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| Janet Leigh and Bob Fosse |
MY SISTER EILEEN (1955). Director: Richard Quine.
Ruth Sherwood (Betty Garrett) and her younger and prettier sister Eileen (Janet Leigh of
The Spy in the Green Hat) come from Ohio to Greenwich Village to pursue careers as, respectively, a writer and an actress. Eileen becomes entangled with lunch counter waiter Frank (Bob Fosse) and on-the-make reporter Chick (Tommy Rail), while Ruth is involved with prominent magazine editor, Bob Baker (Jack Lemmon). Will the sisters find success and romance?
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| Bob Fosse and Betty Garrett |
My Sister Eileen was originally filmed in 1942 with Rosalind Russell playing Ruth. Russell then reprised the role in a Broadway musical version entitled
Wonderful Town with music by Leonard Bernstein. Columbia Pictures, which owned the rights to the original film, wanted to do a film adaptation of
Wonderful Town with Judy Holliday stepping into the lead, but the show's producers wanted too much money. Therefore they decided to remake
Eileen and add a completely new and different score by Leo Robin and Jule Styne. Meanwhile, Judy Holliday became unavailable and Betty Garrett, oddly, was signed to the part.
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| Jack Lemmon |
Garrett, who was married to the blacklisted Larry Parks, is pleasant and competent enough as Ruth, but she can't hold a candle to Rosalind Russell.
My Sister Eileen did not lead to major stardom for Garrett, who had bigger successes on television (
All in the Family; Laverne and Shirley). Aside from a film noir feature some years later,
Eileen was, in fact, Garrett's last starring role. Everyone in this remake is a step downward from the cast in the earlier film with the exception of Bob Fosse, who is very appealing, and Tommy Rail, who is handsome and adept, although, like Fosse, better known for his dancing (and in Fosse's case, choreography and direction). Ironically, Fosse's role in the original picture was played by Richard Quine, who co-wrote (with Blake Edwards) and directed this remake. Jack Lemmon is also quite nice as the editor, Bob Barker. Lemmon and Quine reunited for
How to Murder Your Wife ten years later.
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| Kasznar, Leigh, Garrett, York |
Other roles are filled by Kurt Kasznar as the landlord and Dick York as the off-season football player (which the skinny York scarcely resembles) who lives upstairs. The roles of the sisters' father and grandmother have been eliminated, along with the fortune teller Effie. This remake is not only in Technicolor and CinemaScope but it's been opened up with scenes in Frank's drug store, the El Morocco nightclub, and even the Brooklyn Navy Yard, although the apartment and Village scenes are clearly filmed on a sound stage. The Portuguese merchant marines have become Brazilian sailors. Expanding this sequence just creates a ridiculous scene in which these guys all chase after the not-very-sexy Garrett, something not handled quite so blatantly in the original. The conga scene from the original movie becomes a big production number but loses most of its charm. Another change has Ruth pretending that her stories about Eileen are really about her, an unnecessary development that goes nowhere.
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| Garrett, Fosse, Leigh, and Rail |
Then there are the songs. Jule Styne, the composer of
Funny Girl,
Gypsy and
Darling of the Day can be counted on for some nice numbers and he delivers such good tunes as "I'm Great But No One Knows It," "There's Nothin' Like Love" and "Give Me a Band and My Baby." One of the best scenes in the movie has Fosse and Rail doing a dancing dual as Eileen goes off for an audition.
Verdict: On its own terms, this can be entertaining, and the musical interludes are generally nice, but on a whole it's a cut below the original. **1/4.
