AIR CADET

Upper classman Rock Hudson gives those cadets their orders

AIR CADET (1951). Director: Joseph Pevney.

Three men room together in the Air Force academy with the hopes of becoming top-notch pilots: Russ (Richard Long), Walter (Robert Arthur), and Joe (Alex Nicol), who was a sergeant in the Army but now finds he has to start proving himself all over again. An unnamed upper classman (Rock Hudson) seems to delight in making life miserable for them, especially Walter. But the real trouble begins when Russ becomes sweet on Janet (Gail Russell), who is separated from her husband Major Jack Page (Stephen McNally). And Page is one of the men who decides if Russ and the others make the grade or will be given the heave-ho.

Alex Nicol and Robert Arthur

There is an attempt to present some interesting drama in this story of the three cadets -- James Best plays a fourth cadet who is ousted from the program early on -- but it never really amounts to much. More interesting than the mild triangle business with Page, Janet, and Russ, is the sub-plot with Russ coming to partially blame Page for his brother's suicide (due to what today we would call post-traumatic stress disorder). Frankly, both men behave like assholes. There is, however, some terrific aerial shots, especially when the boys fly in formation with their planes only 18 feet apart throughout and one begins hurtling towards the ground. 

Gail Russell and Stephen McNally

Rock Hudson actually has little to do in the movie, but he does it very adeptly. McNally and Russell [The Uninvited] are top-billed and are more than satisfactory in their roles, while Richard Long gives one of his best performances as the troubled Russ. Alex Nicol [Heatwave] is professional, even if his character is somehow unlikable, but Robert Arthur [September Affair] is charming and appealing as the plucky "little guy" that most of the audience will be rooting for. Charles Drake is fine as another flying instructor, and Peggie Castle adds some "femme appeal" as a lady who can't seem to make up her mind between Nicol and Arthur.


Verdict: Acceptable aviation film with decent players and some good aerial shots. **1/4. 

NO PLACE TO LAND

John Ireland and Mari Blanchard

NO PLACE TO LAND (1958). Director: Albert C. Gannaway.

"Come over and give daddy a big goodbye kiss." -- Buck

"I don't want to spoil my breakfast." -- Iris

Super-tramp Iris (Mari Blanchard) is married to the portly and dangerous Buck (Robert Middleton), but she has a thing for a crop-duster named Jonas (John Ireland) and won't give him up. In her schemes to get him she uses other men as her pawns, employing both her body and blackmail to get her ends. Meanwhile, Jonas and his pal Swede (Jackie Coogan) go to work for a drunk named Roy (Douglas Henderson) and Jonas and Roy's wife, Lynn (Gail Russell), who is not a tramp, wind up falling for one another. Then things get even more complicated ... No Place to Land has an interesting plot with lots of possibilities, but the execution is strictly mediocre, although Blanchard [The Crooked Web] offers a zesty performance and Middleton is excellent. Robert Griffin [Monster from Green Hell] is fine as a grocer who admires Iris a little too much, and both Bill Ward and Burt Topper make an impression as two lover boys that Iris beds for her own purposes. Ireland looks disinterested most of the time, but Coogan has his moments. William Peter Blatty, who later wrote "The Exorcist," plays a cop. Burt Topper later directed The Strangler.

Verdict: Simmers but never quite smolders. **.