Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Skip Homeier. Show all posts
Showing posts with label Skip Homeier. Show all posts

Thursday, October 11, 2018

FEDERAL MEN / TREASURY AGENTS IN ACTION

"Have you paid your taxes?" Walter Greaza
FEDERAL MEN (aka Treasury Agents in Action/1950 - 1955.

This long-running fifties crime drama, consisting of 190 half hour episodes, looked at various, supposedly true cases investigated by the Treasury Department, under whose jurisdiction came everything from tax evasion to counterfeiting to smuggling. Each story was introduced by Walter Greaza as the somewhat stern chief, who is out to get you if you dare to cheat on your taxes. (One can see him putting sweet little old ladies in prison for failing to report bingo money!) If this program sounds a little dull, be forewarned that some of the episodes, standard looks at standard crime cases, are just that. But the best episodes of the series (at least the ones I've seen) focus just as much if not more on the human drama as on the crimes involved, looking into the desperate lives of people who sometimes feel they have no other option but to break the law.

"Lonely People:" Frances Rafferty and Skip Homeier
One of the best episodes is "The Case of the Lonely People," in which a father and daughter team ensnare a crippled veteran (Skip Homeier of Stark Fear) in a scheme to cash stolen veteran's checks, a scheme that becomes complicated when the vet and the daughter fall in love. Homeier and Frances Rafferty [Money Madness] give outstanding and sensitive performances. Homeier was also terrific in "The Case of the Princely Pauper," playing a no-good guy from a once-wealthy family who smuggles in cheap rings and other goods, with his clients paying inflated prices when they think they're getting a bargain.


"Buried Treasure:" Byron Foulger
Another excellent episode is "The Case of the Buried Treasure," in which a once-shady man and his wife bury booty they don't wish to declare to the IRS only to find out when they dig it up years later that it's become riddled with mold. Still, they do their damnedest to get rid of it. Byron Foulger [The Black Raven] and Vivi Janis give notable performances in this. There were other memorable episodes as well. In "The Case of the Leather Bags" Joanne Davis nicely plays a washed up cruise singer who helps her boyfriend smuggle heroin. "The Case of the Man Outside" details how some prisoners are actually able to make counterfeit money while inside a penitentiary, and the fate of the head of the shop who only wants to keep his nose clean and get parole.

"Steady Hand:" Gloria Talbott

Gloria Talbott guest-starred in "The Case of the Steady Hand," playing a woman who has trouble accepting that her boyfriend is both a crook and a creep. Douglass Dumbrille plays a theatrical impresario who pretends his books all went up in smoke when the IRS comes a'calling in "The Case of the Slippery Eel." Paul Langton is a married hood and tax dodger who falls hard for a classy opera singer, only to learn she's of common stock herself in "The Case of the Perfect Gentleman." Charles Bronson plays an agent who is ordered to murder a man in "The Case of the Deadly Dilemma."

John Stephenson 
Several different actors portrayed Treasury, IRS and Customs agents over the years depending on the episode's target: Ross Martin, Harry Landers, Harry Lauter, and Richard Travis, among them. John Stephenson played Agent Grant in many episodes, although he did even more voice-over work for cartoons than he did live-action, everything from The FlintstonesThe Jetsons and Duck Dodgers to G. I. JoeX-Men, and Jonny Quest. As for star Walter Greaza, both before and after this series he was mostly cast as judges, cops and psychiatrists.

Verdict: Remember to pay your taxes! **3/4.

Thursday, April 28, 2016

CRY VENGEANCE

CRY VENGEANCE (1954). Director: Mark Stevens.

Former cop Vic Barron (Mark Sevens) comes to Alaska in search of mobster Tino Morelli (Douglas Kennedy), whom Barron feels is responsible for the death of his wife and child as well as his own facial disfigurement. Searching for the man and plotting his revenge, he encounters bar owner Peggy Harding (Martha Hyer) and old girlfriend, Lily (Joan Vohs). Barron is so understandably intent on getting even that he even contemplates harming Morelli's little girl, Marie (Cheryl Callaway). But before he can get to Morelli, he has to deal with a nasty blond hit man named Roxey (Skip Homeier). Homeier [Stark Fear], Hyer and Vohs [Lure of the Swamp] give the best performances in this; striving for a depiction of single-minded intensity, Stevens, who also directed, plays it all in one note. Mort Mills, the cop in Psycho, has a small role, as does Richard Deacon [The Birds] as a bartender.

Verdict: Acceptable if minor-league film noir. **1/2.

Thursday, June 11, 2015

STARK FEAR

Beverly Garland and Skip Homeier
STARK FEAR (1962). Director: Ned Hockman.

Gerald Winslow (Skip Homeier) is convinced that his wife, Ellen (Beverly Garland of Swamp Women), is carrying on with her boss, Cliff Kane (Kenneth Tobey of Angel Face). At first Ellen can't understand his outraged accusations until she discovers that there has always been bad blood between Gerald and Cliff, and suspects Cliff hired her just to rub Gerald's face in it. Who should she believe? The fact that Gerald calmly stands by and smokes a cigarette while Ellen is raped by a cretin in a cemetery should give you a clue. Stark Fear is more of a twisted marital drama and character study than a thriller, but the script has intriguing aspects and the actors are game. Garland, as usual, gives an especially effective performance even without the usual monsters and demons to play against [It Conquered the World; Not of This Earth]. Homeier and Toby are also good, and there are some vivid performances from a mostly unknown supporting cast. Hannah Stone gives an excellent performance as Ellen's lonely friend, Ruth, who figures in the touching conclusion.While Ellen does seem numb and disturbed after her sexual assault, today more would have been made of the repercussions of such a violent act. The film seems to have been directed by a talented amateur, but whether that was credited director Hockman or star Skip Homeier (as reported by Garland) is open to question.

Verdict: One of Garland's best performances in a movie she apparently hated. ***.