CODE TWO

Ralph Meeker, Jeff Richards, Robert Horton

CODE TWO (1953). Director: Fred M. Wilcox.

Three young men -- Chuck (Ralph Meeker), Russ (Robert Horton) and Harry (Jeff Richards of Born Reckless) -- join the police academy in Los Angeles and eventually ask to be assigned to the motor(cycle) squad. Chuck is a cocky if likable lug who goes after Russ' sister-in-law, Jane (Elaine Stewart of The Tattered Dress) but her focus is more on the shy-but-sexy Harry. Russ at first keeps the news about his assignment from his wife (Sally Forrest) because she fears for his safety, but tragedy is in store for one of the other men, with his two friends doing their best to avenge him. It all leads to an exciting climax in a warehouse with a boiling lime pit and a host of bad guys trying to make mincemeat of our heroes.

The three leads all give solid performances with fine support from the ladies and from Keenan Wynn as Police Sergeant "Jumbo" Culdane. William Campbell [The Young Racers] is also notable as a nasty, murderous trucker. Also on hand in smaller roles are Chuck Connors as a cop and James Craig as a police lieutenant. As for Meeker, he struts through the film with great charisma and authority.

Verdict: Well-done if minor cop melodrama. **1/2. 

I PASSED FOR WHITE

James Franciscus and Sonya Wilde

I PASSED FOR WHITE (1960). Director: Fred M. Wilcox.

Bernice Lee (Sonya Wilde), who is biracial, finds herself discriminated against by both whites and blacks. She travels to New York, where she discovers that one firm won't hire her -- despite her qualifications -- simply because she's a "Negro." Lying about her race, she gets a good job and begins a romance with a handsome man, Rick (James Franciscus of The Valley of Gwangi), whom she meets on the plane. But when they fall in love, how far is Bernice -- now known as Lila Brownell -- willing to go with her deception, and can she get away with it?

Lon Ballantyne and Sonya Wilde

I Passed for White has a similar premise to the superior Pinky, which came out eleven years earlier. But while both feature interracial relationships, I Passed for White deals with its heroine in the white urban world and has her interacting with her fiance's upper crust family, who are a bit suspicious -- never dreaming she's part black but wondering why she keeps telling false stories about her family. One of the movie's best scenes has her in a nightclub with her husband and in-laws, and encountering her brother, Chuck (Lon Ballantyne), which leads to an ugly scene that clearly suggests that Rick is a racist.

James Franciscus

Sonya Wilde has her moments as Bernice, but at twenty-one she seems a bit inexperienced to completely pull off such a difficult role; she had only a few credits afterward. Many of the other actors offer somewhat obvious and stilted performances, as if they were appearing in a amateur stage play, although James Franciscus is surprisingly excellent as Rick -- it's no surprise the actor went places, however. Of the supporting cast, the most notable are the aforementioned Ballantyne, who is a nice actor, and Isabel Cooley as the sympathetic maid, Bertha. Two other cast members of note are Jimmy Lydon [Strange Illusion] as a friend of Rick's and Thomas Browne Henry [The Robe] as a doctor. Unfortunately, neither has much to do. Fred M. Wilcox had previously directed Forbidden Planet!

Verdict: No Pinky, but it does have several good sequences. **3/4. 

FORBIDDEN PLANET

FORBIDDEN PLANET (1956). Director: Fred M. Wilcox.

A spaceship helmed by Commander Adams (Leslie Nielsen) lands on the planet Altair-4 to see if there are any survivors of an expedition that landed there almost twenty years before. He and his crewmen discover only two: Professor Morbius (Walter Pidgeon) and his daughter, Altaira (Anne Francis). But there's something else on the planet as well -- an invisible, hulking monster with odd clawed feet that tore apart most of the members of the expedition years ago and is now attempting to do the same to the new arrivals. It would be easy to pick apart the flaws of this movie, which was supposedly inspired by Shakespeare's The Tempest, but it works for most of its length because of its interesting ideas and some genuinely scary sequences involving the monster. The most fascinating parts of the film have to do with the Krell, the race that formerly occupied the planet, built a huge machine inside its core, and were wiped out in a single night by "monsters from the id." The "electronic tonalities" that serve as the film's score add immeasurably to its impact and there are some effective widescreen sets and matte paintings. The acting, unfortunately, is strictly of the second-rate Hollywood variety. Pidgeon, Francis, Nielsen etc. have all given decent performances elsewhere -- Francis made a snappy Honey West some years later -- but they are all rather light weight in this; Pidgeon is okay at first but becomes pretty hammy. Another problem is the dated fifties sensibility of much of the script. Still, this was an influential movie and its best scenes are quite entertaining. The crew men's costumes were later used in the dreadful Queen of Outer Space, and Fiend Without a Face had a similar concept, although it was based on an older short story. Director Wilcox did a smattering of minor films before this, and afterward did only I Passed for White in 1960; he died in 1964.

Over the years remakes of the film have been announced -- the last was in 2008, I believe -- but none have materialized. I always thought it would be a good idea to do a prequel in which we see what happens to the original expedition, which could be quite eerie and terrifying. Who knows? Maybe someday.

Verdict: It may not hold up under intense scrutiny but it is not without its shuddery charms. ***.