MADONNA OF THE SEVEN MOONS

MADONNA OF THE SEVEN MOONS (1945). Director: Arthur Crabtree.

Maddalena (Phyllis Calvert) is a convent-raised girl who is raped and traumatized shortly before being married off to the kindly Giuseppe (John Stewart). Years go by and their daughter, Angela (Patricia Roc of The Wicked Lady), is now grown, but the announcement of her marriage to Evelyn (Alan Haines) precipitates another episode in which Maddalena runs off for months and vanishes. Maddalena has a whole other life as Rosanna, the lover of the criminal, Nino (Stewart Granger of Blanche Fury), in Florence. Neither Guiseppe nor Nino realize that Maddalena/Rosanna has a split personality due to her rape years before, and Nino thinks that she has taken a lover, Giuseppe, and decides to kill one or the other ... Madonna of the Seven Moons is hard to take seriously as it's much more of a pot-boiler than a drama, but it is arresting at times, and generally well-acted. Phylllis Calvert [The Man in Grey] is quite effective at getting across her different personalities and at different time periods, and the other cast members are all good. Especially notable are Peter Glenville as Sandro, Nino's slimy brother, and Nancy Price as their cackling old crone of  a mother. The film is entertaining, but one senses it would have worked better as an Italian verismo opera with a score by Pietro Mascagni.

Verdict: Watch out for those wild Florencian passions! ***. 

DEAR MURDERER

DEAR MURDERER (1947). Director: Arthur Crabtree.

Lee Warren (Eric Portman of Daybreak) discovers that his wife, Vivian (Greta Gynt of The Hooded Terror), has taken a lover, Richard (Dennis Price of She Played with Fire) while he is away for months on business. Warren concocts a clever scheme to do away with his love rival, but there are numerous complications, including the fact that apparently Vivien had already moved on from Richard to new boyfriend, Jimmy (Maxwell Reed, who also appeared with Portman in Daybreak). With one lover dead and another accused of murder, what is Vivien to do? Meanwhile Lee plays cat and mouse with police Inspector Penbury (Jack Warner). Dear Murderer is based on a play, but it is neither stage-bound nor opened up too unrealistically, and the movie has real suspense. The acting is excellent from all, although one can't help but wonder what the picture might have been like had Vivien been played by a perhaps more interesting actress such as Bette Davis or Linda Darnell. Hazel Court is cast as the murdered Richard's sister, Avis, and she is fine. There is a strange moment when Lee is about to confront his wife in the bedroom not long after he returns from his business trip, but the movie cuts away to the next scene at the crucial spot. The picture has a nice score by Ben Frankel and a very satisfying wind-up.

Verdict: Some pleasant company spent with a murderer. ***.

FIEND WITHOUT A FACE

FIEND WITHOUT A FACE (1958). Director: Arthur Crabtree.

In and around a U.S. Air Force base in Manitoba, mysterious things are happening. Strange sloshing sounds are heard and people are suddenly killed by a weird invisible presence. Corpses are found missing their brains and spinal cords. Major Cummings (Marshall Thompson) investigates and comes across an old professor (Kynaston Reeves), and his pretty secretary Barbara (Kim Parker), the former of whom may know more than he realizes about the deaths. This movie may seem to borrow certain concepts from Forbidden Planet, but it was based on a story that pre-dates that great sci fi film. The stop-motion effects to bring the unusual monsters to life at the climax aren't bad at all, although some of the process work is clumsy; the sound effects are great. Kim Parker, who also appeared in Fire Maidens of Outer Space and a few other films, played another secretary in one more film and then was gone from the screen; she is not bad in Fiend. Crabtree also directed the nifty Horrors of the Black Museum. Thompson was "introduced" in Blonde Fever, although it was not his first movie. He did a number of genre items such as First Man into Space. Fiend without a Face takes its place beside The Brain from Planet Arous as a great brain movie. NOTE: You can read more about this movie and others like it in Creature Features: Nature Turned Nasty in the Movies.

Verdict: You can't beat those brains! ***.

THEY WERE SISTERS

THEY WERE SISTERS (1945). Director: Arthur Crabtree

"The truth is I could never help being a bore."

British drama/soap opera about three sisters, the romantic choices they make, and the way their lives turn out meanders along but builds up steam as it nears a powerful conclusion. Vera (Anne Crawford) is not really in love with her placid husband, so she has an affair with another man. Lucy (Phyllis Calvert) loses a child. The main and most interesting story has to do with Charlotte (Dulcie Gray) , who makes the mistake of marrying the neurotic Geoffrey (James Mason). Geoffrey is such a bitch that at one point he wants to kill his little son's dog! Mason and Gray give an absorbing two-character portrait of a cowered wife dealing with a sadistic husband leading to tragedy and a satisfying conclusion.

Verdict: No Hollywood gloss, but rather compelling just the same. ***.