DR. RENAULT'S SECRET

J. Carrol Naish (center) and cast 

DR. RENAULT'S SECRET (1942). Director: Harry Lachman.

Dr. Larry Forbes (John Shepperd aka Shepperd Strudwick of All the King's Men) has come to a small European village to meet up with his fiancee, Madelon (Lynne Roberts) and her Uncle Robert (George Zucco), who is also a scientist. Others on Robert's large estate include the strange Noel (J. Carrol Naish of The Kissing Bandit), who is a manservant; the butler Henri (Jean Del Val); and the gardener, Rogell (Mike Mazurki). These last two have criminal pasts, but neither of them is as weird as Noel, who is hiding a dreadful secret along with the doctor. Then the brutal strangulation murders begin ... Dr. Renault's Secret was clearly inspired in part by H. G. Wells' "The Island of Dr. Moreau" (itself filmed as Island of Lost Souls) just as both properties inspired Captive Wild Woman and its sequels. While Renault hardly gets points for originality, it is distinguished by brisk and adroit direction, a good score (Emil Newman and David Raksin), excellent cinematography (Virgil Miller), and a terrific lead performance by Naish, who is both pitiable and menacing. The other cast members are all more than adequate, and Zucco is, as usual, perfect. Arthur Shields [South Sea Woman] plays a police inspector and Ray Corrigan is seen in flashbacks as a gorilla. 20th Century-Fox gave the pic a handsome production, and despite its inadequacies and unacknowledged debt to Wells, it is an entertaining horror flick. Harry Lachman also directed the Laurel and Hardy masterpiece Our Relations.

Verdict: One more ape-man never hurts. ***.

CHARLIE CHAN IN RIO

Victor Sen Yung, Harold Huber, and Sidney Toler

CHARLIE CHAN IN RIO (1941). Director: Harry Lachman.

Charlie Chan (Sidney Toler) and his irrepressible son, Jimmy (Victor Sen Yung), have come to Rio where Charlie plans to arrest a woman from Honolulu who is wanted for murder; meanwhile Jimmy hopes to learn the mambo either from singer Lola Dean (Jacqueline Dalya) or her cute maid, Lili (Iris Wong). Alas, Lola is the woman wanted for murder, but she herself is killed before Charlie can put the cuffs on her. Suspects include Lola's baffled fiance, Clark (uncredited); Morana, the Indian mystic (Victor Jory of Cat-Women of the Moon); Ken Reynolds (a strangely unrecognizable Richard Derr of The Invisible Avenger); his wife, Joan (Mary Beth Hughes of Rockin' in the Rockies); friend Bill Kellogg (Hamilton MacFadden); the bitter Grace (Cobina Wright Jr.); Lola's efficient secretary, Helen (Kay Linaker); and even the butler, Rice (Leslie Denison). This is an entertaining mystery, but it lacks the tension and suspense of superior entries in the series. The acting is generally good, however, with Toler and Sen Yung in fine form. Harold Huber once again plays a police inspector, but is more relaxed and appealing than usual. Kay Linaker and Iris Wong were also in previous Chan pictures. Truman Bradley, who was in the last entry Dead Men Tell, is listed in the cast but I couldn't spot him in this and can't even remember the character!

Verdict: Acceptable Chan vehicle. **1/2.

CASTLE IN THE DESERT

CASTLE IN THE DESERT (1942). Director: Harry Lachman.

Charlie Chan (Sidney Toler) receives a note from a woman named Lucy Manderley (Lenita Lane of The Bat) that asks him to come immediately to her castle located in the Mojave Desert in California. Once he arrives, Charlie learns that Lucy never sent the note, but there has apparently already been one murder. Lucy is a descendant of the notorious Lucrezia Borgia, and when a victim or two winds up poisoned, naturally suspicion falls upon her. But there are other suspects: Carl Detheridge (Richard Derr of When Worlds Collide), who worked with Charlie on a previous case; Lucy's husband (Douglass Dumbrille of Alimony), half of whose face is hidden due to a scar; sculptor Watson King (Henry Daniell), who wants to do a bust of Lucy; cadaverous Arthur Fletcher (Milton Parsons), who has a few secrets; the weird fortune teller Madame Saturnia (Ethel Griffies); and others. As the deaths occur, Charlie and the others, including son Jimmy (Victor Sen Yung), are trapped in the castle without a car or a telephone. There's an apothecary in the basement that contains numerous poisons as well as a torture chamber. Castle in the Desert gets a little silly at times, but it has a good story and is well acted by the principals. Derr and Griffies appeared in previous Chan films but played different characters. This was the last Charlie Chan film produced by Twentieth Century-Fox.

Verdict: Good fun in a creepy castle. ***.

DEAD MEN TELL

Truman Bradley as the mysterious Captain Kane

DEAD MEN TELL (1941). Director: Harry Lachman.

Charlie Chan (Sidney Toler) is invited to participate in a treasure hunt for sixty million dollars on Coco's Island, a hunt presided over by the elderly Patience Nodbury (Ethel Griffies). Poor Patience is found dead on the docked ship, the Suva Star, whose Captain Kane (Truman Bradley of The Night Before the Divorce) does his best to keep out of sight as the other passengers embark. Tales of a pirate's ghost give Jimmy Chan (Victor Sen Yung) the willies when an unknown peg-legged man goes about causing mischief. Other suspects besides the captain include prison escapee Lydig (George Reeves); pretty typist Kate (Sheila Ryan of Great Guns); the weird Gene LaFarge (the ever-cadaverous Milton Parsons); perky Laura Thursday (Kay Aldridge); and Dr. Bonney (Lenita Lane of The Mad Magician); among others. If there's any problem with Dead Men Tell it's that the ship never leaves the dock and there's no action on the aforementioned island at all. Still, this has interesting aspects and is well-acted by everyone. Ethel Griffies [Vigil in the Night] is the cast stand-out even if she isn't around too long. As a running gag, Jimmy falls into the water perhaps once too often.

Verdict: More Jimmy hijinks with "Pop." **1/2.

MURDER OVER NEW YORK

Ricardo Cortez, Victor Sen Yung and Sidney Toler

MURDER OVER NEW YORK (1940). Director: Harry Lachman.

When Hugh Drake (Frederick Worlock), formerly of Scotland Yard and now with Military Intelligence, is found dead of gas poisoning, Charlie Chan (Sidney Toler) goes into [relative] action, while son Jimmy (Victor Sen Yung) kibbitzes. A strange man named Paul Narvo is involved in the murder plot, but even his wife, Pat (Marjorie Weaver of The Great Alaskan Mystery) -- from whom she ran away -- doesn't know who or where he is. Suspects and other characters include the butler Boggs (Leyland Hodgson); Inspector Vance (Donald MacBride); Drake's friend, Kirby (Ricardo Cortez); stockbroker Richard Jeffery (John Sutton); David Elliot (Robert Lowery), special friend of Pat's; the obnoxious Britisher Herbert Fenton (Melville Cooper); and Ralph Percy (Kane Richmond); who is involved with experimental aircraft that may be subject to sabotage. Junior Coghlan [The Adventures of Captain Marvel] has a nice bit as a club employee who helps Chan, and Shemp Howard [Brideless Groom] has an amusing turn as Shorty, who pretends to be the "Great Rashid." The exciting climax has many of the characters in a death-trap on a plane miles high in the air. With Richmond, Lowery, and Cortez in the cast -- as they were in many other Charlie Chan films -- this practically comprises the Charlie Chan Stock Company.

Verdict: Death-traps are always fun! ***.

CHARLIE CHAN AT THE CIRCUS

George Brasno and Keye Luke

CHARLIE CHAN AT THE CIRCUS (1936). Director: Harry Lachman.

Charlie Chan (Warner Oland) takes his wife and twelve children to the circus and becomes embroiled in another mystery when one of the co-owners, the unpleasant Joe Kinney (Paul Stanton), is murdered. Suspects include Kinney's partner, Gaines (Francis Ford); the gorilla trainer, Blake (John McGuire of Sea Raiders); aerial artist Marie (Maxine Reiner), who was Kinney's fiancee; Marie's sister, Louise (Shirley Deane); circus worker Tom Holt (J. Carrol Naish) and Nellie Farrell (Drue Leyton), who claims to be the dead man's widow. Surely the killer couldn't be one of the adorable dancing midgets, Tim (George Brasno) and Tiny (Olive Brasno), nor Caesar the gorilla (Charles Gemora), and certainly not Lee Chan's pretty crush Su Toy (Shia Jung)? Keye Luke has a lot to do in this installment and emerges as comic relief, especially in a very funny scene when he and little Tim pretend to be a mother and her baby so they can follow one of the suspects! Shirley Deane appeared in several Jones Family films such as Educating Father as daughter Bonnie. Drue Leyton comes off very different in this than she was in Charlie Chan in London.

Verdict: Highly engaging Charlie Chan adventure. ***.

IT HAPPENED IN HOLLYWOOD

IT HAPPENED IN HOLLYWOOD (1937). Director: Harry Lachman.

Tim Bart (Richard Dix) is a western star in silent pictures who has a real appreciation and love for his young fans. When he does a test for a new sound film, he discovers that he just can't get the lines out right. He's offered a second chance in Hollywood, but he doesn't want to play any part that goes against his essentially good guy image. Frankly, this movie is a little too treacly for my taste, and it doesn't have that many amusing scenes. Dix isn't bad, Faye Wray (as an actress who has a yen for Bart) is as lovely as ever, but the picture is stolen by Bill Burrud as little Billy, a kid who travels miles to see his idol. The best scene is a party in which the guests are all lookalikes of famous movie stars. There's a damn good Garbo imitator, but the Mae West impersonator is none too impressive.

Verdict: Too sappy for some. **.

OUR RELATIONS

OUR RELATIONS (1936). Director: Harry Lachman.

In this comic masterpiece starring Laurel and Hardy the boys have dual roles as happily-married men Stan and Ollie, and their long-lost twin brothers, two single sailors, Alf and Bert. Stan and Ollie innocently enter a beer garden with their wives when they come upon two babes who are acquainted with their brothers -- and the mistaken identity mania begins, taking in everything from unpaid bar bills, run-ins with the law, to chases in fancy night clubs (which they demolish) to gangsters and cement shoes down at the docks, all of it beautifully-paced, zestily-acted, and consistently hilarious. This is probably the boys' greatest and funniest movie. Young Iris Adrian is one of the hungry gals in the beer garden, and Alan Hale is the proprietor of said establishment. Daphne Pollard and Betty Healy score as the boys' wives. James Finlayson, who frequently appeared in Laurel and Hardy movies, is Alf and Bert's shipboard buddy, Finn. He's on the broad side, as usual, but good. Sidney Toler is the captain of the ship.

Verdict: Classic comedy. ****.