VOODOO WOMAN

VOODOO WOMAN (1957). Director: Edward L. Cahn.

"We're going into the jungle to bring back a secret recipe for borscht -- there's millions in it, ha, ha, ha!"

For reasons that are never quite delineated, Dr. Roland Gerard (Tom Conway) is trying to make a grotesque, super-strong gorilla-like monster (Paul Blaisdell) out of a pretty native girl, Zuranda (Jean Davis) in the jungle; his wife, Susan (Mary Ellen Kay), has come to realize that her husband is seriously disturbed. In the meantime, a cold-blooded woman named Marilyn (Marla English) has enlisted a guide, Ted (Mike Connors) to take her deep into the jungle looking for treasure -- and a fateful meeting with Dr. Gerard. This is an utterly absurd, but highly entertaining horror flick featuring a vivid Marla English, who also starred in Cahn's The She-Creature and the Bel-Air production Three Bad Sisters. This would be a perfect double-bill with Voodoo Island.

Verdict: Lively, fast-paced, and a lot of fun. ***.

SHIELD FOR MURDER

SHIELD FOR MURDER (1954). Directors: Howard W. Koch; Edmond O'Brien.  

Cop Barney Nolan (Edmond O'Brien, who co-directed) has been on the straight and narrow for most of his career, but when an opportunity comes he takes it, shooting a crook and hiding away the cash that the dead man had on him. He claims the killing was in the line of duty, but a deaf-mute witness says otherwise. Nolan's girlfriend, Patty (Marla English) and Mark Brewster (John Agar), the cop he mentored, have faith in Nolan's innocence but as evidence piles up against him even that faith is tested. Okay crime thriller is kind of weak on characterization, and while the acting is okay, it's not exactly on the subtle side. O'Brien comes off best, as expected, Agar is Agar (although even he has his moments), English makes very little impression, and Emile Meyer as the police captain is so busy chewing the scenery that it hurts just to look at him. Carolyn Jones appears briefly as a slightly drunk gal that Nolan meets in a bar and completely takes over the movie for five minutes. A fast-pace doesn't hurt, but you've seen this all before. Marla English was also in Three Bad Sisters and The She-Creature. 

Verdict: Watch D.O.A. instead. **.

THE SHE-CREATURE

THE SHE-CREATURE (1956). Director: Edward L. Cahn.

AIP certainly collected an unusual group of actors for this weird little movie. Chester Morris (who gives a very good performance) is the mentalist Carlo Lombardi, who claims that he can regress his beautiful assistant Andrea (Marla English of Three Bad Sisters) three hundred years into a past life. For reasons that are never made clear Lombardi also regresses her back even further in a -- as he puts it -- "transmigration of the soul of a living woman into her first life body." Apparently her soul first inhabited a female prehistoric sea creature of some kind (at least it keeps coming out of the sea) that is alternately invisible, transparent, and finally very much solid and homicidal, leaving many battered corpses in the movie's best scenes. Timothy Chappel (Tom Conway), whose wife (Frieda Inescort) is a fan of the occult, teams up with Lombardi to make him a household name and both of them rich even as the murders of the she-creature continue. Cathy Downs, the wife of The Amazing Colossal Man, plays Chappel's daughter Dorothy, who is dating Dr. Erickson (Lance Fuller, who was in This Island Earth), another doubting Thomas. Rounding out the cast, Ron Randell is a police lieutenant, Frank Jenks is a sergeant, Jack Mulhall is a lawyer, and William Hudson (from Colossal Man and Attack of the 50 Foot Woman) is a snickering party guest. Paul Blaisdell both designed and plays the she-creature; her appearance is amusing and scary at the same time. This oddly likable movie has atmosphere and some creepy scenes, even if it doesn't make much sense.

Verdict: For monster/horror/B movie aficionados only. **1/2.

THREE BAD SISTERS

THREE BAD SISTERS (1956). Director: Gilbert Kay.

A millionaire goes berserk during a plane trip and causes a crash in which he’s killed. His sister blames the pilot, a handsome lug named Jim (John Bromfield) who becomes involved with the dead man’s three daughters. Lorna (Sara Shane) actually isn’t so bad, although even she doesn’t seem so put out by her father’s demise. Vicki (Marla English) is the sexy youngster who comes afoul of her beautiful older sister Valerie (the truly beauteous Kathleen Hughes), as the two have a really nifty, rather sadistic "cat fight" which leads to tragedy. Brett Halsey appears briefly as one of Vicki’s cast-off boyfriends, and Madge Kennedy is fun as the sisters’ gun-totin’ Aunt Martha, who tries to shoot Jim. A hilarious moment occurs afterward when Lorna says to Jim as they prepare to go back into the mansion where Aunt Martha lives: "If Aunt Martha isn’t cordial, please overlook it." Cordial? In the previous scene she tried to murder the guy (nobody calls the police and has her arrested for this, even though it’s clearly a case of attempted homicide)! Okay, this is a dumb, badly acted, silly movie, but it holds the attention and Gerald Drayson Adams’ script has some interesting facets, such as the business with the sisters daring each other to dive off a cliff at just the right second when the tide comes in and the water is deep enough to survive. From Bel-Air, which was not exactly MGM.

Verdict: Amusing trash. **1/2.