Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label William Alwyn. Show all posts
Showing posts with label William Alwyn. Show all posts

Thursday, April 12, 2018

LIFE FOR RUTH / WALK IN THE SHADOW

Michael Craig
LIFE FOR RUTH (aka Walk in the Shadow/1962). Director: Basil Dearden.

"You put your personal faith before her welfare -- you let her die!

John Harris (Michael Craig) and his wife, Pat (Janet Munro), have an eight-year-old daughter named Ruth (Lynn Taylor). John has to rescue Ruth and a young friend when they go out on a boat in choppy waters to get the girl's ball. The boy is saved, but John is told that only a blood transfusion will save Ruth's life. John's religion, similar to Christian Science (although never named) is against transfusions and medical intervention and fears Ruth will be denied everlasting peace in the next world. Dr. Brown (Patrick McGoohan) is utterly appalled by Harris' attitude -- even Harris' wife eventually asks the doctor to do all he can to save Ruth but it's too late. Brown decides to see that Harris is prosecuted for his actions -- or lack of same -- and he is arrested on a charge of manslaughter under the "cruelty to children" act. Brown wants no more children to die because of simple-minded religious dogma so the whole thing will have to be resolved in a courtroom ... What makes the picture even more interesting is that Harris is not really portrayed as some kind of monster, but genuinely thinks he's doing the right thing, until he has a powerful epiphany in the courtroom. Michael Craig, who could play doctor playboys [Doctor in Love] and Civil War heroes [The Mysterious Island] with equal aplomb, proves his versatility yet again with his excellent portrayal of the simple yet tormented John Harris. Munro, McGoohan and the supporting cast, including Megs Jenkins as Pat's mother, are all excellent as well. Cinematography by Otto Heller [Richard III] and a score by William Alwyn [She Played with Fire] add to the film's quality.

Verdict: Powerful, well-acted, and completely absorbing. ***1/2.

Thursday, April 10, 2014

ISLAND OF DESIRE

The brat: Mike (Tab Hunter) peers at the object of his affection
ISLAND OF DESIRE (1952). Director: Stuart Heisler.

"Unpleasant -- brat!"

When a ship is bombed during WW2, the only survivors are a young marine named Mike (Tab Hunter of War-Gods of the Deep) and a middle-aged lady doctor named Elizabeth (Linda Darnell of Hangover Square). After they make their way to a deserted island that resembles paradise, their antagonistic relationship softens into a mutual attraction. Despite their situation, all seems quite blissful until an English pilot crash lands on the island and a triangle soon develops ... One problem with Island of Desire is that the two main characters never mention their lost comrades, nor wonder what's happening with the war; instead they engage in silly banter not long after everyone else is killed. However the fact that both of them don't quite seem to fit in and have no one else in their lives helps make their relationship more plausible. Darnell is quite good, and Hunter is also believable as the callow marine who bristles at being called a boy. This was Hunter's second film and he shows some acting ability to go with the considerable sex appeal. It would be easy to dismiss this as an "old maid's" fantasy film --virginal woman winds up on an island with handsome Royal Air Force pilot and Tab Hunter -- or sheer romantic folderol, but it holds the attention, is well-acted, well-photographed by Oswald Morris, and has a nice score by William Alwyn. John Laurie appears in flashbacks as another man who was shipwrecked on the island.

Verdict: For romantic souls and Tab Hunter/Linda Darnell fans. ***.