HERCULES

Dawyne Johnson, Rufus Sewell, and Ian McShane

HERCULES (2014). Director: Brett Ratner.

"I can deal with an ambitious man because he can be bought. But a man with no ambition wants nothing."

Hercules (Dwayne Johnson) has finished most of his twelve labors and is now a mercenary for hire, along with some comrades, when he is importuned by Lord Cotys (John Hurt of Alien) of Thrace and his daughter, Atalanta (Ingrid Bolso Berdal),  to help them fight the warlord, Rhesus (Tobias Santelmann), who has magic  and centaurs on his side. Don't expect to see much of that magic because this is yet another mythological film that downplays the fantastic aspects of the legends in favor of warfare. However, Hercules is exciting on that level, and well-staged battle scenes get across the violence without needing to depict extreme gore. Johnson is fine as Hercules, with good support from Rufus Sewell as his comrade Autolycus, Ian McShane [The Last of Sheila] as old seer Amphiaraus, Aksel Hennie as crazy Tydeus, and Reece Ritchie, as Hercules' nephew Iolaus. There's only one monstrous creature in the whole movie, and it looks like video game imagery, but the movie is nicely photographed. This is somewhat better than The Legend of Hercules, which was also released in 2014.

Verdict: Entertaining action flick with muscles. ***.

AMERICAN HORROR STORY: ASYLUM [Season 2]

Jessica Lange as one weird sister

AMERICAN HORROR STORY: ASYLUM [Season Two]. 2012.

"Mental illness is the fashionable explanation for sins." -- Sister Jude.

In this at times very suspenseful and superior second season of the hit horror show, most of the action takes place in an asylum, Briarcliff Manor, run by nuns. The lead characters include Sister Jude Martin (Jessica Lange), who is in charge of the place, although that opinion isn't shared by the psychotic Dr. Arden (James Cromwell), who conducts sick experiments on the inmates. One of these inmates, and the heroine of the show, is Lana Winters (Sarah Paulson), a lesbian who has supposedly been incarcerated for inversion therapy [the main storyline takes place in the sixties] but who actually had been threatening to dig too much into how the miserable institution was run. A present-day framing story has to do with the reappearance of a maniac, Bloodyface, who once had something to do with the Manor, and whose first victim is that annoying mouse, Adam Levine. Other characters include the "nympho," Shelley (Chloe Sevigny); Monsignor Timothy (Joseph Fiennes); sympathetic Dr. Thredson (Zachary Quinto of Star Trek into Darkness); Sister Mary Eunice (Lily Rabe), who undergoes a startling change in personality; and deceptively calm serial killer Leigh Emerson (Ian McShane of Young and Willing). Along with a compelling storyline which pits Lana vs. Sister Jude (until everything gets switched around), there are alien abductions, weird monsters in the forests surrounding the asylum, a winged angel of death who makes periodic appearances, and even a self-indulgent but fun rock video with the sisters and patients dancing to "The Name Game." In other words, almost everything but the kitchen sink, but mostly it works. While the show occasionally comes close to veering into "torture porn" territory, it is very well-acted by all mentioned, with a truly marvelous Lange making a much better impression than she did in season one. One could say this season of American Horror Story has the spirit of E.C. Comics.

Verdict: Very entertaining, creepy, and with some excellent performances. ***.

YOUNG AND WILLING aka THE WILD AND THE WILLING

Virginia Maskell and Ian McShane

YOUNG AND WILLING aka The Wild and the Willing/1962). Director: Ralph Thomas.

"Damn it woman! Lloyds doesn't underwrite everything in life!"

Harry Brown (Ian McShane in his film debut) is a charismatic ladies man at an English college who has a steady girl, Josie (Samantha Eggar of Curtains), but has an affair with the wife, Virginia (Virginia Maskell), of one of his professors, the rather stern Chown (Paul Rogers). Harry is kind to his somewhat geeky roommate, Phil (John Hurt of Alien), and friendly with what appears to be the sole black student on campus, Reggie (Johnny Sekka). Other characters include Sarah (Katherine Woodwille), for whom Phil is carrying a torch, and somewhat snooty Andrew (Jeremy Brett), who was also involved with Virginia. It all leads up to a protracted finale in which Harry gets Phil to help him climb a tower and plant a flag as a prank, an act that leads to tragedy. Young and Willing has its moments, but a lot of it is very predictable. However, the actors are quite good, especially McShane and Maskell, here playing a role very different from hers in Doctor in Love, which was also directed by Ralph Thomas.

Verdict: Some compelling moments and performances. **1/2.

THE LAST OF SHEILA

THE LAST OF SHEILA (1973). Director: Herbert Ross. Screenplay by Anthony Perkins and Stephen Sondheim.

Producer Clinton Green (James Coburn) gathers together a group of people on his yacht for a party of games and murder, as he believes one member of the collection was responsible for the death of his wife, Sheila, in a hit and run. The suspects include writer Tom (Richard Benjamin) and his wife, Lee (Joan Hackett); director Philip (James Mason); actresses Christine (Dyan Cannon) and Alice (Raquel Welch); and Anthony (Ian McShane) to round out the group. These self-absorbed show biz folk are given cards assigning them a particular "vice" as well as clues telling them where to look for more information in the mystery game Clinton insists they all play. But then someone gets murdered for real ... The movie holds the attention and the actors are all good, with James Mason taking top honors, but screenwriters Perkins and Sondheim don't provide fully dimensional characters and are too clever for their own good. As one character says: it "doesn't quite add up -- it leaves you with too many questions." The sexual ambiguity of more than one character only adds to a generally dated quality, with sexual orientations seemingly [and improbably] changing at the drop of a hat [not surprising, considering Tony Perkins worked on the script!]. There's some amusing dialogue and interesting observations at times.

Verdict: Reasonably entertaining, but in the end it adds up to very little. **1/2.