MAN OF STEEL

Superman carries Lois Lane to safety, naturally

MAN OF STEEL (2013). Director: Zack Snyder.

Shot to Earth as an infant from dying Krypton by his father, scientist Jor-El (Russell Crowe), Kal-El (Henry Cavill) is adopted by the Kents and faces his greatest challenge before he's even begun his career as Superman proper: General Zod (Michael Shannon), an evil Krptonian despot, has escaped from the Phantom Zone and wants the codex that can make Krypton live again. Unfortunately, this will result in Earth and its inhabitants being destroyed. Superman sets out to stop him with the aid of the military, but it's an uphill battle. There's the germ of a good idea in Man of Steel, but its execution is highly disappointing. The story isn't told in a linear fashion but is interrupted with frequent annoying flashbacks, giving the whole project a disjointed continuity that pulls you out of the story instead of pulling you in. There are also some pretty stupid moments, such as when Jonathan Kent (Kevin Costner) simply allows himself to die so that Superman won't reveal himself too soon (even though Superman can move super-fast, and the awful effect Kent's death will  have on his wife)! The prologue on Krypton is overlong and relatively uninteresting, and dead Jor-El (or rather his "consciousness") seems to pop up all the time, more to make use of Crowe than for any other logical reason. The movie has a kind of Marvel X-Men flavor to it, especially in Superman's uneasy relationship with the authorities. 

Handsome Cavill strikes the right note as a Superman at the very start of his career, but the rest of the casting is problematic. A lady reporter doesn't always have to be aggressive and perky to a fault, but Amy Adams is a bit too drab as Lois Lane. Laurence Fishburne as an African-Amerrican Perry White is adequate, but he wasn't that great as a leading man, let alone a character actor. Crowe, Costner, and Diane Lane as Martha Kent are okay, but Christopher Meloni quit Law and Order: Special Victims Unit for only a small role as an Army man? You don't really see enough of Ayelet Zurer to judge her performance as the evil Krptonian Lara Lor-Van. As Zod, Shannon isn't terrible, but he's somewhat lacking in dramatic flair but for a couple of sequences (after all, this is a comic book movie, not a drama, and a little overplaying is allowable). The best thing in the movie -- and virtually the only time it really comes alive -- is when Zod and Superman take to the skies and have a lively, protracted fight to the death. Otherwise, this Man of Steel rarely flies. The original Christopher Reeve version may have had its flaws, but it was better than this. Man of Steel is about on the level of the equally disappointing Superman Returns. As I predicted Man of Steel is much less entertaining than the excellent animated feature, Superman vs. the Elite.  Cavill reprised the role of Superman in Batman vs. Superman, and played Napoleon Solo in the terrible big-screen version of The Man from U.N.C.L.E.; he was also in the crappy Immortals.

Verdict: The really great Superman movie has yet to be made. **1/2.

FANTASTIC 4: RISE OF THE SILVER SURFER

Doug Jones as The Silver Surfer

FANTASTIC 4: RISE OF THE SILVER SURFER (2007). Director: Tim Story.

In this sequel to Fantastic Four, Mr. Fantastic (Ioan Gruffud) and the Invisible Woman (Jessica Alba) are about to get married. Their wedding day, unfortunately, is interrupted by the arrival of a silver flying alien popularly known as the Silver Surfer (Doug Jones; voiced by Laurence Fishburne). In one of the movie's best sequences, the Surfer and the Human Torch (Chris Evans of Captain America: The Winter Soldier) engage in high-flying battle over Manhattan, near the Washington monument, and inside the Holland (or is it Lincoln?) tunnel. But there are other problems besides the Surfer -- Victor Von Doom (Julian McMahon) has stolen his cosmic surfboard; the members of the FF suddenly find themselves switching powers; and it develops that the Surfer is only the Herald of an energy-absorbing monstrous mass known as Galactus who intends to suck the earth dry. While the film's conception of Galactus is disappointing, the Surfer is well visualized, and the film is a more than acceptable popcorn movie. Sometimes the picture is a little too light-hearted for its own good, although it never quite becomes high-camp. The fourth member of the team is the Thing (Michael Chiklis). Although McMahon can be a touch hammy, he is effective as "Dr. Doom," and the other actors all do a nice job as their comic book counterparts. There were only two films in this FF series, which has just been rebooted with a completely different cast.

Verdict: Fun, with good FX and action sequences, if perhaps a touch too lightweight. ***.

THE SIGNAL (2014)

THE SIGNAL (2014). Director: William Eubank.

Nic (Brenton Thwaites), and his friends Jonah (Beau Knapp) and Haley (Olivia Cooke) decide to track down a computer hacker who seems to be everywhere, even invading the cameras in their laptops. The trio track a signal to a dilapidated old house, but all of them wind up in a secret scientific-military base where they, especially Nic, are subjected to tests and persistent questioning. The movie is meant to be creepy and suspenseful one supposes, but it's actually tedious and uninvolving, despite basically good performances by Brenton Thwaites -- what a moniker! -- and the other young cast members. Laurence Fishburne [Event Horizon] is cast as the lead interrogator in the base, and is (deliberately?) weird. Although you more or less get the explanation for what's going on at the very end, it's not worth the trip. Ultimately this is an old comic book -- or shaggy dog -- story.

Verdict: A signal you should probably ignore. *1/2.

PREDATORS

PREDATORS (2010). Director: Nimrod Antal.

In this latest film in the Predator series  -- the original film starred Arnold Schwarzenegger -- a group of men and one woman wake up to find themselves falling with parachutes from an unknown aircraft. It also turns out to be an unknown world they're on. The kidnapped humans all seem to have one thing in common: good guy or bad they are tough characters [or "predators"] who are used to killing, and now they find themselves hunted by the same alien species that bedeviled Schwarzenegger and crew in an Earth jungle in the first film. Predeators has superior scenic design, photography and effects work and moves at a fast, suspenseful pace, but it is especially bolstered by the acting and incisive characterizations. Adrien Brody is better than you would expect as the nominal hero, Royce, a mercenary with no sentimental streak, but then Brody seems to be one of those actors who can play just about anything. Alice Braga is fine as Isabelle, a tough soldier who is not without compassion, and Topher Grace scores as the doctor, Edwin, who at first seems out of place with the rest of the group. The supporting cast is also good. Laurence Fishburne plays such an interesting character that it's a shame he gets killed off so quickly. This is slick filmmaking; the only problem is that it all seems a little over-familiar and somewhat predictable.

Verdict: Mostly for Predators fans, who should enjoy. **1/2.

EVENT HORIZON

EVENT HORIZON (1997). Director: Paul Anderson.

It's the year 2047 and the spaceship Lewis and Clark has gone off to find out what happened to the deep space research vessel, the Event Horizon, which disappeared seven years before, past Neptune. Now they are receiving signals from the ship, which turns out not to have been a research vessel, but the site of a secret government project attempting a kind of faster-than-light speed which employs gravity cores and manufactured black holes. What really matters to the fascinated viewer of course is the fact that the Event Horizon went somewhere and has come back with its crew missing and the ship turned into some kind of hateful living organism. As the crew of the Lewis and Clark try to find out what became of the Event Horizon crew, they experience terrible hallucinations, and one poor fellow (Jack Noseworthy) has a harrowing experience in an airlock. Laurence Fishburne is Captain Miller; Sam Neill is Dr. Weir, who is taken over by the evil of the ship; and Kathleen Quinlan (who is terrific) is medical technician Peters. The movie has perhaps too many climaxes, but it is a very interesting and creepy combination of science fiction and the supernatural with an excellent premise. Good special effects.

Verdict: Stay out of the airlock! ***.

MISSION IMPOSSIBLE 3

MISSION IMPOSSIBLE 3 (2006). Directed by J. J. Abrahms.

This is a big improvement on the disappointing, lackluster Mission Impossible 2. Tom Cruise is back as an IMF agent who has decided to leave the field on the eve of his wedding. But various events keep taking him away from the lady in his life, and eventually he's forced to disobey orders so that he can go to her rescue. His main adversary in this is a nasty arms dealer named Davian, played with marvelously intense menace by Philip Seymour Hoffman. Ving Rhames is likable as a fellow agent, and Laurence Fishburne is excellent as IMF Director Brassel, who may or may not be working with Davian. There are many exciting sequences in the film, which is briskly directed by J.J. Abrahms of Alias fame. Highlights include the snatching of Davian from within Vatican city, and a mission to steal a top secret project from a Shanghai skyscraper. While MI3 is by no means a classic, it is certainly an entertaining time-passer. An amusing aspect of the MI movies is that the scripts borrow from old movie serials such as Hurricane Express in that the characters occasionally employ the use of heavy masks as disguises – Cruise becomes Hoffman at one point via a mask – with the other actor substituting for the one in disguise at an appropriate moment. The thing is that whether it's in Hurricane Express or the much more high-tech Mission Impossible 3 it's never believable that anyone would actually be fooled by the mask!

Verdict: High-energy action. ***.