EDGE OF DOOM

Farley Granger and Dana Andrews

EDGE OF DOOM (1950). Director: Mark Robson.

Father Thomas (Dana Andrews) tells a colleague (Robert Karnes)  -- who wants to leave this impoverished parish and go elsewhere -- the story of young Martin Lynn (Farley Granger), and how meeting him helped renew his faith. Martin's father was a criminal who committed suicide, and he hates the church because he was denied a Christian burial. Now Martin needs a raise to send his ill mother out of town, but his boss can't afford it. When the mother dies, Martin insists that old Father Kirkman (Harold Vermilyea of Manhandled) -- the one who denied the burial -- make up for all the money his mother gave to the church by paying for an elaborate funeral. Kirkman objects and things go downhill from there.

Granger with Mala Powers

Edge of Doom doesn't exactly take an intellectual approach to the material -- few "religious" movies ever do -- but it is nevertheless an interesting picture, and not as simple-minded as it might at first sound. An interesting aspect is the depiction of Father Kirkman. While he is not quite an ogre, he is also not the beneficent Bing Crosby-type of priest, being generally grumpy (and not in a cute way) and unpleasant, out of touch with his parishioners -- I wonder what the Catholic church thought of how he was portrayed. It would also be all too easy to dismiss Father Thomas as a bleeding heart who confuses reasons (for a person's behavior) with excuses, but it is easy to see why he has sympathy for Martin despite the young man's actions. Oddly, virtually no sympathy is expressed for the victim, despite his being an elderly priest! But this is typical of movies that focus more on troubled-young-men who become killers than they do on the ones they kill (especially if the killers are handsome).

In deep trouble: Farley Granger

The performances in the film are generally good. Granger at 25 may be a little old for the part but he certainly has affecting moments. Andrews is solid and convincing in an unusual role for him. Mala Powers is sensitive and effective as Martin's girlfriend. There is also good work from Paul Stewart as a neighbor, Robert Keith as a detective, Vermilyea as the older priest, Houseley Stevenson [Dark Passage] as Martin's boss at the flower shop, and Mabel Paige as an old woman who sees the priest killer outside the rectory and becomes a witness. Adele Jergens is a bit unsatisfactory as Stewart's girlfriend, however, especially in a scene she has with Andrews and Granger at the rectory. Douglas Fowley and Ellen Corby have smaller roles. Oddly Joan Evans, who was with Granger in Roseanna McCoy the previous year, receives top billing with him and Andrews but only has a small and relatively unimportant role as Father Kirkman's niece; she has one tiny scene with Granger. NOTE: Apparently the scenes with Andrews telling Martin's story were added after the film's initial release, as some feel the whole point of the movie and the novel it is based on is that the Church really can't do much to solve the problems of its parishioners.

Verdict: Imperfect but interesting crime drama. ***.