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Lovely Liz |
ASH WEDNESDAY (1973). Produced by Dominick Dunne. Directed by Larry Peerce.
Sixtyish Barbara Sawyer (Elizabeth Taylor) fearing that her husband, Mark (Henry Fonda), will leave her for a younger playmate, goes to Switzerland and has cosmetic surgery (graphically depicted) to make her look like -- gorgeous, 41-year-old Liz Taylor! After the bandages come off, Barbara goes to the resort of Cortina, Italy, staying in a fabulous hotel and wearing expensive fashions. She also turns the head of a playboy named Erich (Helmut Berger, again miscast as a heterosexual). Should Barbara succumb to her romantic feelings for Erich, and what will Mark think of her new look when he
finally arrives in Cortina. She may learn that her marriage had more problems than her aged appearance ...
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Helmut Berger |
With its superficial and one-dimensional characters, one really has to wonder why anyone thought making this movie was a good idea. Sure, lots of people might have loved looking at glamorous Liz (although probably not at distasteful surgery), but an actual story might have helped. Half of the movie is taken up by scenes at the clinic, and the surgery sequence seems to last as long as the actual operation. When Barbara/Liz puts on her sweeping ultra-chic winter coat/robe that looks like it must have cost a thousand dollars, the film just suddenly seems to turn into a comical parody. Taylor's performance is generally on target, although it's not one of her best. Helmut Berger is Helmut Berger and doesn't really have to act just look enigmatic. Fonda is actually good in this -- his assorted reactions are perfect -- and Margaret Blye [
The Entity] is fine as their daughter, Katie. Keith Baxter adds some zest as David, a (possibly gay?) fashion photographer who is also getting work done and befriends Barbara at the clinic and elsewhere. Monique van Vooren [
What Makes Sammy Run?] plays a German celebrity who briefly chats with David at the clinic.
Verdict: Another entry in the "Oh, how the rich suffer!" sweepstakes! **1/4.
2 comments:
Pretty terrible movie with such a good cast. I do like the sequence in which she is transformed from wrinkled middle aged woman to femme fatale, including the entire operating room facelift sequence. Helmut has been more interesting in other things, but of course that is true of Taylor and Fonda as well.
-Chris
Decidedly so! Why do people keep making movies when there is no real script?
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