Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Catherine Deneuve. Show all posts
Showing posts with label Catherine Deneuve. Show all posts

Thursday, December 7, 2017

MARCELLO MASTROIANNI: HIS LIFE AND ART

MARCELLO MASTROIANNI: HIS LIFE AND ART. Donald Dewey. Birch Lane/Carol; 1993.

In this absorbing and well-written bio and career study of the actor, there are few first-person interviews, but Dewey makes up for this with an intensive look at Mastroianni's work and its context in the changing political and sexual landscape of Italy. Like many actors, it comes across that there wasn't much to Mastroianni beyond being an actor, but considering his talent and achievements that's more than enough. Mastroianni's often conflicting opinions on movies, the thespian profession, women, co-stars, politics and religion are prodigiously quoted (often too much so), but it is made clear that the actor had little use for the religious dogma of, say, Italian censors. Mastroianni was married to the same woman for many years but had numerous affairs, most famously with Catherine Deneuve. The book also goes into his work and relationships with such famous directors as Federico Fellini, Luchino Visconti, and Vittorio de Sica, Mastroianni hated being seen as the Latin Lover, but he happened to be quite good-looking and that was that. It's interesting that the actor became internationally famous despite the fact that he only appeared in one full-fledged American production, and -- frustratingly -- most of his films are unseen and unavailable in the U.S. However, his fine work in such films as La dolce vita and Le Notti bianchi are evidenced on DVD. It's strange that the photos of the actor used for the front and back covers are not flattering. Mastroianni died at 72 three years after this book was published.

Verdict: Exhaustive look at a fine Italian actor. ***1/2.

Thursday, August 24, 2017

UN FLIC / DIRTY MONEY

Alain Delon
UN FLIC (aka Dirty Money/1972). Director: Jean-Pierre Melville.

Simon (Richard Crenna of The Evil) owns a nightclub in Paris but is secretly head of a gang that robs banks and steals a load of heroin off of a train. Simon's girlfriend, Cathy (Catherine Deneuve), is shared by Simon's friend, Edouard Coleman (Alain Delon), who happens to be a cop investigating these very crimes ... Un Flic (which means "a cop" in French) certainly has an intriguing premise, but the approach -- which is either minimalist or merely indicative of too much being left on the cutting room floor --  strips it of real intensity, as the characters are all stick figures. We never learn how Simon and the other gang members fit together, how he got to become friends with Edouard, the true relationship between Cathy and either man etc. and all we're left with is some modestly well-crafted "caper" scenes, one of which features some unfortunate and unconvincing miniatures of a train and helicopter. Delon [The Yellow Rolls Royce] is terrific, in spite of the fact that we don't learn too much about him except that he's quite tough and rigorously unsentimental. Deneuve is given so little to do it's a wonder why she even bothered showing up on the set. Michael Conrad, who appeared with Joan Crawford on The Virginian,  plays one of the gang members, and there's nice work from an unknown actress (?) who plays a transvestite who provides Eduoard with information. One expects a final revelation or twist that never comes, and some moments are simply inexplicable.This was Melville's last film.

Verdict: This example of French film noir holds the attention but you keep hoping for more. **1/2.