Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label filmmakers. Show all posts
Showing posts with label filmmakers. Show all posts

Thursday, November 30, 2017

WILD AND WOOLLY WOODY ALLEN

Two faces of Woody Allen


WILD AND WOOLLY WOODY ALLEN.

Woody Allen turns eighty-one on December 1st, 2017.

Love 'im or hate 'im, he has been an influential filmmaker for many years, and has come out with a great many movies, some wonderful, some awful, some in-between. He has had an interesting, some would say scandalous, personal life, mostly centered around his relationship with significant other Mia Farrow (who he was not married to), and her adopted daughter, Soon-Yi Previn.

Whatever one's thoughts about that bizarre triangle, this week Great Old Movies looks at a slew of Woody Allen movies, from near-masterpieces like Broadway Danny Rose and The Purple Rose of Cairo to stink bombs like Stardust Memories to the merely mediocre like Bullets Over Broadway and Zelig. We also look at a recent biography of the man.

Whatever his flaws as a man and a filmmaker, Woody Allan was rarely if ever boring.

You can read posts of Allen's films that have been reviewed on this blog in previous months by using the search bar above.

WOODY THE BIOGRAPHY

WOODY: THE BIOGRAPHY. David Evanier. St. Martin's; 2015.

This "biography" of filmmaker, comic and actor Woody Allen is much more of a rumination on the man than a full bio, although Evanier does his best to hit all the important bases. The author doesn't really start to get into his subject's life story until a quarter of the way into the book, and focuses on certain key films while virtually ignoring many others. In more or less chronological order he also looks at Allen's relationships with wives, girlfriends, and children -- Louise Lasser, Diane Keaton, Mia Farrow, and others --  and ends up the book with a long dissection of the sordid Woody-Mia Farrow mess. clearly coming down on Allen's side. Evanier doesn't necessarily gloss over Allen's failings as both filmmaker and man (he deservedly hates Stardust Memories, for instance, as well as Interiors, and isn't blind to Allen's character flaws) but the book does function primarily as a defense of some of Allen's actions and especially of Mia Farrow's charges of child molestation. (We must remember that his lover Soon-Yi, was an adult at the time their affair began, but still one has to wonder at the inappropriateness, vulgar audacity, and staggering lack of sensitivity that led to Allen having a relationship with his girlfriend's daughter, who was also the sister of his own children. Soon-Yi's motivations for taking up with a comparatively homely middle-aged but famous and wealthy man I'll leave to others to ponder). Woody: The Biography has some interviews with people who know and worked with Allen, and an interview with Dick Cavett is reproduced in its entirety but functions more as padding than anything else. Although Allen did not cooperate with the book as such, he did agree to answer some of Evanier's questions via email, but these don't seem to have provided that much enlightenment.

Verdict: Interesting read, but only an average bio. ***.