Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Shirley Knight. Show all posts
Showing posts with label Shirley Knight. Show all posts

Thursday, December 17, 2015

HOUSE OF WOMEN

Jason Evers, Margaret Hayes, Andrew  Duggan, Jeanne Cooper
HOUSE OF WOMEN (1962). Director: Walter Doniger.

Obviously having had a very bad lawyer, Erica Hayden (Shirley Knight) winds up in a women's penitentiary even though she was unaware that her boyfriend was going to commit a robbery as she simply waited in the car. Now she's pregnant, and learns that she'll have to give the child up for adoption if she doesn't get paroled in a certain amount of time. Her fellow inmates include Sophie (Constance Ford), who has a little boy -- children are allowed to stay with their mothers in the prison! -- dizzy former stripper Candy (Barbara Nichols); Addie (Jennifer Howard), a stereotypical lesbian; among others, and the staff consists of new warden Frank Cole (Andrew Duggan); tippling Doctor Conrad (Jason Evers); administrator Zoe (Margaret Hayes); and stern guard Helen (Jeanne Cooper). Other characters include Mrs. Hunter (Virginia Gregg), who serves on the parole board; and Mrs. Stevens (Jacqueline Scott), who is a social worker. Complications develop when Cole falls in love with Erica and he cruelly takes revenge upon her, but the real breaking point comes when the stupid Mrs. Stevens takes away Erica's little girl to foster care a day early -- and just before the child's now-canceled birthday party no less! The situations are awfully contrived in this nonetheless entertaining movie that is basically an imitation of Caged. Duggan, Evers [The Brain that Wouldn't Die], Hayes, Gregg, and others are fine, but Knight [The Couch] underplays terribly; Ford is surprisingly perfunctory during some difficult sequences; and Nichols doesn't quite deliver the goods in her big scene when she makes a speech to the parole board. The movie does boast a suspenseful climax when Ford and the others take over the prison! Walter Doniger also directed The Steel Jungle.

Verdict: If nothing else it's fun -- with some good sequences. ***.

Thursday, October 29, 2009

THE INVADERS (1967)

THE INVADERS (ABC Television 1967.) 

One night driving while he's tired, architect David Vincent (Roy Thinnes) stops for a moment and sees a spaceship in the distance. From that moment forward his life is never the same, as he learns that an alien race from a dying world has secretly come to Earth and is working to take it over and change the environment to make it more favorable for them. The aliens have changed into human form (without our internal organs, however) and some of them have a "mutated" fourth finger that makes their pinkie stick out. Otherwise they are indistinguishable from us. They even have special academies that train them in being able to mimic human emotions. Whenever an invader dies, his body disintegrates, making it even more difficult for Vincent to convince others of the invasion. (The aliens die very easily. Wounds that might merely put a human being into a hospital kill them instantly.) Vincent devotes his life to tracking down every lead he can to the aliens' presence, and manages to outwit several of their dastardly schemes. (One episode acknowledged that Vincent still had a living to make and had him take on an architectural assignment. Fans probably wondered if he were independently wealthy!) Eventually Vincent gained some important allies in his fight, and there was a group of alien-hunters actively working against the inhuman antagonists. (Kent Smith became a regular in the second season.) An early episode suggested that any alien with emotions or a heart was a mutation, but later episodes suggested some aliens had almost "human" feelings, or at least were learning to understand the human viewpoint and could even be sympathetic – to a point. 

Out of 43 episodes, only two or three were mediocre. Most were quite good and a few were outstanding, including: “Quantity Unknown,” in which James Whitmore gives an excellent performance as a victim of the aliens; “The Innocent,” in which Michael Rennie, equally good, plays an alien who takes Vincent into one of their spaceships; “The Betrayed,” in which Ed Begley hires Vincent to design a plant and Vincent’s girlfriend, Susan (Laura Devon), is killed off; “Moonshot,” which features the substitution of a lookalike alien for an astronaut (Peter Graves); “Wall of Crystal,” which features Vincent’s brother and sister-in-law; and “The Condemned,” with Ralph Bellamy. 

Season two also had its share of memorable episodes: “The Saucer," with a couple on the run coming across an abandoned saucer; “The Watchers,” with Shirley Knight as the blind niece of a wealthy man (Kevin McCarthy of Invasion of the Body Snatchers); “The Trial,” focusing on the alleged murder of an alien; “The Prophet,’ with Pat Hingle as a phony alien evangelist; the very suspenseful “Labryinth,” with quirky Sally Kellerman in a story of a struggle to hold onto alien X-rays; “The Believers,” in which Vincent has a whole group to work with; “Task Force,” with Linden Chiles and Nancy Kovack; “Counter-Attack,” in which things get very tough for Vincent; “The Pit,” with Joanne Linville; “The Organization,” with hoodlums working for and against the aliens; “Light Seekers,” which features friendly aliens who are working against the invasion scheme; and “The Pursued,” with Suzanne Pleshette as an alien who can’t control homicidal impulses. 

In addition to the aforementioned guest stars, other actors who appeared on the series included: Diane Baker; Roddy McDowell; Zena Bethune; Virginia Christine; Fritz Weaver; Dana Wynter; Gene Hackman; Carol Lynley, Karen Black; Phyllis Thaxter; Barbara Hershey; Ed Asner; Arthur Franz; Burgess Meredith; Anne Francis; Dabney Coleman; Jason Evers; Charles Drake; Jack Warden; Roscoe Lee Brown; Barbara Luna; Robert Walker; John Ericson; Susan Oliver: Anthony Eisley; and many others. The Invaders was created by Larry Cohen and was highly influential on The X-Files, V and other programs. Domimic Frontiere’s theme music was suitably ominous and memorable. The science was not always consistent or well thought out, but in many ways The Invaders was more of a drama than a science fiction series. Star Roy Thinnes was perfect for the role of Vincent, getting across the character’s haunted, intense, obsessed state-of-mind in virtually every episode. The acting of the guest-stars was generally of a high order as well. The show engendered a series of paperback books and a TV mini-series many years later. 

Verdict: The ultimate paranoia program.***½.

Thursday, August 6, 2009

SWEET BIRD OF YOUTH


SWEET BIRD OF YOUTH (1962). Written and directed by Richard Brooks, from Tennessee Williams' play.

"The right doors wouldn't open so he opened the wrong ones."

A struggling actor named Chance Wayne (Paul Newman) comes back to the southern town of his birth with a fading star Alexandra Del Lago (Geraldine Page) in tow. He hopes to see the woman he loves, Heavenly (Shirley Knight) whom he, unbeknownst, left with child on his last dash into town. Heavenly's father, Boss Finley (Ed Begley) and his nasty son Tom (Rip Torn) are not keen on having Chance around, but Heavenly's Aunt Nonnie (Mildred Dunnock) has always been fond of him, and warns him to get out before it's too late. Not a good situation for a fellow to be in. Paul Newman isn't bad as Wayne, but he's not really the right actor for the role; Chance is essentially a male hooker and Newman was always too white bread for that kind of part. [It would have been very interesting to see Elvis Presley, who was first offered the part, in the role. He might have been more on the mark.] Geraldine Page gives a showy performance that occasionally lets us see the human being behind the essential monster that is Alexandra Del Lago. Although this is a sanitized, Hollywoodized version of Williams' play to be sure, some of Williams' genuis comes through, and his depiction of redneck Republicans seems ahead of its time. Madeleine Sherwood has fun as Miss Lucy, Boss Finley's paramour. Doesn't quite work up the sense of dread and terror that the play does, but it comes close.

Verdict: Williams Lite, but not bad for what it is. ***.