AMERICAN PRINCE: A MEMOIR -- TONY CURTIS

AMERICAN PRINCE: A MEMOIR. Tony Curtis and Peter Golenbock. Harmony; 2008.

Apparently not being satisfied with the first book, this is the late Curtis' second autobiography. Never forgetting a slight, real or imagined, in this volume he settles scores. Since his first wife, Janet Leigh, had passed away by then, he feels free to dissect their marriage and highlight her alleged faults as a wife. (One can't imagine that this endeared him to his daughters by Leigh, including Jamie Lee Curtis.) One gets the impression that Curtis had no real interest in honest reflection nor in seeing things from other people's pov\s. He is the very personification of the self-absorbed movie star.

Curtis traces his early years and his bad relationship with his parents; the tragic deaths of his two brothers -- he never balances his basically successful life with the brother who was placed in a mental institution and eventually wound up homeless and beaten to death --  his determination to make it in Hollywood, and his cinematic triumphs in such as Sweet Smell of Success (arguably his greatest performance) and Some Like It Hot, among others.  Curtis doesn't shy away from detailing the years afterward, when he was forced to take virtually any role in any piece of crap just to pay the bills, including alimony and child support. He also writes about his cocaine addiction and his many marriages (at least one wife never gets mentioned at all).

Curtis never lost the chip on his shoulder. Part of this is due to the fact that he never felt he was really taken seriously. Part was also due to the fact that no matter what the role he generally came off as dead-common. This book didn't help him shake off that image.

Verdict: Not a bad read, but it leaves a sour taste. **1/2. 

SPELLBOUND BY BEAUTY: ALFRED HITCHCOCK AND HIS LEADING LADIES

SPELLBOUND BY BEAUTY: ALFRED HITCHCOCK AND HIS LEADING LADIES. Donald Spoto. Harmony; 2008.

It would be easy to completely dismiss this book as Spoto's attempt to pick once more at the bones of Alfred Hitchcock -- and sometimes it truly comes off like that -- were it not for the fact that the book is entertaining and well-written. Spoto goes through a list of Hitch's leading ladies and describes the great director's relationship with them, giving mini-bios of the women if there isn't any dirt to be dug up. All of this is perfectly readable if not terribly enlightening. The major chapters -- and charges -- concern Hitchcock and Tippi Hedren of The Birds, and much of this isn't new, either, just more detailed. Like many a director before and after, Hitchcock -- according to the book -- became enamored and possessive of a model totally out of his league and cast her in a major role she wasn't ready for. [Like that's never happened before!] According to Hedren, Hitchcock was guilty of multiple abuses of sexual harassment. If we're to believe the various assertions in Spellbound By Beauty, Hitch was a rather childish, sexually and romantically frustrated man who went a little too far as far as Hedren was concerned. [Despite contracts and possible lawsuits and needing to support her daughter, it's difficult to understand how Hedren in any case could have subjected herself to Hitchcock again in Marnie after her experiences in The Birds. You would think she'd fly away and get a waitressing job and a good lawyer!] Hitch loved telling ribald jokes to the women in his films and other things and they either laughed, like saucy Carole Lombard and Karen Black, or were mortally offended like the devout and prim Diane Baker. As for Hedren, she may have been uncomfortable filming the sequence with the birds attacking her in the attic in The Birds, but it's a masterful sequence and surely she didn't suffer any more than a zillion actors in even more demanding physical roles. That's the movies. Spoto's negative comments about the very talented Joan Fontaine seem especially mean-spirited, perhaps because she didn't contribute any negative anecdotes. At least Spoto admits that whatever his failings as a man, Hitchcock was a genius filmmaker, and all these years after his death, that's really all that matters.

Verdict: Hitchcock sacrificed on the fires of political correctness? **1/2. 

ENCHANTMENT: THE LIFE OF AUDREY HEPBURN Donald Spoto

ENCHANTMENT: THE LIFE OF AUDREY HEPBURN. Donald Spoto. Harmony; 2006.

Spoto doesn't spend too much time detailing the terrible childhood and awful privations Belgium-born Hepburn suffered during the Nazi occupation of Arnhem before we're off exploring her rapid rise to stardom and her many memorable film roles. Originally trained to be a dancer, Hepburn's deportment and good looks earned her the title role in the play Gigi and many accolades from the critics of the day, although Hepburn thought she was still learning how to act throughout the lengthy run. [Whether or not she was disappointed that the role of Gigi went to Leslie Caron in the big-screen musical adaptation, Spoto doesn't say.] She had already had a good role in the British film Secret People, but now found herself working with such famed directors as William Wyler and Billy Wilder and such actors as William Holden, with whom she had a brief affair, and Humphrey Bogart and Fred Astaire, who were not always easy to work with. She was most often paired with much, much older men, such as Gary Cooper and Gregory Peck, and later, Cary Grant in Charade. She won an Oscar, had what she considered her greatest role in The Nun's Story [befriending the real-life nun and the book's author, who apparently were a long-time lesbian couple], and "stole" the role of Eliza Doolittle from Julie Andrews in My Fair Lady where she spent hours on singing lessons only to learn Marni Nixon had already dubbed all of her songs. Although Hepburn wasn't much different from other actresses in that she had affairs even while married to actor Mel Ferrer [who directed her in Green Mansions and appeared in such films as Born to Be Bad and Eaten Alive, not to mention a solid role on Falcon Crest], Spoto treads lightly, as if not wanting to spoil her image; he's very tough on Ferrer, however. Hepburn left films to become a full-time wife and mother, made a few movies of varying quality some years later [Robin and Marian; Bloodline], then had perhaps her most fulfilling role as a hands-on goodwill ambassador for Unicef, flying on military planes to such desperately hungry nations as Ethiopia and witnessing the starvation and its effects first-hand. She had two disappointing marriages, but found some happiness with companion Robert Wolders in her final years before succumbing to cancer. Enchantment is a good read, fast-paced, well-researched, and makes it clear that movie stardom is not always a recipe for lasting happiness.

Verdict: Solid and very readable biography. ***.