Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.

Thursday, November 26, 2009

REPUBLIC STUDIOS: BETWEEN POVERTY ROW AND THE MAJORS


REPUBLIC STUDIOS: BETWEEN POVERTY ROW AND THE MAJORS. Richard M. Hurst. Scarecrow Press. Updated 2007.

This book looks at Republic studios, which was most famous for cliffhanger serials and westerns, but also turned out the occasional "A" feature. It has chapters providing an overview of the studio and its work and influence; a look at sound serials of Republic's golden age; Republic's cowboy movies; their series films such as The Higgins Family and films starring hillbilly comedienne Judy Canova; etc. Although some chapters have been added, including an in-depth look at the Captain America serial, it is obvious that this was basically a dissertation, and indeed its academic tone is occasionally quite dry and pretentious, with the same themes stated over and over again. [The book does not appear to have been edited.] On the plus side, despite his prose style [or lack of same -- Hurst was a museum administrator for many years and not a professional writer] Hurst's enthusiasm for these films comes through, and the book is full of a lot of solid information although it certainly does not go into detail on all Republic films or even the famous ones. Still it has value as a reference book for those interested in the history and output of a famous "second-tier" Hollywood studio which issued some of the finest cliffhanger serials ever made. Other books that deal with Republic serials include The Great Movie Serials and In the Nick of Time.

Verdict: Some good stuff about the old serials. **1/2.

JUDGE JEANINE PIRRO


JUDGE JEANINE PIRRO (Fox 2008).

Last year with little fanfare this new court-TV show slipped into the line-up with allegedly tough New York prosecutor Jeanine Pirro in the role of judge, a role that, frankly, doesn't suit her very well. There are two kinds of reality court TV programs. The first kind -- Judge Judy and The People's Court with Judge Milian are good examples -- features an actual experienced judge who absolutely controls his or her courtroom and won't brook any nonsense. The second kind -- Judge Mathis, Judge Joe Brown, and now Judge Pirro are good examples -- are cut from the "Jerry Springer" cloth and have a judge -- real or imagined -- who allows the litigants to run off at the mouth, take over the court, and publicly disgrace their fool selves for the sake of the audience. Their selling point is sleaze and humiliation. [The fact that Judge Judy, who does not allow this nonsense, leads the pack in the ratings doesn't seem to have impressed itself upon the producers of these other shows. Judge Pirro comes from the same camp as Judge Mathis. ] "Judge" Pirro not only doesn't display much courtroom savy -- she sllows people to talk over her all the time [imagine Judy doing that!] -- but doesn't seem to have the intellectual depth to really see what's going on in certain cases. One case of harrassment between two women clearly had intimations of homophobia and self-hatred, but it was all above the head of Pirro. On one episode she had two drug dealers in front of her, and while she expressed amazement at the situation, she never made any mention of "unclean hands." She actually awarded one of these scuzzbags $1500 for mental distress because the other one claimed he stole both money and drugs from him at gunpoint when he didn't. Who cares? Not only does this call into question Pirro's competency as a "judge," it calls into question her competency as a prosecutor or anything else. Hopefully this will come back to bite her in the ass should she ever decide to run for public office when her five minutes of fame are over. One senses that as long as the occasional male litigant tells Pirro that she's "hot" and the checks roll in, Pirro doesn't give a damn.

Verdict: Disgraceful and scuzzy! Watch Judge Judy instead. *.

THE WALKING DEAD

THE WALKING DEAD (1936). Director: Michael Curtiz. 

After John Ellman (Boris Karloff) is framed for murder by criminals and executed, he's brought back to life by Dr. Beaumont (Edmund Gwenn) via the use of assorted electrical devices. This Frankenstein-inspired horror film has Ellman going after the gangsters who framed him one by one and bringing about their deaths. Ricardo Cortez plays Karloff's crooked lawyer. The movie isn't bad -- neither is Karloff nor Marguerite Churchill as his daughter -- but the mix of horror with gangland doesn't quite work and the story is certainly predictable. Warren Hull, who starred in several cliffhanger serials, is also in the cast, as are Barton MacLane and Joe Sawyer. Churchill was also in Dracula's Daughter. Warner Brothers. 

Verdict: Karloff always gets his man! **1/2.

THE STAIRCASE MURDERS


THE STAIRCASE MURDERS (2007 telefilm). Director: Tom McLoughlin.

Real-life novelist Michael Peterson (supposedly successful and supposedly bisexual) was put on trial for the murder of his wife, who was found bloodied and dead at the bottom of a staircase in their home in Durham, North Carolina. During the trial it turned out that another woman in Peterson's past also died in the exact same manner. This case was covered by Dateline, on a two hour ABC special and other programs, and was also the subject of a foreign documentary called The Staircase. In this fictionalized version of the story -- which includes the documentary filmmakers -- Peterson is played by Treat Williams. Although he gives a good performance, the more down-to-Earth Williams is an odd choice to play the glib, superior, vaguely epicene sociopath, Peterson. Based on the book "A Perfect Husband" by Aphrodite Jones, this is an absorbing and fairly fascinating study of a murder case that apparently a great many people found riveting. Whether it increased the sales of Peterson's books is another matter.

Verdict: If only he'd just come happily out of the closet and left these poor women alone! ***.

HUNT THE MAN DOWN


HUNT THE MAN DOWN (1950). Director: George Archainbaud.

A busboy named Kincaid (James Anderson) becomes a hero during an attempted robbery, but it turns out that he's an accused murderer on the lam. Supposedly he murdered a jealous man who accused him of having an affair with his wife. Paul Bennett (Gig Young, pictured) is the public defender who hunts down witnesses and tries to figure out who actually committed the killing. Hunt the Man Down is like a slightly longer episode of the Perry Mason TV show with just a little more action in it. Gerald Mohr and Cleo Moore are also in the cast.

Verdict: Worth missing. *1/2.

Thursday, November 19, 2009

THE PATSY (1929)


THE PATSY (1928). Director: King Vidor.

Pat Harrington (Marion Davies) lives with her loving father (Dell Henderson) and a mother (Marie Dressler), who clearly favors her snotty sister, Grace (Jane Winton) over her. To make matters worse, Pat has an unrequited longing for Tony (Orville Caldwell), her sister's boyfriend, although Grace apparently prefers the company of that sexy scalawag Billy (Lawrence Gray). This reasonably entertaining comedy-drama is in no way in the league of Vidor's classic silent The Crowd, but the actors are all appealing. One wishes the film had a little more depth, and there are tiresome detours (such as Pat coming out with allegedly witty sayings in an attempt to develop a "personality"). The new original score by Vivek Maddala adds a lot to the picture, however. Davies is quite good and it's always a pleasure to see Dressler, here in a mostly unsympathetic role.

Verdict: Interesting if unspectacular silent. **1/2.

BEHIND THE MASK

BEHIND THE MASK (1932). Director: John Francis Dillon. 

Jack Quinn (Jack Holt) is a secret service agent who goes undercover as a crook, even taking part in a jail break, to expose the identity of a sinister figure, "Mr. X," who heads a criminal organization. If only this were half as much fun as it sounds. Quinn is one of the stupidest Fedeal agents ever put on film. Boris Karloff enlivens things just a bit as one of X's henchmen, and Edward Van Sloan is a cackling doctor also in the employ of X [whose identity comes as absolutely no surprise to anyone]. Constance Cummings isn't bad as the frightened daughter of a doctor (Claude King) who is victimized by the evil mastermind. Bertha Mann is the evil Nurse Edwards, who is always reporting to X. 

Verdict: Any X movie would be better than this! *.

CIRCLE OF FRIENDS (2006)


CIRCLE OF FRIENDS (2006 telefilm). Director: Stefan Pleszczynski.

Maggie (Julie Benz, pictured) returns to the town where she grew up for a funeral, and discovers that several of her old high school class mates have recently died in accidents. Or were they accidents? One of the victims is her late husband. She renews a relationship with old boyfriend Harry (Chris Kramer) and tries to get a detective (Peter Dillion) to seriously investigate the situation. Does it all have something to do with a photograph of a picnic years before? This is a suspenseful mystery that doesn't telegraph its conclusion too obviously, and is well-acted by [almost] all; Nicolas Wright leaves no stereotype unturned in his dreadful portrayal of Rodney, an obviously gay fashion designer. The murderer-unmasking scene is a bit abrupt and unreal.

Verdict: A pleasant, somewhat intriguing time passer. **1/2.

Thursday, November 12, 2009

THE WAR OF THE WORLDS (1953)

THE WAR OF THE WORLDS (1953). Director: Byron Haskin. 

The first Hollywood version of H. G. Wells' wonderful novel of a Martian invasion is still great entertainment. Dr. Clayton Forrester (Gene Barry) is called in when strange meteors begin falling to Earth. At one site, he encounters Sylvia (Ann Robinson), her uncle, Pastor Collins (Lewis Martin), and General Mann (Les Tremayne). But neither prayers nor weaponry seem a match for the sleek alien vehicles with their devastating death rays that emerge from the meteors. Edgar Barrier of The Giant Claw is a professor; Gertrude Hoffman of My Little Margie is a news vendor; Paul Frees of Space Master X-7 is a radio announcer; and Paul Birch of Not of This Earth is an early victim. The early scenes are very suspenseful, and the sequence wherein Barry and Robinson are holed up in a farmhouse when the martians come a'callin' is harrowing. Very entertaining, with fine special effects. Produced by George Pal. This clearly inspired many movies, especially Earth vs. the Flying Saucers

Verdict; An absorbing and colorful science fiction classic. ***1/2.

HOLD THAT KISS


HOLD THAT KISS (1938). Director: Edwin L. Marin.

June Evans (Maureen O'Sullivan) and Tom Bradford (Dennis O'Keefe) meet at a society function and both believe the other one is well-to-do. Tom actually works for a travel agency and June is a model for a couturier, but they do their best to keep up the deception, afraid the other would dump them if they knew they weren't wealthy. The leads are swell, and the picture is bolstered by a fine supporting cast: Mickey Rooney, Frank Albertson and Phillip Terry as June's brothers; Fay Holden as her mother; Jessie Ralph as her Aunt Lucy; Edward Brophy as Tom's roommate; and George Barbier as the father of a bride in the opening sequence. A definite scene stealer is the St. Bernard with soulful eyes who plays Blotto. No world-beater, perhaps, but a cute and amusing trifle.

Verdict: Fun picture with appealing cast. ***.

THE EX (1997)


THE EX (1997). Director: Mark L. Lester. Screenplay by Larry Cohen.

Nutty Deidre (Yancy Butler) has never gotten over her ex-husband David (Nick Mancuso) so she befriends his new wife Molly (Suzy Amis), and pretends to be her own psychiatrist, Lillian (Babs Chula), so she can bond with the couple's adorable youngster, Michael (Hamish Tildesley), who has anger issues. Talk about anger issues! Deidre convinces nearly everyone that she's having an affair with David and that he tried to kill her. Reasonably entertaining entry in the "psycho bitch" film sweepstakes isn't badly acted and has an exciting finale, even if it seems a little over-familiar. The bit with the possibly lesbian shrink Lillian is awkwardly, even offensively, handled.

Verdict: Another devious sociopath on the loose. **1/2.

WITHIN THE LAW


WITHIN THE LAW (1939). Director: Gustav Machaty.

This is a remake of Paid, which really put Joan Crawford on the map. In this version Ruth Hussey acquits herself nicely in the same role, Mary Turner, who's wrongly convicted of stealing jewelry from her employer, Gilder (Samuel S. Hinds), and winds up the big house for three years. She vows to get even with Gilder when she gets out. Studying law books she realizes that there's a way to earn quick cash unethically while still staying "within the law." As part of her revenge scheme, she romances Gilder's son Richard (Tom Neal of Detour fame). This is a snappy, entertaining picture with a good cast: Paul Kelly, Paul Cavanagh, James Burke, and Rita Johnson are among the thieves Mary falls in with; William Gargan is the cop who's out to get them.

Verdict: Not a lost classic from 1939 but creditable enough. ***.

THE DUNWICH HORROR


THE DUNWICH HORROR (2009). Written and directed by Leigh Scott.

This telefilm makes the 1970 version of The Dunwich Horror seem like a masterpiece in comparison. Based on the famous story by the great [and ill-served by Hollywood] H. P. Lovecraft, this concerns a woman from the Whateley family who consorts with a demon and gives birth to twins, one human, and one a monster. Dean Stockwell, who played Wilbur Whateley in the aforementioned theatrical version, plays a doctor in this film while Jeffrey Coombs (pictured) of The Reanimator fame plays Wilbur in this [if not very well]. Griff Furst plays Dr. Walter Rice, a teacher who has trouble believing that any of this stuff is real [and this film doesn't help]. The climactic rampage of the demonic twin is even more disappointing than in the 1970 version. The great film based on this fascinating and seminal novella has yet to be made. NOTE: For a book about Lovecraft's life click here.

Verdict: Poor Lovecraft deserves much better. *1/2.

THE BRUTAL TRUTH AKA THE GIVING TREE


THE BRUTAL TRUTH (aka The Giving Tree/2000). Director: Cameron Thor.

A group of high school friends now in their twenties have a reunion at a cabin and one of them, Emily (Christina Applegate, who has little to do), winds up committing suicide. Yes, this is another fucked-up-friends-from-high school-with-secrets stinker, a bit duller than others. It all seems like an excuse to hear wailing "sensitive" singers do mediocre songs on the soundtrack. The guys seem to be a-holes; there's a gal with a little girl voice named "Vanilla;" the token lesbian who's come out; and even a game of charades. This awkward blend of dumb comedy with "serious" drama throws in an ugly rape or two just to make it seem profound and meaningful, which it certainly isn't. Justin Lazard appeared on the TV show CPW [Central Park West] and in Species 2 and is given a truly thankless role in this. Molly Ringwald, who plays the wife of one of the pals, was a teen star who isn't likely to have much of an adult acting career as she's pretty bad here. Some of the other actors are okay, however.

Verdict: Pretty terrible. *.

HANK

HANK (2009 ABC TV show.) Director: James Burrows.

Kelsey Grammer stars in this new sitcom in which he plays a New York City executive who got laid off due to the economy and has moved back to Virginia with his wife and two children. One can't expect Grammer to play Frasier for the rest of his life, but one can't help but compare every other sitcom the actor does to that jewel he did a few years ago. Grammer is at his best playing sophisticated characters, not middle-class family men, and some of those old Frasier vaguely epicene mannerisms keep creeping in. Grammer is fine in Hank -- in fact, with all due respect to the other actors, he's basically the whole show. One pleasant enough episode had him encouraging his teenage daughter to go to work, and he of the big mouth wound up beside her selling ice cream in a shop with an obnoxious manager. Still, this had none of the bite or wit of the best -- or even the least -- of the Frasier episodes. I like Grammer but I can't see Hank sticking around for long. Someone should put Grammer in a more intelligent and sophisticated program -- Hank isn't it.

Verdict: Hurry up or this will be gone. **/2.

Thursday, November 5, 2009

THE FORGOTTEN


THE FORGOTTEN ABC-TV series 2009.

The somewhat shaky premise of this show has a group of men and women, headed by an ex-cop whose own daughter disappeared, investigate John and Jane Does, trying to find out who they are, and -- with the help of a female detective -- figure out how they died and who, if anybody, killed them. This is in the same mold as Cold Case and Without a Trace, and is reasonably effective and entertaining. The members of the squad often go way out of bounds in their investigating, considering they aren't cops, and this has been dealt with on at least one episode. The trouble is, once the person has been identified, you would think their job is through, but they continue to interview suspects and the like as if they were cops [of course, what would the show be without a murder and its solution]. This is similar to the way the members of the CSI squad go far beyond their specialties on each episode. Christian Slater is the only recognizable face on The Forgotten, which is full of perfectly competent actors. So far the back stories of the regular characters haven't gotten in the way of the mysteries. Like the other shows mentioned, there's a certain amount of welcome pathos, such as in one episode about a shamefully forgotten football player. Time will tell if this will develop into a must-watch, but for now it's a creditable entry. Future episodes should probably not have the victims being identified too early in the show.

Verdict: Okay non-cop drama with distinct possibilities. **1/2.

THE KILLER IS LOOSE

THE KILLER IS LOOSE (1956). Director: Budd Boetticher. 

When Detective Sam Wagner (Joseph Cotten) goes after Leon Poole (Wendell Corey), who held up a bank, he accidentally shoots the man's wife. When Poole breaks out of jail, he murders everyone in his way as he makes his way to Wagner-- so that he can kill Wagner's wife (Rhonda Fleming). This is a decidedly minor film for all concerned, but it does manage to work up a certain degree of suspense, in large part due to Lionel Newman's taut musical score. Filmed by Lucien Ballard. Alan Hale Jr. of Gilligan's Island is more subdued as another cop. Fleming is okay, but the female acting honors go to Virginia Christine as another cop's wife and friend, and Dee J. Thompson as the wife of Poole's old sergeant (John Larch). Some other familiar faces scattered throughout the movie in bit roles. Not always logical. Cotten is solid although this is not one of his more memorable credits. 

Verdict: a respectable if forgettable 73 minutes. **1/2.

IRRESISTIBLE


IRRESISTIBLE (2006). Written and directed by Ann Turner.

Sophie (Susan Sarandon) is convinced that a married neighbor named Mara (Emily Blunt) is sneaking into her home, stealing things, masquerading as her, and so on. Sophie's husband, Craig (Sam Neill), thinks that his wife is having a breakdown due to his neglect. A vase full of wasps causes problems for Sophie and she breaks into Mara's home and is arrested. Is she crazy -- or is Mara the nutty one? This is the type of movie where a certain bit of information is suddenly introduced into the story which instantly clues the viewer into just what's going on -- but the clueless heroine just doesn't get it. Irresistible is reasonably entertaining and well-acted by all, but it's very forgettable, and the confusing twist at the end -- or is it? -- doesn't help at all.

Verdict: Watchable -- but that's about all. **1/2.

Thursday, October 29, 2009

HAPPY HALLOWEEN


HAPPY HALLOWEEN!

This week some reviews of horror and horror-type movies to celebrate the season!

Get a slice of pumpkin pie [with real whipped cream on top, of course] and watch a scary movie or two over the weekend!

BLOOD AND BLACK LACE

BLOOD AND BLACK LACE (1964). Director: Mario Bava. [NOTE: End credit says that the English version was produced, written and directed by Lou Moss. The Italian title is Sei donne per l'assassino.]

An especially brutal murderer is slaying the beautiful models of the Christiane Fashion House in Rome. The establishment is owned by Contessa Como (Eva Bartok), a widow who is keeping company with one Max Morlan (Cameron Mitchell). Inspector Silvester (Thomas Reiner) locks up all the male suspects but the murders continue. This entertaining, well-made and suspenseful film was highly influential on the many Italian horror thrillers by Dario Argento and others that came afterward (while it itself was influenced by Hitchcock's Psycho, especially in regard to a intense focus on and depiction of murder.) There are illogical moments -- why does one frightened woman drag a corpse into her house and even leave the door wide open? -- and a disregard for forensics, but the movie works on a visceral level and is generally well-acted. Bartok and Mary Arden as model/victim Peggy come off best. Thomas Reiner is the Great Stone Face as the cop assigned to the case. Not badly dubbed (Paul Frees did some of the dubbing, apparently for more than one character.) Credit may have been given to someone else for supposedly directing this "English" version, but any way you slice it the film is pure Bava. Carlo Rustichelli's score is a plus, both the eerie incidental music and the lazy, sensual jazz theme that opens the movie and plays on occasion throughout. Some of the atmospherically-lit sequences were considered quite sadistic in their day and still pack a punch. Bava also directed Twitch of the Death Nerve [AKA Bay of Blood].

Verdict: A creepy treat for those who love multiple murders in movies. ***.

TALES OF TERROR

TALES OF TERROR (1962). Director: Roger Corman.

There really isn't much terror in this light adaptation of several stories by Edgar Allan Poe starring Vincent Price. The dead "Morella" (Leona Gage) blames her infant daughter for causing her death, and when the grown woman, Lenora (Maggie Pierce), shows up to see her father (Price) after many years, Morella seizes the opportunity to take over her body. In "The Black Cat," which also incorporates elements from "The Cask of Amontillado," Montresor (Peter Lorre) walls up his wife (Joyce Jameson) and her lover, Fortunato (Price), but is seemingly haunted by their spirits. "The Case of M. Valdemar" has a dying man (Price again) agreeing to allow mesmerist Carmichael (Basil Rathbone) to hypnotize him at the moment of his death, keeping his soul tormented and imprisoned in his dead flesh. Debra Paget and David Frankham play Valdemar's wife and doctor, respectively. It's great fun to watch old pros Price and Lorre (see photo) sparring with each other, especially during a delightful wine-tasting contest between the two, but the movie itself is mediocre and lacks chills. 

Verdict: Watch this, but then read Poe's original stories for the real spirit of the Master. **1/2.

THE INVADERS (1967)

THE INVADERS (ABC Television 1967.) 

One night driving while he's tired, architect David Vincent (Roy Thinnes) stops for a moment and sees a spaceship in the distance. From that moment forward his life is never the same, as he learns that an alien race from a dying world has secretly come to Earth and is working to take it over and change the environment to make it more favorable for them. The aliens have changed into human form (without our internal organs, however) and some of them have a "mutated" fourth finger that makes their pinkie stick out. Otherwise they are indistinguishable from us. They even have special academies that train them in being able to mimic human emotions. Whenever an invader dies, his body disintegrates, making it even more difficult for Vincent to convince others of the invasion. (The aliens die very easily. Wounds that might merely put a human being into a hospital kill them instantly.) Vincent devotes his life to tracking down every lead he can to the aliens' presence, and manages to outwit several of their dastardly schemes. (One episode acknowledged that Vincent still had a living to make and had him take on an architectural assignment. Fans probably wondered if he were independently wealthy!) Eventually Vincent gained some important allies in his fight, and there was a group of alien-hunters actively working against the inhuman antagonists. (Kent Smith became a regular in the second season.) An early episode suggested that any alien with emotions or a heart was a mutation, but later episodes suggested some aliens had almost "human" feelings, or at least were learning to understand the human viewpoint and could even be sympathetic – to a point. 

Out of 43 episodes, only two or three were mediocre. Most were quite good and a few were outstanding, including: “Quantity Unknown,” in which James Whitmore gives an excellent performance as a victim of the aliens; “The Innocent,” in which Michael Rennie, equally good, plays an alien who takes Vincent into one of their spaceships; “The Betrayed,” in which Ed Begley hires Vincent to design a plant and Vincent’s girlfriend, Susan (Laura Devon), is killed off; “Moonshot,” which features the substitution of a lookalike alien for an astronaut (Peter Graves); “Wall of Crystal,” which features Vincent’s brother and sister-in-law; and “The Condemned,” with Ralph Bellamy. 

Season two also had its share of memorable episodes: “The Saucer," with a couple on the run coming across an abandoned saucer; “The Watchers,” with Shirley Knight as the blind niece of a wealthy man (Kevin McCarthy of Invasion of the Body Snatchers); “The Trial,” focusing on the alleged murder of an alien; “The Prophet,’ with Pat Hingle as a phony alien evangelist; the very suspenseful “Labryinth,” with quirky Sally Kellerman in a story of a struggle to hold onto alien X-rays; “The Believers,” in which Vincent has a whole group to work with; “Task Force,” with Linden Chiles and Nancy Kovack; “Counter-Attack,” in which things get very tough for Vincent; “The Pit,” with Joanne Linville; “The Organization,” with hoodlums working for and against the aliens; “Light Seekers,” which features friendly aliens who are working against the invasion scheme; and “The Pursued,” with Suzanne Pleshette as an alien who can’t control homicidal impulses. 

In addition to the aforementioned guest stars, other actors who appeared on the series included: Diane Baker; Roddy McDowell; Zena Bethune; Virginia Christine; Fritz Weaver; Dana Wynter; Gene Hackman; Carol Lynley, Karen Black; Phyllis Thaxter; Barbara Hershey; Ed Asner; Arthur Franz; Burgess Meredith; Anne Francis; Dabney Coleman; Jason Evers; Charles Drake; Jack Warden; Roscoe Lee Brown; Barbara Luna; Robert Walker; John Ericson; Susan Oliver: Anthony Eisley; and many others. The Invaders was created by Larry Cohen and was highly influential on The X-Files, V and other programs. Domimic Frontiere’s theme music was suitably ominous and memorable. The science was not always consistent or well thought out, but in many ways The Invaders was more of a drama than a science fiction series. Star Roy Thinnes was perfect for the role of Vincent, getting across the character’s haunted, intense, obsessed state-of-mind in virtually every episode. The acting of the guest-stars was generally of a high order as well. The show engendered a series of paperback books and a TV mini-series many years later. 

Verdict: The ultimate paranoia program.***½.

BLACK MOON

BLACK MOON (1934). Director: Roy William Neill. 

"The natives are restless." 

A wife and mother, Juanita Lane (Dorothy Burgess), becomes a little too involved with the voodoo culture on the island of San Christopher to the point where she's prepared to sacrifice her own child. People around her, such as a telegraph operator and the child's nurse, Anna (Eleanor Wesselhoeft) are murdered. There are interesting elements to the movie to be sure, but despite all the activity and running around, it generates more tedium than thrills or horror. Fay Wray is secretary Gail Hamilton, and Jack Holt is Juanita's husband. The movie is inherently racist, but at least Clarence Muse portrays "Lunch" McClaren, a sympathetic and likable black character. Ruva, the sinister voodoo lady, is portrayed by Madame Sul-Te-Wan. 

Verdict: A possible cure for insomnia. * 1/2.

Thursday, October 22, 2009

THE GOOD WIFE


THE GOOD WIFE 2009 CBS-TV series.

After politician Peter Florrick (Chris Noth, who appears sporadically) is arrested for abusing his office, his wife Alicia (Julianna Margulies) has to go back to work as a lawyer to pay the bills for herself and their two children. Peter insists that he told lies only to keep his wife from finding out about his numerous sexcapades, not to cover up any other malfeasances, and his lawyer is hoping for an appeal. Alicia winds up with some clients who seem to have hopeless causes, but she's quick-witted enough to figure out how to help them in court. [In her first case, she also receives important info from Peter.] The Good Wife is a snappy, entertaining show with an appealing heroine and a good supporting cast, including Christine Baranski as one of the top lawyers at the firm. Good scripts and good acting help put this one over.

Verdict: The Good Wife is a good bet.

BATMAN AND ROBIN


BATMAN AND ROBIN (1997). Director: Joel Shumacher.

Batman (George Clooney) and Robin (Chris O'Donnell) have their hands full with the crazy Mr. Freeze (Arnold Schwarzenegger), when he teams up with the equally crazy Poison Ivy (Uma Thurman) and her silent confederate, Bane (Jeep Swenson). They hope to flash-freeze the entire planet so that the world can start anew, and Ivy's mutant plant-animals can overrun the globe. Alfred's niece Barbara (Alicia Silverstone) becomes Batgirl so she can help the boys overcome the threat. Absurd but colorful Batman feature is too silly, too campy, illogical, and way, way too long, but it has its exciting and amusing moments. The stand-out bit is a thrilling moment near the opening when the boys are aboard Mr. Freeze's runaway rocket; the climax also has its share of exciting stunts and last-second saves. George Clooney isn't bad as an ultra-cool, reign-in-the-emotions Batman, O'Donnell is perky, Silverstone is adequate, and Michael Gough is excellent, as usual. Schwarzenegger walks off with the picture, however. As the fragile Dr. Isley AKA sexy Poison Ivy, the attractively homely Thurman acts as if she's seen one too many Mae West movies and sometimes seems to be in a different movie from everyone else, but she's acceptable as a camp-villainess. The true stars of the picture are those responsible for the special effects (especially Arnold's amazing freeze gun) and for the stunning art direction and scenic design (the observatory building is something to behold). Script-wise, the movie sort of seems thrown together, and despite all the action, it seems three hours long. Former super-model Elle Macpherson makes little impression as Bruce Wayne's girlfriend, Julie Madison. Batman and Robin resembles the comic book from different time periods, with a bit of the TV show and cliffhanger serials thrown in for good measure. Very different from The Dark Knight.

Verdict: Kind of exhausting but fun if you're game. **1/2.

THE MISSING JUROR

THE MISSING JUROR (1944). Director: Budd Boetticher. 

"A man named 'Apple?' Funny name, Apple. Bet he's a peach!" 

Reporter Joe Keats (Jim Bannon) gets on the trail of a mad killer when he discovers that several jurors on a notorious murder trial have been killed in mysterious "accidents." Harry Wharton (George Macready) was convicted of murdering a woman he loved, but it was discovered that he'd been framed. Although the truth came out before Wharton could be executed, the experience unhinges him and he commits suicide in a sanitarium. Now someone is executing all the jurors. Keats tries to protect the other jurists, and especially bonds with a pretty gal named Alice (Janis Carter). Jean Stevens is Alice's sexy gal pal, Tex Tuttle; Mike Mazurki is Cullie, the masseur; and Trevor Bardette certainly scores as Pierson, who confesses to the murders at one point. The Missing Juror is a snappy, well-acted, and entertaining programmer, but the main problem is that the solution is apparent almost from the first. Macready gives a terrific performance as the haunted Wharton in flashbacks. Joseph Crehan is Willard Apple, editor of the Record-Herald that Keats works for. Macready had one of the most distinctive voices in Hollywood. Jim Bannon was also in Unknown World. Trevor Bardette appeared in about a thousand movies. 

Verdict: Another reason to get out of jury duty. **1/2.

THE WILD PARTY (1956)


THE WILD PARTY (1956). Director: Harry Horner.

Anthony Quinn, Carol Ohmart (Vincent Price's bitchy wife in House on Haunted Hill), Arthur Franz of Atomic Submarine and The Sniper, Nestor Paiva of Tarantula, Kathryn Grant of The 7th Voyage of Sinbad, Paul Stewart and Nehemiah Persoff all in the same movie -- too bad it's a nearly unwatchable stinker. It's even more of a shame that virtually everyone in the cast gives a good performance, especially Carol Ohmart, who mostly did TV work. She plays Erica, who is seeing boyfriend Franz on his last night before going overseas, and is kidnapped by a crazy, desperate Quinn. Jay Robinson plays an even crazier pal of Quinn's, Gage. Persoff's hippie character, "Kicks," is incredibly annoying, although Persoff plays him well (too well). A lot of bad dialogue and under-developed characters.

Verdict: Fairly pitiful, with a cast that deserves better. *.

GIRLS OF THE ROAD


GIRLS OF THE ROAD (1940). Director: Nick Grinde.

"The debutramps have just arrived!"

Governor's daughter Kay Warren (Ann Dvorak) is disturbed to learn of the plight of so many homeless girls who wind up criss-crossing the country, murdered, or in jail, so she decides to take to the road (with fancy suitcase and plenty of money) to find out first-hand what these girls are up against. She runs into tough Mickie (Helen Mack) and Jerry (Ann Doran) and others, gets arrested, jumps off a train, and tries to calm a wolf pack of itchy, angry gals. While this short film is certainly fast-paced, none of it is nearly as interesting as it sounds, so you're basically left with a lot of dullness. Herman Brix/Bruce Bennett shows up as a cop. Its level of grittiness and reality is about the same as that of a Bowery Boys feature. A brief slap-fast between gals livens things up for a couple of seconds. The acting is very good, however.

Verdict: Watch Caged instead. *1/2.