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| Carroll Baker and Ralph Meeker |
SOMETHING WILD (1961). Director/co-screenplay: Jack Garfein.
Mary Ann Robinson (Carroll Baker of
Bridge to the Sun) walks home from work one evening, and is pulled into the bushes and raped. This traumatic experience leads into a series of strange actions, such as her leaving home without telling her mother (Mildred Dunnock) or stepfather (Charles Watts), taking a job in a five and dime store in another neighborhood, and moving into a cramped "apartment" about the size of a closet. One afternoon on the Brooklyn Bridge she tries to throw herself into the river, but she is stopped by the intervention of a worker named Mike (Ralph Meeker). But this apparently kind stranger may have even more problems than Mary Ann does and she finds herself locked in his apartment ...
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| Carroll Baker |
Something Wild was based on a novel named
Mary Ann and directed (and co-written) by theater man Jack Garfein, who was married to Carroll Baker at the time. Baker is deglamourized in this and generally gives a good performance, as does Meeker, although both are given rather impossible characters to play. I believe the film is trying to say that two damaged individuals can find love with each other, but there's a big difference in being a (rape) victim and being (in essence) someone who commits criminal actions like holding someone against their will, so turning this into a "love" story -- and yes the film does try to make us believe this has a happy and romantic ending -- would be almost as ludicrous as having Mary Ann fall in love with her rapist (who never shows up after the opening sequence). Apologists for the film -- and there are many -- try to suggest that Mike only locked Mary Ann in because he didn't want her killing herself, but she could just have easily killed herself in the apartment and his motives for keeping her a prisoner aren't nearly so noble.
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| Cinematography by Eugene Shufftan |
The shame of it is that this hopelessly muddled, even offensive film has a lot going for it. In addition to the leads we have notable work by Mildred Dunnock as the concerned if ineffectual mother; Jean Stapleton as a slatternly neighbor of Mary Ann's; Doris Roberts as a co-worker at the five and dime who is put off by what she perceives as Mary Ann's stuck-up attitude; Martin Kosleck [
The Flesh Eaters] as the somewhat sleazy landlord; and others. The film has a highly interesting score by no less than Aaron Copland [
The Heiress], and is strikingly photographed in black and white by Eugen Shufftan, who makes the most of some very familiar New York City locations. Shufftan gives the film a very grim and intense atmosphere throughout. Garfield's direction is good if imperfect. He only directed one other movie,
The Strange One.
Despite all the notable aspects,
Something Wild is done in by its contrivances. One suspects the plot was concocted before the characters were conceived, and -- in the film, at least -- they are never developed all that well.
Verdict: Should these two sick individuals get married? Where is Dr. Phil when you need him? **.
