Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Fay Helm. Show all posts
Showing posts with label Fay Helm. Show all posts

Thursday, October 26, 2017

NIGHT MONSTER

"It is extremely bad form to gossip about your employers!"
NIGHT MONSTER (1942). Director: Ford Beebe.

Kurt Ingston (Ralph Morgan) is a crippled recluse on an old estate with a sister, Margaret (Fay Helm of Captive Wild Woman), who thinks she's crazy; a housekeeper, Sarah (Doris Lloyd) who acts like she owns the place; a house guest named Agor Singh (Nils Asther of Storm at Daybreak), who can supposedly teleport old bones from graves into the living room; and a leering chauffeur, Laurie (Leif Erickson), who makes a pass at any pretty woman who walks by. Two household staff members include maid Milly (Janet Shaw), who comes to a bad end; and the butler Rolf (Bela Lugosi), who observes and smirks with equal finesse. Into this hot bed come the three doctors who were unable to prevent Ingston's paralysis -- King (Lionel Atwill), Timmons (Frank Reicher), and Phipps (Francis Pierlot) -- as well as the lady psychiatrist Lynn Harper (Irene Hervey) who has come in response to Margaret's call for help. Then the murders begin ... Night Monster is absurd and has some ridiculous moments, but while it has some humor, it can't be accused of the awful "comedy relief" that cheapens all too many of these old horror films. Although he is top-billed, Lugosi has only a supporting part, but manages to tower over everyone in spite of it. Don Porter plays a family friend who teams up with Lynn to find out who is responsible for the series of deaths. There are clever aspects to the story, and a rather creepy finale. All of the actors are on top of things. Ford Beebe was famous for directing cliffhanger serials, but he also does a good job with this moody suspense flick. Hervey and Lloyd were both in Motive for Revenge.

Verdict: At times the film threatens to fall apart, but it has suspense, good performances, and several interesting sequences. ***.

Wednesday, March 26, 2008

CAPTIVE WILD WOMAN

CAPTIVE WILD WOMAN (1943). Director: Edward Dmytryk.

Universal attempted a new sort of monster in this, the first of three films to deal with Paula Dupree, the Ape Woman. Borrowing a concept from H. G. Wells's The Island of Dr. Moreau, the film has a mad scientist, Dr. Sigmund Walters (the always-reliable John Carradine), manipulating glands and using his nurse's brain to turn a female gorilla, Cheela, into a human female whom he names Paula (Acquanetta, who has no lines). Paula has an uncanny power over wild animals, and is hired by the circus to work with lion tamer Fred Mason (Milburn Stone); most of the scenes of Mason working with lions and tigers are inserts of Stone in stock footage taken from Clyde Beatty features. Unfortunately, Paula develops a lust for Stone -- which brings out her animal instincts -- and tries to get rid of his girlfriend Beth (Evelyn Ankers); Cheela/Paula is able to cut through a person's spinal cord with her fingernails. This weird but oddly likable horror flick could have used twenty more minutes' running time, some more scenes showing Carradine working with the gorilla-turned-girl, and better character development. Still, it's quite entertaining. Ray "Crash" Corrigan plays Cheela the ape, Fay Helm is the ill-fated Nurse Strand, and Lloyd Corrigan is John Whipple, who owns the circus. Followed by Jungle Woman.

Verdict: A hoot! **1/2.