Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Frtiz Weaver. Show all posts
Showing posts with label Frtiz Weaver. Show all posts

Thursday, April 16, 2020

BLACK SUNDAY (1977)

Bruce Dern and Marthe Keller
BLACK SUNDAY (1977). Director: John Frankenheimer.

German-Arab Dahlia (Marthe Keller) is a member of the terrorist group Black September. She has been able to manipulate her lover, a bitter Viet Nam vet named Lander (Bruce Dern), into helping her in a plot to kill thousands of Americans. She hopes to send a message to the U.S. to stop aiding Israel. A taped message that she had planned to release to the media after the event has been recovered following a raid so that now the government knows something deadly is planned but doesn't know what. (The fact that Lander is one of the pilots of the Goodyear blimp for the Superbowl should give you a clue.) Israeli agent Kabakov (Robert Shaw) and FBI man Sam Corley (Fritz Weaver) join forces with others to find this woman -- whom Kabakov should have killed during the raid but didn't -- and stop her plan before she can kill over 83,000 people -- and the President -- at the Superbowl in Miami.

Robert Shaw
Black Sunday is a thinking man's thriller, the kind they generally don't make anymore, in that it has some great action set pieces and lots of suspense, but it also has interesting characters and heroes who are not quite superhuman. The film is over two hours long but never boring as it follows the deadly exploits of the daring terrorist duo and their equally daring pursuers, with speed boat chases, telephone bombs, hotel shoot-outs and a climax involving a blimp, a helicopter, a sub-machine gun wielded all too well by Dahlia, and a bomb that will fire thousands of metal pellets into a crowd of cheering and clueless fans if something isn't done to prevent it.

Marthe Keller 
The acting in the film could not be bettered. Marthe Keller of Fedora gives another excellent and passionate performance as the terrorist, and Bruce Dern [Coming Home] is simply superb as the tormented and vengeful vet who spent months in a POW camp and whose wife left him for another man when he finally returned home. Robert Shaw is similarly on target, as are supporting performances from Weaver, Steven Keats [The Last Dinosaur] as another ill-fated Israeli agent, and others. There's a horrifying scene in a warehouse when the evil duo test their weapon on an innocent caretaker who only thinks they're going to take his picture, and many other memorable moments. John Williams' score is also quite effective.

This is based on a novel by Thomas Harris. I always thought it was far superior to his over-rated Silence of the Lambs and that this earlier film is far superior to the film version of Lambs. Back in 1977, terrorist plots like this were strictly the stuff of movies and books, not to mention James Bond, but 9/11 certainly changed that notion, as we soon realized, sadly, that now anything was possible ...

Verdict: Terrific thriller with a great plot and excellent performances. ***1/2. 

Thursday, August 10, 2017

FAIL-SAFE

Frank Overton
FAIL-SAFE (1964). Director: Sidney Lumet.

The American president (Henry Fonda) discovers that the U.S. air force accidentally launched a bomber squadron against Moscow. Now his job is two-fold: to convince his Russian counterpart that this strike was indeed accidental and prevent retaliation; and to stop or even shoot down the U.S. planes before they can drop the bombs and start WW3. The tension is thick as various characters react to what is an untenable and horrifying situation. The acting from the entire cast is first-class: Dan O Herlihy  [King of the Roaring 20's] as General Black, who must discharge the most distasteful duty of his career, to put it mildly; Fritz Weaver (who was introduced in this film) as Colonel Cascio, who is nearly driven mad by the situation and has a violent breakdown; Walter Matthau (in one of his early dramatic roles) as Groeteschele, who is coldly pragmatic when it comes to the numbers of projected casualties and the like; and especially Frank Overton [Desire Under the Elms], in the performance of his career, as the conflicted but duty-bound General Bogan. Janet Ward certainly scores in a small but pivotal role as Mrs. Grady, who desperately tries to tell her husband, the lead pilot, to turn back before it's too late. Nancy Berg, Dom DeLuise [Diary of a Bachelor]  and Larry Hagman (as a translator), among others, also do well in some flavorful supporting roles. One of the best scenes has Bogan reacting after the men in the war room cheer the downing of one of the planes -- "this isn't a football game!" I don't know if I find the controversial ending to this to be especially believable, but it certainly packs a wallop. I have no doubt that when this was released people left the theater shivering in shocked silence. This was released the same year as the satirical Dr. Strangelove, which has more or less the same plot, but the more somber Fail-Safe has the edge on it. The movie could have been cut by ten or so minutes and tightened a bit, however.

Verdict: Disturbing, high-impact, and infinitely depressing. ***1/2.