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Welcome to William Schoell's GREAT OLD MOVIES blog. Feel free to leave a comment regardless of the date the review was posted -- I read 'em all. Or if you prefer -- and especially if you have any questions directly for me -- email me at tawses67424@mypacks.net and I'll get back to you as soon as I can. Click on a label link (labels can be found at the bottom of each post) to find other movies from that year, the star, that director or genre and so on. Or enter a title, director, genre, star or supporting player in the small Blogger "search blog" box at the far left up above and click search blog. [NOTE: While this blog mostly reviews films -- and TV shows -- that are at least twenty-five years old, we do cover films up until the present day.] HAVE FUN AND THANKS FOR DROPPING BY. William.

Thursday, November 15, 2012

LOST HONEYMOON

Franchot Tone and twins














LOST HONEYMOON (1947). Director: Leigh Jason.

British gal Amy Atkins (Ann Richards) learns that her friend Tillie Gray, who married an American serviceman who returned home, has died, leaving behind two adorable children. Amy decides to take the children to the U.S. and pretend to be Tillie, so that she can get their father, John Gray (Franchot Tone) to acknowledge and care for them. Unfortunately, John married Tillie during a spell of amnesia, doesn't remember her or the kids, and worse, is about to marry his bosses daughter, Lois (Frances Rafferty), who isn't crazy that a "wife" has shown up. Lost Honeymoon has the potential to be both moving and amusing, but it has a third-rate "B movie" script and quality, and never rises above its contrivances. Tone and the other actors, including Clarence Kolb as his boss,Tom Conway as his best friend, and Una O'Connor as a friend of Tillie's, are all fine [although Ann Richards is a bit on the bland side] and deserve a better picture. The twins are two of the cutest movie youngsters you'll ever see, and aren't bad actors, either. The best thing about the movie is the admittedly funny closing line. Too bad, as this one had a promising idea. Richards was also in Sorry, Wrong Number, where she made a better impression.

Verdict: Even cute moppets can't save this one. **.

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