DAVID AND BATHSHEBA

Gregory Peck and Susan Hayward

DAVID AND BATHSHEBA (1951). Director: Henry King.

King David (Gregory Peck) of Bethlehem is married to Michal (Jayne Meadows) but spots Bathsheba (Susan Hayward) taking a shower on a rooftop across the way. As Bathsheba hoped, David spies her and asks her over, where the two reveal an immediate attraction to one another. But what to do about Uriah, the Hittite (Kieron Moore), a soldier who happens to be married to Bathsheba? It seems David will do just about anything to keep his lover from being stoned to death as an adulteress ... Gregory Peck is not bad as David, but this is an actor who has always had trouble summoning up any kind of passion, even in his scenes with Hayward; he projects strength and nobility but little else. Hayward is more effective as Bathsheba, as is Moore [Satellite in the Sky] as the unwitting Uriah. Meadows [ Enchantment] is oddly cast but okay enough as the jealous, cast-off wife. Raymond Massey [Possessed] is fine as the pious prophet, Nathan, and young Gilbert Barnett makes an impression as David's sinister son, Absolom. James Robertson Justice looks and acts as if he wandered into the movie by mistake; George Zucco makes a better impression as an Egyptian messenger from Pharaoh. The best scene in David and Bathsheba is a flashback which details the well-staged battle between a young David and the hulking Goliath. The contributions of Leon Shamroy (cinematography) and Alfred Newman (score) are also of note. Peck first refers to his lover as Bathsheba than starts calling her Bathsheba; the other characters can't seem to make up their minds as to which pronunciation is correct!

Verdict: A biblical soap opera. **1/2.

REMEMBER THE DAY

John Payne and Claudette Colbert

REMEMBER THE DAY (1941). Director: Henry King.

"Remember when Dan and I took the train together. I was so proud of him in his uniform." -- Dewey

"The House of Representatives will never pass an income tax plan." -- the Dean

Teacher Nora Trinell (Claudette Colbert) waits at a Washington reception to renew her acquaintanceship with an old pupil, Dewey Roberts (Sheppard Strudwick), who is now a Presidential nominee. She thinks back to when Dewey was a boy (Douglas Croft) and developed a big crush on her, even as she became secretly married to another teacher, Dan (John Payne), who goes off to war. One might wonder why this woman would want to go see a man that she hasn't been in contact with since he was a boy -- presidential nominee or no -- but it is made clear in a scene between Nora, Dewey and his wife, (Frieda Inescort) at the very end of the picture. Remember the Day is a lovely and touching film with excellent performances from Colbert, Payne [The Crooked Way] and especially young Douglas Croft [George Washington Slept Here], the screen's first Robin (of Batman and Robin), who nearly walks off with the movie. (Tragically, Croft died at only 37 years of age, which adds another poignant element to the picture.) There are other fine performances from Anne Revere as another teacher; Jane Seymour and Harry Hayden as Dewey's parents; Steve O'Brien as a bellboy; and William Henderson and Ann E. Todd as students; Marie Blake and Chick Chandler are also in the cast.

Verdict: Sentimental in the right way. ***1/2.

SUNSET MURDER CASE

SUNSET MURDER CASE (aka Sunset Strip Case/1938). Director: Louis J. Gasnier.

Dancer Kathy O'Connor (Sally Rand) is determined to get the man who ordered her cop father's death, and comes up with a rather implausible plan. She will go to Europe, develop a reputation as the Toast of the Continent under the name "Valerie," and come back to the US to work in a night club owned by bad guy Stephani (Paul Sutton), whereupon she will get the goods on him. Two men are vying for her favors: Detective Helton (Reed Hadley), who had worked with her father; and reporter Lou Fleming (Dennis Moore), who has feelings for Kathy but may have to make do with the slightly pixelated singer, Penny Nichols (Kathryn "Sugar" Kane). Sally Rand made quite a few movies before this, including many silents, but Sunset was her last picture. She became more famous as a burlesque performer with a famous fan dance than as an actress. There's a funny scene when Helton registers his disapproval of dancer Kathy without realizing she's the daughter of his partner. Rand is cute and likable, but Dennis Moore [The Fearmakers] makes the biggest impression as Lou, giving a fine performance of charm and humor. Orchestra leader Henry King plays himself. Handsome Hadley made more of an impression as the lead in the classic serial Zorro's Fighting Legion.

Verdict: Easygoing vehicle for Rand with a potpourri of a script. **.

CHAD HANNA

CHAD HANNA (1940). Director: Henry King.

"Why don't you go back to your pigs -- and stay there!"

In 1841 young Chad Hanna (Henry Fonda) runs off with a small, struggling circus to avoid a sheriff and to court pretty bare back rider Albany Yates (Dorothy Lamour). Caroline (Linda Darnell) also joins the circus to get away from her hateful father (Olin Howlin in a bigger role than usual) and winds up falling for Chad. However, this isn't the usual triangle as both women seem to like and respect one another and there is no stereotypical "bitchiness" between them. Chad Hanna is an amiable comedy-drama detailing the assorted tribulations of the circus as Chad tries to figure out whom he's in love with. Guy Kibbee and Jane Darwell are amusing and excellent as the owner and his wife. Lamour is solid, Darnell gives a lovely performance, and Fonda plays Chad as if the young man were slightly "touched" in the head. Ted North, John Carradine, and Frank Conlon are also notable. Charles Middleton isn't given enough to do as the barely-seen sheriff. Very pleasant and absorbing, and with a memorable score by David Buttolph. Funniest bit has a very hefty Darwell sizing up an elephant and saying "If he ever develops a taste for meat ..."

Verdict: Charming and different. ***.