does a nice turn as Chaney's nurse. Chaney is only adequate, however, and his whispered thoughts heard on the soundtrack can bring on somnambulance. Ramsay Ames' terrible performance as Stella, Chaney's worse half, pretty much explains why little more was heard of her, although she was in such films as The Mummy's Ghost and others in later years.

Verdict: Could help if you're having trouble getting to sleep. *