Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Roddy McDowell. Show all posts
Showing posts with label Roddy McDowell. Show all posts

Thursday, March 15, 2012

'TIS HERSELF Maureen O'Hara

'TIS HERSELF A Memoir. Maureen O'Hara with John Nicoletti. Simon and Schuster; 2004.

Extremely well-written by Nicoletti, this memoir of the red-headed Irish actress describes her journey from Good Catholic Girl in Dublin from a well-heeled, cultured family, to life in Hollywood as a movie star, most famously associated with Johns Ford and Wayne. As O'Hara describes the making of such films as How Green Was My Valley and The Quiet Man, as well as the turmoil of her private life and disastrous early marriages, the book almost reads more like a page-turning novel than non-fiction. While the last sections of the book are not quite as absorbing, there is still some interesting stuff surrounding the mysterious death of her last husband, and some readers may enjoy her inside tales of her long friendship with "Duke" Wayne. The most fascinating material has to do with the contrary character of director John Ford, who used her more than any other actress, but snapped that she couldn't act when asked about her by a student. Ford's love/hate for O'Hara went on for decades, and she observes that he was probably conflicted about his sexuality -- she saw him smooching with a guy -- and imagined he was in love with her [or the character she played in The Quiet Man]. Her religiosity isn't too oppressive, and thankfully she doesn't go much into her presumably conservative politics [although Roddy McDowell tried to explain to her why she would probably never be honored in liberal Hollywood]. Although O'Hara styles herself as feisty and independent, one can't imagine Davis, Crawford or Stanwyck putting up with Ford's nasty, almost insane behavior for as long as she did [I mean, the man tried to have her arrested, had her thrown out of a film she wanted to do for another director behind her back, destroyed her brother's career, prevented her from getting an Oscar nomination and on and on]. She also stayed married to her alcoholic, unloving, abusive, parasitical second husband for way too long. [Marrying "for better or worse," she married for worse!] One wonders how she would have behaved had she wound up in today's Hollywood or wasn't such a Good Catholic Girl? Anyway, this is a frank and interesting memoir.

Verdict: A damn good read for most of its length. ***1/2.

Thursday, April 23, 2009

THE LEGEND OF HELL HOUSE

THE LEGEND OF HELL HOUSE (1973). Director: John Hough. 

A group of parapsychologists come to investigate the haunted Belasco house, known as "The Mount Everest of haunted houses" as part of a paid experiment to see if there really is life after death. The last investigating team were all killed except for one man, Ben Fischer (Roddy McDowall), who is going along on this trip as well. Also in the party are scientist Lionel Barrett (Clive Revill), his wife Ann (Gayle Hunnicutt), and the psychic Florence Tanner (Pamela Franklin), who is convinced that the strong presence of the dead old owner Emeric Belasco is permeating and corrupting the spooky mansion. The film has a choppy continuity, but it's also suspenseful, absorbing, and quite creepy at times. McDowell and Franklin give particularly good performances, and Michael Gough has a notable guest appearance. Based on a novel by Richard Matheson, who also did the screenplay. 

Verdict: Watch after midnight with a friend. ***.