THEY MET IN THE DARK

James Mason and Joyce Howard

THEY MET IN THE DARK (1943). Director: Karel Lamac.

Richard Heritage (James Mason) receives a court-martial because fake orders were palmed off on him by an unknown person. He goes to see a young manicurist named Mary (Patricia Medina of The Killing of Sister George), who tells him she has something important to tell him and will speak to him later. She never makes the date but her dead body is found  by Laura Verity (Joyce Howard) in a house owned by Laura's uncles. When Mary's body disappears, the police want to put Laura in jai for supposedly lying and leading them on a chase, so she runs off with Richard in pursuit, neither quite trusting the other. Along the way they encounter a slimy mind reader named Riccardo (Karel Stepanek of The 2nd Best Secret Agent in the Whole Wide World); a radio singer named Lily (Phyllis Stanley); a theatrical impresario named Christopher Child (Tom Walls); a petty officer named Bill Grant (Robert Sansom of He Found a Star); and others, some of whom are part of a nest of spies. Meanwhile Commander Lippinscott (David Farrar of The Sea Chase) is surreptitiously trying to check out the story Richard told at his hearing. He and Richard discover that a certain song to be sung in a nightclub contains a secret code that could sink a ship ... They Met in the Dark is all too typical of WW2 spy movies that are cobbled together with elements lifted from Hitchcock films. These films are called "Hitchcockian" because of those elements but the simple truth is that it's Hitchcock's style of direction that sets his movies apart. Without that style -- and with a poor script and weak direction, as this has -- these movies have no reason to exist. As well, They Met in the Dark is almost stupefyingly dull. The actors, including Mason, can't be faulted, but this badly-constructed picture is an effort to sit through. Director Lamac seems to have no clue as to how to put a picture together in a compelling fashion, although even Hitch himself may have been defeated by the screenplay.

Verdict: Dreadful -- the kind of pictures Mason had to put up with in the earlier days of his career. *.

THE SEA CHASE

THE SEA CHASE (1955). Producer/director: John Farrow.

How's this for perfect casting? In The Sea Chase John Wayne plays Karl Erlich, the Captain of a German freighter (the Ergenstrasse), who supports his country but is no fan of Hitler. Lana Turner is cast as Elsa Keller, a kind of Mata Hari German spy who winds up as the only female passenger among a bunch of horny sailors. While it can't be said that Wayne and Turner have great chemistry, the odd thing is that the movie actually works and both stars are more than adequate in their roles. Erlich sets sail from Sidney just as war is declared, and an old friend, the British officer, Jeff Napier (David Farrar of The Echo Murders) -- he was one of Elsa's many conquests -- doggedly pursues him. Complications ensue when Chief Officer Kirchner (Lyle Bettger) takes it upon himself to murder some innocent fishermen who are shipwrecked on a supply island, making Erlich and his crew not only murderers but wanted war criminals. Erlich also has a conflict with Schlieter (James Arness) who has a chip on his shoulder and hates taking orders from his captain. Not only is The Sea Chase suspenseful, but you get caught up in the unusual storyline and begin to care about what happens to the characters and their ultimate fate. Bettger [No Man of Her Own] is especially good as Kirchner, and there's also excellent work from Farrar and from John Qualen [Dark Waters] as Chief Engineer Schmidt. Richard Davalos, Tab Hunter, Paul Fix, Arness, and Claude Akins (whose name is misspelled as "Akin" in the credits) also have some fine moments. Clearly this picture would not have been made just a few years earlier. In WarnerColor.

Verdict: Memorable "forgotten" Wayne film with an intriguing and different plot. ***.

THE LATE EDWINA BLACK

Geraldine Fitzgerald and David Farrar

THE LATE EDWINA BLACK aka The Obsessed/1952. Director: Maurice Elvey.

"There's not much of a world for penniless young girls like you. Or lonely old women like me."

Gregory Black (David Farrar) lives beyond his means in a huge home because his wife, Edwina, is wealthy. Gregory's secretary is Elizabeth Grahame (Geraldine Fitzgerald), and the two have fallen in love. When the never-seen Edwina, who is a bedridden invalid, is found dead, Inspector Martin (Roland Culver) tells them that they found arsenic in the dead woman's system. It isn't long before both Gregory and Elizabeth are freaking out, each accusing the other of murder while Edwina's spirit seems to hover over the household. The Late Edwina Black is well-acted, especially by Fitzgerald [So Evil My Love] and Jean Cadell as the housekeeper, Ellen, and the film has genuine suspense. The problem with the picture is that the two main characters are completely unsympathetic, never registering the slightest compassion or understanding for Edwina. We're led to believe that she may be a harridan, but the events that could have led to her becoming that way are glossed over. This is based on a play that was filmed or made for television more than once. Well-photographed by Stephen Dade. Elvey also directed The Tunnel. David Farrar played Sexton Blake in The Echo Murders.

Verdict: Not bad mystery film with a good plot but unlikable characters. **1/2.

THE ECHO MURDERS

David Farrar as Sexton Blake

THE ECHO MURDERS (1945). Director: John Harlow.

Stella Duncan (Pamela Stirling) is unaware that her "father," James (Julien Mitchell), actually killed her real father years ago and raised her as his own. His secretary, Rainsford (Dennis Arundell), has discovered the truth and is blackmailing him. Into this unfriendly situation comes the other private eye from Baker Street, Sexton Blake [The Hooded Terror], this time played by David Farrar in a somewhat gruffer, more "American" style. When the expected murders occur, suspects include the geeky Beales (Kynaston Reeves of Fiend without a Face), who lives in a house on a cliff; crook Dacier (Ferdy Mayne); and Dr. Grey (Patric Curwen); among others. There's a mine occupied by plotting Nazis as well. This is modestly entertaining but distinctly minor. Farrar had a supporting role in a previous Sexton Blake film, The Hooded Terror and starred in Meet Sexton Blake just before making Echo Murders.

Verdict: Reasonably fast-moving but never fully engaging. **.