THE CANDIDATE (1964)

Ted Knight as the candidate

THE CANDIDATE (1964), Director: Robert Angus. 

Frank Carlton (Ted Knight) is running for the senate but he has some concerns over the morality of his new campaign manager, Buddy Barker (Ernesto Macias using the name Eric Mason), who is a Hugh Hefner-type with many girlfriends. As Buddy makes a former hotel employee, Christine Ashley (Mamie Van Doren), his secretary-assistant and starts a relationship with her, Frank starts falling for Angela (June Wilkinson), a formerly kept woman who finds herself without a "sponsor." An added complication is that one of Buddy's one-night-stands, Mona (Rachel Romen), turns up pregnant and in tears even as Buddy tries to convince Frank that he's making a big mistake with Angela. 

Mamie Van Doren and Ernesto Macias

The Candidate is an oddball if compelling movie with an interesting cast. Although playing the title character, Ted Knight is really in a supporting part, but acquits himself nicely, especially in a bedroom sequence with Wilkinson. Macias, who was more often billed as Eric Mason, is excellent as Buddy, a man who on occasion tries to do the right thing even if his instincts are telling him to do otherwise. Rachel Romen has several strong scenes as Mona, Wilkinson is good, but Van Doren proves once again that she isn't really much of an actress and just can't get out of sex kitten mode. Steve Karmen, who once had an act with Bobby Darin and wrote a book about him, contributed a fine score with jazzy interludes and romantic and poignant passages. "Buddy Barker" was probably based on Washington D.C.-based pimp Bobby Baker. 

Verdict: Enough good acting and interesting sequences in this to keep you watching. **1/2. 

ME AND BOBBY D: A MEMOIR

ME AND BOBBY D: A Memoir. Steve Karmen. Hal Leonard.

What happens to the people left behind – the old friends and co-workers -- when someone makes the big time in show business? Steve Karmen attempts to answer that question in this interesting memoir of his early friendship with the singer/actor Bobby Darin. This is by no means a biography of Darin, although the reader will gain some insight into the man's character, which was extremely career-driven (probably why he made it) and expedient at times, although Karmen relates examples of how Darin could also give credit when due and be extremely gracious to old pals. (Although in one obnoxious moment Darin tells Karmen that he is not to ask for anything from him and that “they travel on different levels.”) 

Most of the book relates a short-term engagement in Detroit where Darin was the solo act and Karmen his guitar and vocal accompanist. Encouraged by his agent, Darin eventually relegated Karmen to the side of the band and didn't allow him to sing any more back ups. Aware that Karmen was, ironically, taller and better-looking than he was, Darin may have allowed jealousy to get the better of him, although it is also true that it was Darin who had just cut a record and had an agent – not Karmen. Karmen split from Darin and had a brief try at his own recording/acting/club career, but eventually found success as the composer of such famous jingles as “I Love New York,” “This Bud's for You,” and many, many others. 

Perhaps too much of the book is devoted to Karmen's stumbling attempts to get laid in Detroit, which become tiresome and are described in long stretches of dialogue that go on for many pages as if he were writing a forgettable coming-of-age novel. (Karmen describes Darin as getting laid on a regular basis in Detroit, continuously coming back to their hotel room smeared with lipstick, even bedding a mobster's sexy girlfriend.) Much more interesting are the few pages describing his attempts to establish his own successful show biz career, which has that certain ring of pain and truth, Karmen being undone by bad breaks and agents without enough clout. He describes the combination of fascination, envy, and anguish he felt while watching Darin's club act and feature films. 

Although the book is not without flaws, Me and Bobby D is a reasonably affecting look at show biz survivors and casualties and how they prosper, adapt, and make do. Throughout the book Karmen's love-hate for Darin clearly comes across. (On the back cover Connie Francis, who apparently loved Darin unconditionally, is quoted as saying “the experience of reading Me and Bobby D brought closure from the heartache and emptiness I have lived with for over 40 years...”)

Verdict: Imperfect but absorbing show biz memoir. ***.