THE SHADOW TV PILOT

Tom Helmore as Lamont Cranston

THE SHADOW (1954 TV pilot). Director: Charles F. Haas. "The Case of the Cotton Kimono."

Lamont Cranston (Tom Helmore of Let's Do It Again) and his girlfriend and assistant Margo Lane (Paula Raymond of The Beast from 20,000 Fathoms) investigate when Commissioner Weston (Frank M. Thomas of Arkansas Judge) asks them to look into the shooting murder of a young woman, Cissy Chadwick (Peggy Lobbin). Detective Harris (Norman Shelly) is convinced that the killer is Cissy's boyfriend, Alex (William Smithers), and even goes so far as to frame him. Another suspect is Cissy's vocal coach. Rollo Grimbauer (Alexander Scourby), who refuses to let Cranston ask him any questions. Then there are more murders ...

Norman Shelly

This failed pilot had the potential to become an interesting series. Although Helmore's British accent is at first disconcerting, he doesn't make a bad Lamont Cranston. He doesn't run around in a mask and cape, but he can "cloud men's minds," possibly seeming to become invisible, and throw his evil laugh around a room in true Shadow fashion. Paula Raymond makes an elegant and adept Margo Lane, far more suitable than the character as portrayed by Barbara Read in the dreadful Monogram features. This half hour program doesn't have a bad script, although there are a few holes in its plot. Smithers, Scourby and Shelly all give very good performances, and Leona Powers also scores as a talkative landlady. Charles F. Haas also directed Girls Town.

Verdict: Interesting curiosity found on youtube. **1/2. 

BECAUSE OF YOU

Jeff Chandler gives one of his best performances

BECAUSE OF YOU (1952). Director: Joseph Pevney.

Flashy Christine Carroll (Loretta Young) is given a package by her fiance, Mike (Alex Nicol), and suddenly finds herself arrested and in jail despite her truthful protestations of innocence. She trains to be a nurse in prison and winds up ministering to a handsome vet named Steve Kimberly (Jeff Chandler), with whom she falls in love and vice versa. Her parole officer (Helen Wallace) warns her that Steve must be informed of her prison record before they can marry, so an apprehensive Christine manages to get around this, and a child soon follows. Then Mike comes back into her life and everything starts unraveling ... Because of You is an entertaining soap opera that soon becomes a study of frustrated mother love, with good performances from Young (in a Joan Crawford-type role) and Chandler, who is at his best in this. Notable supporting players include Alexander Scourby as a doctor at the veteran's hospital; Frances Dee as Steve's lovely sister, Susan; Lynne Roberts as his friend, Rosemary; Gayle Reed as little Kim; and Arthur Space as a judge. Pevny also directed Chandler in Female on the Beach and Foxfire.

Verdict: Pleasant enough if unremarkable soaper with two solid lead performances. **1/2. 

THE DEVIL AT 4 O'CLOCK

Spencer Tracy

THE DEVIL AT 4 O'CLOCK (1961). Director: Mervyn LeRoy.

"I bet you were a sweet little altar boy." -- Father Doonan [Spencer Tracy].

"Weren't we all?" -- Harry [Frank Sinatra].

Three convicts -- Harry (Frank Sinatra), Marcel (Gregoire Aslan) and Charlie (Bernie Hamilton) -- on their way to a Tahitian prison, have to stop over on the island of Talua so their plane can drop off Father Perreau (Kerwin Mathews). Perreau is there to replace cantankerous, alcoholic Father Doonan (Spencer Tracy), who has angered the islanders by building a hospital for children with Hansen's disease (leprosy) in the mountains. When the island is threatened by earthquakes and an erupting volcano, Doonan takes the convicts with him to rescue the children and the hospital staff. From there they make a perilous journey down the mountain, past thickening lava flows, that not all of them will survive. The characters and situations are so interesting that it doesn't matter that the harrowing action doesn't occur until late in the movie, and the fine performances from most of the cast help as well. Columbia has put together such a first-rate remastered high-def DVD of this film that sometimes the FX seams [process work and matte paintings] show through, but there are still some stunning vistas. Unlike the more realistic hardened convicts you generally find in today's movies, Sinatra and company are men of some convenient strength and sensitivity. The piousness sometimes threatens to become cloying but never overwhelms the movie, and dissenting viewpoints are also presented. Tracy is superb, with fine support from Hamilton [who deserved a much bigger career], Aslan, Alexander Scourby as the governor, and Cathy Lewis as hospital worker Marguerite. Jean-Pierre Aumont and Tom Middleton are fine as the pilots, as is Barbara Luna as a blind girl at the hospital. Even in this, Sinatra, who isn't bad, gets the girl -- or does he? The film isn't entirely predictable in who will make it off the island or not.

Verdict: This movie is not a disaster. ***.

THE BIG HEAT

THE BIG HEAT (1953). Director: Fritz Lang.

"I could always go through life sideways."

A violent series of events are set in play with the suicide of a cop, Duncan, who was on the take and knew where the bodies were buried. Det. Sergeant Dave Bannion (Glenn Ford) wants to do a full investigation into the activities of criminal boss Mike Lagana (Alexander Scourby) but even his boss, Lt. Wilks (Willis Bouchey), wants to tread easy, and the people that Lagana has in his pocket go all the way to the top. But then Lagana pushes Bannion too far and a tragedy ensues... Look out! Others caught up in Bannion's fury include Lagana's chief gunsel, Vince (Lee Marvin); Vince's girl, Debbie (Gloria Grahame); the dead man's widow, Bertha Duncan (Jeanette Nolan); another gunsel named Larry (Adam Williams); a pretty bar girl named Lucy (Dorothy Green); and another named Doris (Carolyn Jones); as well as Bannion's loving and lovely wife, Katie (Jocelyn Brando). The cast is terrific in this outstanding example of hard-boiled film noir, with Ford giving one of his most memorable performances, Scourby offering sophisticated villainy, Marvin and Williams scoring as young sociopaths, and Grahame dishing out another superlative portrayal as a gal who has a date with a really hot cup of coffee. Nolan and the others named are also in top form, and Lang's direction keeps things percolating and boiling over. Sure, you could quibble about some things [the burns caused by scalding coffee for one thing], but this is top notch Hollywood melodrama for sure.

Verdict: Taut, exciting, and altogether terrific. ***1/2.