HALLOWE'EN PARTY

The Perfect Poirot: David Suchet

HALLOWE'EN PARTY (2011). Director: Charlie Palmer. (This is episode 2 of season 12 of Agatha Christie's Poirot.)

Mystery writer Ariadne Oliver (Zoe Wanamaker of Mrs. McGinty's Dead) contacts her friend, Belgian detective Hercule Poirot (David Suchet), when a murder occurs in a village where she is visiting. The victim is a young girl who was drowned in a tub meant for the bobbing of apples at a Halloween party. Shortly before she was killed, the child, Joyce (Macy Nyman), was telling people that she had once witnessed a murder. Poirot investigates any past occurrences and accidents that may have been homicides, and uncovers a number of village secrets. Along with Ariadne, Poirot is a guest of widowed Judith Butler (Amelia Bullmore), who has a daughter named Miranda (Mary Higgins). Joyce's brother, Leopold (Richard Breislin) confides that he never much liked his sister. Other characters include Rowena Drake (Deborah Findlay), whose home was the sight of the Halloween party; Michael Garfield (Julian Rhind-Tutt), who designs fabulous gardens for wealthy clients; the town gossip Miss Whittaker (Fenella Woolgar); and others. David Suchet is simply superb as Poirot, the only actor to ever completely capture the character as Christie describes him. All of the performances are good (although Wanamaker seems bored through much of the telefilm and doesn't remind one at all of Christie's character), but Findlay and Rhind-Tutt are especially notable. This adaptation makes it explicit that a certain character is a sympathetically-drawn lesbian. This is one of the rare occasions when a Christie adaptation (written by Mark Gatiss) may be even better than the original novel. Christian Henson's score is suitably eerie and effective.

Verdict: Clever, suspenseful, and very well-acted. ***.

POIROT: CARDS ON THE TABLE

David Suchet and the rest of the cast

POIROT: CARDS ON THE TABLE (2006 telefilm). Director: Sarah Harding.

The enigmatic Shaitana (Alexander Siddig) invites three detectives, including Hercule Poirot (David Suchet) and the mystery writer Ariadne Oliver (Zoe Wanamaker) to dinner along with four individuals -- two men and two women -- whom Shaitana suspects of murder. Later on they divide into two groups to play bridge, and during one of the rubbers the host is quietly murdered. Now Poirot and the other sleuths must investigate the background of the guests to determine who may have killed in the past, and who then presumably killed Shaitana to protect themselves. This adaptation of Agatha Christie's excellent novel suffers because screenwriter Nick Dear thinks he is more clever than the Grand Dame of Mystery, making stupid changes in the story that only weaken the whole project. Like many others, Dear thinks introducing a homoerotic element will make the story seem more "modern" [thankfully it's a period piece, taking place more or less at the same time as the novel], but in this case it only makes it distinctly more dated, even homophobic. Worse, some of Dear's changes make nonsense out of some of the sequences that remain [for instance, without giving too much away, we're supposed to believe that a woman who detests her doctor and wants him brought up on charges will actually go to him to get her inoculations for traveling out of the country! When she probably wouldn't even want to be in the same room with him? Did no one involved in the production ever protest this development?] Dear also makes two of the characters related to one another, as they were not in the novel, in hindsight making their scenes together ridiculous, and also switches the character traits of two other characters for no good purpose. [Changes are fine if they improve a piece or make it more cinematic, but this is sheer arrogant stupidity.] At least the production is smooth and Suchet is as wonderful as ever as Poirot; the rest of the cast is also excellent with Siddig as Shaitana and Alex Jennings as Dr. Roberts especially notable. Zoe Wanamaker seems a little bit closer to Christie's alter ego Ariadne Oliver in this outing, but is still not quite right. Like most of these Poirot episodes this one is entertaining enough but the smarmy changes to the story were certainly ill-advised.

Verdict: Stick with the novel. **.

POIROT: MRS. MCGINTY'S DEAD

POIROT: MRS MCGINTY'S DEAD (2008). Director: Ashley Pearce. Masterpiece Mystery/PBS.

David Suchet is again marvelous in the role of Agatha Christie's Belgian detective, Hercule Poirot, in this fair-to-middling adaptation of one of Christie's best novels. Poirot investigates when a policeman friend confides in him that he doesn't think a man about to be hanged is guilty of the murder he was convicted of, even though the evidence against him seems overwhelming. The case ties in with famous murderesses of the past, and centers on several couples living in the small town where Mrs. McGinty was murdered. Sort of helping Poirot in his efforts is Ariadne Oliver, a mystery writer who was meant to be a parody of Christie herself, only her fictional detective is a Finn. Oliver is played by Zoe Wanamaker, who is kind of gross, at least in this part. Paul Rhys acquits himself nicely as one of the suspects, Robin Upward. This is much more faithful to the novel than the British film Murder Most Foul, but it still can't compare to the book.

Verdict: Mediocre adaptation. **.