BERNARDINE

Pat Boone and Dick Sargent

BERNARDINE (1957). Director: Henry Levin.

Some high school pals in a club imagine the perfect woman and for unaccountable reasons call her "Bernardine." One afternoon Sanford Wilson (Dick Sargent) meets a beautiful young lady named Jean (Terry Moore of Mighty Joe Young), and he is instantly smitten -- she is his Bernardine. The other guys in the club also think Jean is special, but her relationship with Sanford hits the rocks when she meets Langley (James Drury), the handsome older brother of Sanford's friend, Beau (Pat Boone). With a little help from his friends, Sanford tries to win the hand of fair lady.

Terry Moore and Dick Sargent

Although Pat Boone and Terry Moore are top-billed in Bernardine, the main character and the one who gets the most running time, is Dick Sargent's Sanford. Pat Boone, playing a very unlikable person (although most of the boys in the film are unlikable) does have some screen time and gets to warble three numbers, the okay title tune, the highly sexist "Technique," and the more memorable "Love Letters in the Sand," which I believe was a big hit for Boone, who kind of imitates Der Bingle a bit. Terry Moore actually has very little to do in the film considering she is the leading lady. Bernardine asks us to accept Sargent, Boone, Ronnie Burns, and others as high school students when they have clearly left their teenage years far behind them. This makes their behavior at times seem borderline grotesque. They are particularly obnoxious to a nerd named Kinswood (Hooper Dunbar), although eventually he's somewhat accepted by the others.

Janet Gaynor

Natalie Schafer plays Boone's mother in a couple of brief scenes, but the stand-out in this is Janet Gaynor [Sunrise], who plays Sargent's mom and is given a couple of strong moments. "It's crazy, it's wild, it's improbable -- but don't tell me you passed!" she says to Sanford, who is not a great student. Sargent has some good moments, too, but again he's too old, his character isn't very appealing, and the more serious moments when he's dealing with heartbreak are almost worse than the comedy sequences. Although Sargent subsequently appeared with Boone in Mardi Gras, his film career never really developed and he mostly did television. Walter Abel and Dean Jagger are also in the film. This was Pat Boone's first movie and Janet Gaynor's last; she had two television credits after that.

Verdict: In spite of "Love Letters in the Sand," this is so bad it's depressing. *1/2. 

MARDI GRAS

Cadets? -- Dick Sargent, Tommy Sands, and Pat Boone

MARDI GRAS (1958). Director: Edmund Goulding.

A bunch of twenty-something cadets raffle off a date with new French-Hollywood movie star Michelle Marton (Christine Carere). Everyone is dismayed when the winning ticket goes to the most studious and disinterested among them, Paul (Pat Boone). In New Orleans Paul actually spends a very pleasant day with Michelle, who has switched places with her studio helpmate Eadie (Sheree North); he has no idea the young lady is the movie star he is supposed to be squiring. This leads to mostly unamusing complications. Mardi Gras is the most undistinguished of musicals; it has one decent song, "I'll Remember Tonight," and the rest are atrocious. Boone [Journey to the Center of the Earth] isn't bad; Carere is, well, pretty and little else; Gary Crosby essentially plays the same character he plays in every movie he did; Tommy Sands over-sings everything; and Dick Sargent is another over-aged cadet. Sheree North and Fred Clark add little to the tedious proceedings, although there are a couple of funny lines, as well as forgettable  cameos by Robert Wagner and Jeffrey Hunter. This movie in no way captures the excitement of Mardi Gras even though there is some grainy stock footage of it. Hard to believe this treacle was directed by Edmund Goulding.

Verdict: Watch Goulding's The Old Maid instead. *1/2.