Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Peter Medak. Show all posts
Showing posts with label Peter Medak. Show all posts

Thursday, June 18, 2015

THE THIRD GIRL FROM THE LEFT

Kim Novak
THE THIRD GIRL FROM THE LEFT (1973 telefilm). Director: Peter Medak.

"If he cried for anyone, it was himself" -- Gloria

"Of course. Who else does anyone cry for?" -- Zimmy.

Gloria (Kim Novak) at 36 is known as the last of the New York City showgirls (Novak was actually forty). For thirteen years she has been involved with a frankly terrible but popular singer named Joey Jordan (Tony Curtis). Their marriage keeps being "postponed" for one reason or another. Even though Gloria is easily the most beautiful of the "girls," for the first time in her career she is told to stand in the back row instead of in front. She has an affair with a 24-year-old delivery boy named David (Michael Brandon of Four Flies on Grey Velvet), then Joey comes back from Las Vegas where he's been poking Melanie (Barbi Benton) ... The material was there for a decent picture, but The Third Girl from the Left doesn't quite work. Novak isn't terrible, but she's miscast in this, and while Curtis is more appropriate as a Las Vegas reptile, his character is also a cliche. Dory Previn, who wrote the script, was responsible for a number of sensitive songs with excellent music and lyrics on her albums -- although the theme song for this picture is not memorable --  but aside from some good dialogue now and then, this never really goes below the surface. The relationship between Gloria and David is never believable, with the latter coming off like some creepy witless stalker. The best impression is made by George Furth as Joey's manager, Zimmy. When Zimmy learns that the not-quite-bright Gloria was trying to commit suicide, he says "With an electric stove?" That old vulgarian Hugh Hefner was the executive producer of this, which is probably how his squeeze Barbi Benton wound up in the movie -- she's actually not bad although Kate Hepburn had nothing to worry about. Dory Previn was dumped by her husband Andre for the undernourished Mia Farrow, and wrote several songs about it. Judging from her lyrics, one would have hoped for a much better picture. Peter Medak also directed The Ruling Class and By the Pricking of My Thumbs.

Verdict: A nice idea that goes nowhere. **.

Thursday, July 5, 2012

THE RULING CLASS

Peter O'Toole
THE RULING CLASS (1972). Director: Peter Medak.

When the Earl of Gurnsey (Harry Smith) dies in a grotesque, kinky accident involving a tutu and a hanging, his son Jack (Peter O'Toole) becomes the new Earl. The problem is that Jack has been institutionalized for years and is convinced that he is Jesus and/or God. In spite [or because] of this, his Uncle Charles (William Mervyn) decides to marry him off to Charles' mistress, Grace (Carolyn Seymour) so that they can re-commit him once he's delivered an heir. But Jack, whose persona is definitely becoming darker, has different plans in mind. Coral Browne is Charles' wife, Claire, and the great Alistair Sim (Belles of St. Trinian's) is cast as the befuddled Bishop, "Bertie." The entire cast is splendid, including Michael Bryant as Jack's psychiatrist; Nigel Green [Let's Kill Uncle] as another nutcase; James Villiers as Jack's cousin, Dinsdale; and especially Arthur Lowe, who [along with Sim] nearly steals the picture as the family butler, who has inherited money from the late earl and feels free to tell everybody what he really thinks of them even as he waits on them. The first half of this zany movie, which roasts British class distinctions, religion, conservative values and the like, is very, very funny, with madcap musical numbers, such as "Varsity Drag," interspersed to complete the fun and lunacy. Alas, there's too much of a good thing, the movie goes on way too long, blunting its satiric points, and before long you're just wishing it were over. O'Toole is excellent, but his obnoxious, screeching Jack gives you a headache after a while. Some moments are painfully obvious, such as when Jack addresses the House of Lords and they are depicted in quick cuts as skeletons awash in cobwebs. This was filmed in  Harlaxton Manor, a huge, impressive [but rather ugly] house in Lincolnshire. which is now actually the British campus for the University of Evansville in Indiana.

Verdict: A little too surreal and self-indulgent for its own good. **1/2.