Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Journey to the Center of the Earth. Show all posts
Showing posts with label Journey to the Center of the Earth. Show all posts

Thursday, May 10, 2018

JAMES MASON

James Mason 
JAMES MASON. 1909 - 1984.

This week Great Old Movies looks at one of our favorite actors: James Mason. When I was a youth Mason starred in two of my favorite movies, Hitchcock's North By Northwest and Journey to the Center of the Earth. As the years went by I could appreciate Mason as much for his acting ability as for the films he appeared in, although even as a kid I could tell he was good.

As I have already seen and/or reviewed a great many of Mason's films, I decided this week to look at a few oldies that I had never watched before. Alas, I was to discover that poor James Mason made quite a few lousy movies, especially in the earlier days of his career. However, Mason himself was rarely less than stellar. Mason gave especially fine performances in such films as Child's Play; Lolita (in which he was, as was often the case, much better than the material); 5 Fingers; The Wicked Lady; and many, many others. You can read a review of a biography of him here.

As I said, Mason made more than his share of stinkers, a few of which are reviewed this week. But it's fun to read about stinkers, isn't it? (Better than watching them, I suppose.)

In any case, James Mason was no stinker.

He was one of The Greats!

Thursday, September 23, 2010

JAMES MASON: ODD MAN OUT


JAMES MASON: ODD MAN OUT. Sheridan Morley. Harper & Row; 1989.

A biography of the enigmatic actor James Mason written by the son of actor Robert Morley. Odd Man Out covers the actor's life and career in workmanlike if not terribly riveting fashion. Mason was torn between a career as an actor or an architect, and angered his family and fellow countrymen by being a pacifist during WW2. He made critical statements about the British film industry to the press that didn't help matters much, and left for America. While there he was frustrated by the parts he got, thinking most of his movies were rubbish. But what really stuck in his craw was that he never developed a reputation as a great Shakespearean (or even stage) actor along the lines of Gielgud and Olivier. He had a long-lasting marriage to Pamela Mason which fell apart when they developed different attitudes and goals, then married a minor and much younger actress late in life. Along the way he made a variety of films -- some memorable, many not -- including Hitchcock's great North By Northwest (Mason also made a notable appearance on one episode of The Alfred Hitchcock Hour); They Were Sisters (one of many villainous-to-the-women roles he would play); A Place of One's Own (a role which Mason, oddly enough, "fought long and hard for"); Nicholas Ray's Bigger Than Life (in which he was wasted); and Journey to the Center of the Earth. Late in his career Mason got some terrific roles in such films as The Verdict, and never disappointed.

Verdict: Not a bad book about a highly private man with very long quotes from a few friends and co-workers, but hopefully not the last word on Mason. ***.

Thursday, April 16, 2009

JOURNEY TO THE CENTER OF THE EARTH (2008 Telefilm)


JOURNEY TO THE CENTER OF THE EARTH (2008 telefilm/Hallmark channel). Director: T. J. Scott.

Yet another version of Jules Verne's classic story, this was probably rushed out because of the Brendan Fraser theatrical version. For one thing, in both movies the entrance to the underworld is through an abandoned mine (which has nothing to do with Verne). In this a wealthy woman (Victoria Pratt) hires Jonathan Brock (Rick Schroder) and his nephew Abel (Stephen Grayhm) to go find her missing husband (in the Fraser version it's a missing brother). It seems to take forever until they're actually under the Earth, and then in five minutes -- vavoom! -- they're suddenly at the center!! There is no attempt to make the underground world look like it's actually under the Earth -- it just looks like the sunny, unremarkable outdoor location it is -- and there's no sense of wonder or atmosphere of any kind. There is one -- and only one -- good scene, and that's when they cross the lake and a gigantic plesiosaur attacks their raft. This monster is very effective and credible. But after that all you get is the missing husband -- played by Peter Fonda, of all people -- who has become the leader of a group of sub-humans. The acting in this is professional, and Pratt -- despite a somewhat irritating haughtiness -- and Mike Dopud as the big handsome Russian Sergei have a lot of presence. This is about neck and neck with the direct-to-video version made the same year, but nowhere near as good as the 1959 adaptation.

Verdict: Not worth the journey. **.

Thursday, March 26, 2009

JOURNEY TO THE CENTER OF THE EARTH 2008


JOURNEY TO THE CENTER OF THE EARTH (2008.) Director: Eric Brevig.

NOTE: Not to be confused with the direct-to-video feature, also made in 2008.

Professor Trevor Anderson (Brendan Fraser) goes off with his young nephew (Josh Hutcherson) to see if they can locate Josh's father, who has been missing since he went under the earth for an investigation into seismic activity. They team up with a young lady guide named Hannah (Anita Briem). The premise of the film is that Jules Verne's novel was factual, and Trevor uses the text as a guideline to descend into the depths. This is not very convincing, of course, but it fits the tone of the movie, which is nice but too "cutesy" by far. There is no suspense or epic quality, and even that black and white cheapie Unknown World had more atmosphere. However, there are some exciting sequences and fine special effects in the movie: a thrilling ride on a runaway mining car; bio-luminescent birds like fire flies that flit around the cast; flying fish with big, nasty choppers; humongous sea monsters; a sequence with floating rocks over a deep chasm. A T-rex shows up at one point but it's only serviceable. The score is forgettable (a fry cry from Bernard Herrmann's wonderful music for the 1959 version) and there's very little directorial panache -- it's all left up to the FX people. Despite some of the silliness of the 1959 version, this is much more of a kiddie movie. The actors are fine; young Hutcherson is especially good.

Verdict: Watchable but the 1959 version is better. **1/2.