SWISS MISS

The classic piano sequence

SWISS MISS (1938). Director: John G. Blystone. Colorized version. 

While composer Victor Albert (Walter Woolf King of A Night at the Opera) is in a quaint Swiss village with his assistant, Edward (Eric Blore), trying to work on his new operetta, Stan Laurel and Oliver Hardy are trying to sell mousetraps -- where there's cheese, there must be mice. Along comes Victor's soprano wife, Anna (Grete Natzler aka Della Lind), the last person he wants to see because he fears he's in her shadow. Unable to pay a restaurant bill after being given worthless money, Stan and Oliver go to work for the inn, as does Anna, who figures this will keep Victor from ordering her out of town. She also figures she can be perfectly convincing as the peasant girl who is the heroine of her husband's new operetta, although he is doubtful. While all this plays out, everyone sings songs, including the most memorable, "I Can't Get Over the Alps." (Other songs, such as "The Cricket Song," are not as memorable.) 

It may not be a masterpiece, but Swiss Miss is a cute, amusing film with two major set-pieces. The first is  when Stan has a funny encounter with a Saint Bernard

Stan and the St. Bernard

whose brandy he covets (Laurel shows that he does have some brains after all). The second is the hilarious bit when the boys try to push a piano across a rope bridge that is precariously hanging over a gorge far, far below! (This tops the piano sequence in a short they did in 1932, The Music Box.) There's even, improbably, a gorilla who also figures in the funny postscript. This was the last film for Viennese actress-singer Grete Natzler, who is pretty and charming. NOTE: TCM once dared to show a 66 minute shortened version of this film without "I Can't Get Over the Alps," for shame. Sue me, I love that number!

Verdict: The boys are always great! ***.  

HOT PEPPER

Lowe and McLaglen

HOT PEPPER (1933). Director: John G. Blystone.

In this sequel to the silent What Price, Glory?, friendly enemies Harry Quirt (Edmund Lowe) and Jim Flagg (Victor McLaglen) are out of the Army and still maintaining their rivalry over women and everything else. Harry uses phony badges to get money from Jim and other victims. Jim, who's in the nightclub business during prohibition, discovers that one of his ships has a stowaway, Pepper (Lupe Velez), who has come from South America to be a star in New York. Harry opens his own club and makes Pepper the starring attraction. and the pursuit for her is on. [Alas, the spirited Velez offers energy and little else in her number, and her legs and especially knees are nothing to crow about.] You want to like Hot Pepper, for the performers if nothing else, but it just isn't that funny, even though the trio of lead actors give their all. Velez also arrived from a boat to be a performer in Manhattan in Redhead from Manhattan ten years later. Lowe was also in Honeymoon Deferred, while McLaglen was in The Quiet Man. Blystone also directed the vastly superior Swiss Miss with Laurel and Hardy. Some funny moments, but not enough.

Verdict: Disappointing. comedy with leads who deserve a better script. **.

SWISS MISS [UNCUT]

Walter Woolf King and Eric Blore

SWISS MISS (1938). Director: John G. Blystone.

"A swiss miss went scheeing down a mountain side.
One day she went "he-ing" and became my bride.
So now she sits at St. Moritz and waits for me but I can't get over the Alps!" 

Stan and Ollie (Laurel and Hardy) are trying to sell mouse traps in the Swiss Alps, but not having very much luck at it. Given worthless currency to buy out their business, they order everything they can eat at an inn but have to go to work in the place to pay the bill. Also at the inn is composer Victor Albert (Walter Woolf King), who wants peace and quiet to compose his operetta. Instead his soprano wife, Anna (Della Lind) shows up and proves a distraction. In the meantime there are amusing scenes with Stan and a lovable St. Bernard, not to mention  a classic sequence in which the fellows try to transport a piano across a shaky rope bridge scanning a deep chasm. In the full 72 minute version of the film [not the abridged 66 minute version that has been shown by Turner Classic Movies] we also get to see Walter Woolf King and assistant Eric Blore camping it up as they sing the catchy number "I Can't Get Over the Alps." This is a funny, charming movie with the comedy team in top form, ably assisted by an enthusiastic supporting cast.

Verdict: The piano scene alone is worth the price of admission and "Alps" is an added bonus. ***.

SWISS MISS

SWISS MISS (1938). Director: John G. Blystone.

Laurel and Hardy are trying to sell mouse traps in Switzerland when they're swindled by a potential customer. This forces them to work for a hotel where they are befriended by singer Anna Albert (Della Lind), whose husband Victor (Walter Woolf King), is trying to find peace and quiet as he works on a new operetta. The last thing he gets from the boys is peace and quiet as Hardy serenades the lovely Anna (not realizing she's married), Laurel creates a snowstorm out of chicken feathers so that a local Saint Bernard will "rescue" him with brandy, and both of them try to traverse a rope bridge over a high, high canyon as they carry a piano! The "plot" isn't much, but Laurel and Hardy are in good form and there are many very funny sequences. "The Cricket Song" that Victor composes is pretty bad, but some of the other music is better. Some fine character actors, including Eric Blore, add to the fun. King played singer Rodolfo Lassparri in A Night at the Opera. NOTE: Recently Turner Classic Movies -- my favorite cable network -- showed a 66 minute print of Swiss Miss instead of the 72 minute version. While some viewers may not care that the scene where King sings "I Can't Get Over the Alps" has been cut, I get a hoot out of that number. Too bad. Hopefully the scene will be reinstated when TCM shows the film again next month.

Verdict: Love that gorilla! ***.