Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Brooke Adams. Show all posts
Showing posts with label Brooke Adams. Show all posts

Thursday, October 14, 2021

INVASION OF THE BODY SNATCHERS (1978)

Leonard Nimoy and Donald Sutherland

INVASION OF THE BODY SNATCHERS (1978). Director: Phil Kaufman.

San Francisco health inspector Matthew Bennell (Donald Sutherland) is carrying a torch for his colleague Elizabeth Driscoll (Brooke Adams). Elizabeth is convinced that her live-in boyfriend, Geoff (Art Hindle), is not himself, that he's actually become a different person. Matthew's friend, David Kidner (Leonard Nimoy), a pop psychologist and author, says that other people are also claiming their loved ones are not their loved ones. Things take an even darker turn when a weird body turns up in the mud baths operated by Jack (Jeff Goldblum) and Nancy (Veronica Cartwright), a half-finished body that greatly resembles Jack. It seems that virtually everyone in the city has succumbed to this ghastly invasion of space seeds, which destroys humans and replaces them with unemotional duplicates ...  

Veronica Cartwright
On its own terms this remake of the classic fifties film of the same name is entertaining, and if this is one's first introduction to the story -- based on "The Body Snatchers" by Jack Finney -- it will probably give you a bit of the chills. But be forewarned that if you watch it back to back with the original it greatly suffers in comparison. Switching the locale from a small town to a big city does not do too much damage, but a bigger problem is that the film too often resembles a clumsy parody of the first film. Sutherland, Nimoy and Adams are okay, but Goldblum is irritating and Cartwright overacts almost from the first (compare her to a splendid Carolyn Jones in the first film). Some of the chase scenes just seem so stilted. 

Brooke Adams
Aside from the electronic noises during sequences with the pods -- the FX here are quite good -- the musical score only detracts from the film's effectiveness. Some of the other changes in this version are welcome: Elizabeth's "transformation" is handled much better and much more logically than Becky's "conversion" in the first film, and the weird way the aliens point and screech at ordinary humans is acceptably unnerving. A clever bit -- although it doesn't quite work -- has Elizabeth screaming when she sees a dog with a man's head (as opposed to Becky screaming when a dog is nearly run over), but the inclusion of Kevin McCarthy, acting much the way he does at the climax of the original film, while cute, also ruins the mood, coming off more comical than anything else. Director Philip Kaufman tries to create an air of disquiet by putting odd people in the backgrounds -- the aliens beginning to assert themselves, one supposes -- the oddest of whom is Robert Duvall, herein cast as a non-speaking priest on a child's swing. The director of the original, Don Siegel, plays a cab driver.

Verdict: Nice try, but the original is much, much better. **3/4. 

Thursday, October 26, 2017

SHOCK WAVES

Brooke Adams and Luke Halpin
SHOCK WAVES (1977). Director: Ken Wiederhorn.

A group of people out on a short chartered boat tour might not wind up on Gilligan's Island, but they probably wish they had. Instead they wind up on an island that is home to an elderly Nazi scientist (Peter Cushing) who tells them how they created unkillable super-soldiers who were meant to be the ultimate weapons. Dead already, these soldiers can stay underwater for hours and stalk the enemy with ultra-extreme stealth. The tourists, including Rose (Brooke Adams), Norman (Jack Davidson) and Beverly (D. J. Sidney),  team up with crew members Keith (Luke Halpin) and Dobbs (Don Stout) and try to get off the island before the zombie Nazis can slay them. Shock Waves has a damned good premise but its execution is below mediocre, with too many slack stretches, no real suspense or surprises, and not nearly enough exciting sequences. Of the major younger cast members, Adams makes the best impression and was the only one to have a fairly big career. Of the veterans, Peter Cushing has one of his least interesting roles, and John Carradine, as the captain of the tour boat, is killed off early on. Halpin [Island of the Lost] was most famous for the TV show Flipper.

Verdict: Pretty much a waste of a good idea. **.