COPYCAT

Siigourney Weaver

COPYCAT (1995). Director: Jon Amiel.

Helen Hudson (Sigourney Weaver), a psychologist who specializes in serial killers, is attacked in a restroom after one of her lectures and nearly killed. Her assailant is Daryll Lee Cullum (Harry Connick, Jr.), who is arrested, but Helen turns into an agoraphobic who is unable to leave her home. In spite of this she assists two detectives -- Monahan (Holly Hunter) and Reuben (Dermot Mulroney) -- in tracking down a new serial killer, Peter (William McNamara), who is copying the crimes of famous monsters such as Son of Son, Jeffrey Dahmer and others. But will Helen survive when the killer comes after her with a plan to fatally reenact her near-death experience in the college restroom?

William McNamara

Copycat could be picked apart for plot holes and illogical moments but it improves as it goes along, building genuine suspense, despite the fact that the killer is revealed early on. Weaver [Prayers for Bobby] is quite good, and although Holly Hunter [The Burning] would hardly be my first choice for playing a homicide detective, she generally acquits herself nicely as well. Mulroney is perfect as her cocky and ill-fated partner; Connick is positively terrific as the slimy and gross Cullum; and McNamara [Dario Argento's Opera] certainly makes a positive impression as the diabolical and sadistic Peter. One of the best sequences in the film has to do with the unexpected death of a major character, and there is an admirable attempt to flesh out these characters as well. This was one of the big 90's films about serial killers that led to such programs as Criminal Minds. However, those programs look into the lives of the victims a lot more than this picture does.

Verdict: Flashy and slick and quite entertaining. ***. 

BATMAN V SUPERMAN: DAWN OF JUSTICE

Superman (Henry Cavill)  vs Batman (Ben Affleck)

BATMAN V SUPERMAN: DAWN OF JUSTICE (2016). Director: Zack Synder.

Some of the public are losing faith in Superman (Henry Cavill) of Metropolis and fear he may be too powerful, which is also a concern of Gotham's Batman (Ben Affleck). Meanwhile, the Man of Steel is disgusted by Batman's violent vigilantism. When Lex Luthor (Jesse Eisenberg) kidnaps Superman's mother, Martha (Diane Lane), he tells him he can only save her by killing the Batman. The Man of Steel has no intention of murdering anyone, and tries to get Batman to work with him to save Martha and take down Luthor, but their misunderstandings about their different approaches only lead to conflict. Years ago I complained that some comic book and comic book-like movies were much too mindless, but now they've gone to the other extreme. Unfortunately, Batman V Superman mistakes a continuous grimness with seriousness, but ironically none of it is very profound. The picture has an admirable intensity, and while no one wants to return to the camp and silliness of the old days, couldn't all these billions of dollars and all that work have been employed to make a more entertaining movie? In some ways Batman v Superman comes off like a mere prelude to the upcoming Justice League of America movie, the idea of which I find less exciting after sitting through the somewhat tedious 151 minutes that make up this film. The picture has some interesting elements and sets up clever situations (the conflict between Bats and Supes has already been explored in the comics) but its action scenes are more frenetic than well-done, and half the time you can't really tell what's happening. With the exception of a dreadful, almost-camp, boyish geek version of Lex Luthor played by Eisenberg [Cursed] , the acting is excellent, with both Affleck [Hollywoodland] and Cavill [Immortals] quite adept at the new ultra-intense super-hero style. Amy Adams is also quite effective as Lois Lane, as is Holly Hunter as a senator. Wonder Woman (Gal Gadot) shows up at the end to help the fellows fight Doomsday, and is fine, and there are cameos by the Flash, Aquaman, and Cyborg (what, no Green Lantern?) to set up the next DC Universe movie. A confusing prologue shows an attack on Gotham by what appears to be Brainiac, but the film never makes it clear exactly what's happening, and in general the screenplay is mediocre. [Apparently Batman v Superman starts off where Man of Steel ended, and the antagonist is General Zod, but couldn't there have been some attempt made to remind viewers of this?] Moments of cuteness happen so infrequently that they're jarring, such as when Batman asks Superman if Wonder Woman is with him, and he responds "I thought she was with you." There are guest appearances from Anderson Cooper, Andrew Sullivan (!), Nancy Grace and others, all commenting on one hero or another. Too many anti-climaxes by far.

Verdict: Very talky and not a hell of a lot of fun but there are a few good scenes. **1/2.

THE FIRM

Gene Hackman and Tom Cruise

THE FIRM (1993), Director: Sydney Pollack.

Mitch McDeere (Tom Cruise) is signed up with the law firm of Bendini, Lambert and Locke at a six figure salary with lots of percs. He and his wife, Abby (Jeanne Tripplehorn), are ecstatic, but there's a serpent in paradise. Partners in the firm seem to die on a regular basis, and Mitch realizes there's something not quite kosher about the outfit. Before long he finds himself between a rock and a hard place where his employers and interested agents of the FBI are concerned. Can he manage to help the agents without getting himself killed? Years ago there used to be thrillers that lasted maybe 80 or 90 minutes, included lots of plot twists and turns, and even at times a bit of characterization. The Firm clocks in at over two and a half hours, doesn't really have enough plot to sustain it, doesn't retain a grip on the suspense, and doesn't even include that much characterization. One problem is that the vastly overrated Sydney Pollack couldn't direct a true thriller if his life depended on it, and his attempts in that area always fail. The movie starts off quite well and sets up an interesting situation, but then it just plods along its dreary course until you lose interest in the proceedings. Cruise isn't bad, although he sort of just walks through it looking "concerned." Tripplehorn is better, and Gene Hackman [The French Connection] really steals the picture as a conflicted associate of Mitch's as well as his mentor. There are also nice turns by Gary Busey [A Star is Born] as a private eye, Holly Hunter as his secretary-lover (the murder scene involving both of these characters is one of the best things in the movie); Hal Holbrook as a law partner; Ed Harris as an FBI agent; David Strathairn as Mitch's convict brother; Steven Hill as another agent; and John Beal [The Vampire] as another of the partners.

Verdict: Too many characters and detours eventually add up to tedium. **1/2.