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| Howard Keel and Betty Hutton in Technicolor! |
ANNIE GET YOUR GUN (1950). Director: George Sidney.
Famed sharpshooter Frank Butler (Howard Keel of
Jupiter's Darling) with Buffalo Bill Cody's (Louis Calhern) wild west show, takes on any challenger, but he meets his match in hillbilly Annie Oakley (Betty Hutton), who falls for him but discovers his male pride takes a beating each time she learns a new trick. During their first match she beats him, but she isn't so sure she wants to win the second one at the climax. On this she is advised by none other than Chief Sitting Bull (J. Carroll Naish) of Custer's Last Stand, who comes to see her as his honorary daughter. Will Annie get the man she loves or the prizes?
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| Naish, Hutton, Calhern |
I had trepidation about watching this film because I had always loved the TV version with the wonderful Mary Martin, which was broadcast seven years after this film came out. I was also afraid Betty Hutton would be too overbearing. There are moments in her performance that
are borderline, but I must say Hutton is excellent as Annie, capturing both the vulnerability and the pride of the character. Although Hutton does not sing badly (accept on "They Say That Falling in Love is Wonderful" in which Howard Keel saves the day), her vocal skills are no match for Mary Martin's (who played Annie in a more feminine and lady-like fashion). In any case, Judy Garland was originally signed for the lead and did a few scenes that survive, and, frankly, she isn't nearly as good as Hutton.
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| That "handsome devil" Keel |
Now we come to Chief Sitting Bull. Although he was in part responsible for the massacre of American soldiers (who attacked first) at Little Big Horn, I guess that even in the 19th century celebrity trumps everything. The chief joined Buffalo Bill's show and stood around signing autographs -- yes! -- and participating in some re-enactments. Annie Oakley did indeed become like a daughter to Sitting Bull, but whether he encouraged her to throw a competition so she'd get her man is debatable. What is not debatable is that Irving Berlin's score is one of his finest, and one of the best of any Broadway musical, responsible for "There's No Business Like Show Business;""" "Doin' What Comes Naturally;" "The Girl That I Marry;" "My Defenses are Down;" "You Can't Get a Man with a Gun;" etc. although it's disappointing that the film excludes "Moonshine Lullaby;" "I Got Lost in His Arms;" "I'm a Bad, Bad Man" (which could have been quite a showcase for that handsome devil Keel); and "Old-Fashioned Wedding."
In addition to Hutton and Keel, there are fine performances from Naish and Calhern [
The Asphalt Jungle] and Keenan Wynn, Clinton Sundberg, and little Brad Morrow as Annie's cute baby brother, Jake. Charles Rosher's widescreen, technicolor cinematography is often breathtaking.
Verdict: The cartoon Indians are questionable in this day and age, but the movie has an interesting (if heavily fictionalized) story and lots of great music and performances. ***.
2 comments:
Wish I loved Betty Hutton more...she is so loud and brassy and frenetic! (I do like her in Miracle of Morgan's Creek.) Agreed, Judy Garland needed to be fired from this picture because she was tired, burnt out and not up to the task of playing Annie, but had she been well, I think she would have been magnificent. Too bad that Ethel Merman did not have the box office power to be cast in this role, because she would have been iconic here.
-C
Hutton is decidedly an acquired taste. That's why I held off on looking at this for quite a few years. But she was better than expected. Garland might well have been wonderful. Merman -- again for me an acquired taste I never especially wanted to acquire, LOL.
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