Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Scott Forbes. Show all posts
Showing posts with label Scott Forbes. Show all posts

Thursday, May 10, 2018

CHARADE (1954)

Pamela Mason and James Mason 
CHARADE (1954). Director: Roy Kellino. Produced by James Mason.

Actor James Mason had founded a film company with the director Roy Kellino and his wife, Pamela, in the thirties, and did so again with the same principals in the fifties. In the interim Roy and Pamela got divorced and Pamela then married James Mason, with whom she'd had an affair, and Mason produced this trio of stories co-starring his wife -- with the cuckolded ex-husband doing the directorial duties. Okay. The first story concerns a lonely lady artist whose neighbor, another woman, is strangled one night. The artist does a sketch of the man she sees coming out of the murdered woman's apartment. She sees the man (Mason) again when he moves into the now empty apartment, and the artist and the stranger become friends. The artist becomes mesmerized by the stranger and is not at all horrified by the fact that he's also a strangler. This can't lead into anything good and of course it doesn't. The premise is interesting but the people are too unpleasant to fully engage us, and as a story of erotic obsession it's too tepid. The second story, "Duel at Dawn," (from Dumas) concerns a Major Linden (Mason) who is engaged to the Baroness Tanslan (Pamela Mason of The Navy vs the Night Monsters). Captain Stamm (Scott Forbes, who appeared on Zane Grey Theater with Joan Crawford), whose proposal of marriage to the baroness had been rejected, so insults the major that the latter challenges him to a duel -- although the terms set by the captain are outrageous. This is the best of the three stories and is suspenseful and intriguing in equal measure. The last story, apparently scripted by the starring couple, is a dull mess about a wealthy man in New York who quits it all to become a butler back in England, where he meets the maid Lily, marries her, and winds up back in his office in New York. Meant to be funny, this segment is merely tedious. The Masons would have been better off if they had done a full-length version of "Duel at Dawn," which is terrific. James and Pamela are both excellent actors, and Mason is especially good as the major. Forbes, Paul Canavagh as Colonel Heisler. Bruce Lester as Captain van Buren, Sean McClory [Valley of the Dragons] as Jack Stuydevant, the wealthy man's friend in episode three, all give excellent support, as does the uncredited actor who plays Mason's employer in the final story. Pamela and James appear as themselves at the opening and ending and in introductions to each segment. They divorced ten years later.

Verdict: This vanity production is one third all right. **3/4.

Thursday, March 9, 2017

JOAN IN THE WILD WEST

Joan in "Rebel Ranger" on Zane Grey Theater
JOAN CRAWFORD IN THE WILD WEST.

Joan Crawford appeared in one famous movie western, Johnny Guitar, Some of the TV series Joan appeared in included such westerns as The Virginian and two episodes of Zane Grey Theater.

Joan appeared on Zane Grey Theater, which was hosted by Dick Powell, in 1959 and 1961. In the first story, "Rebel Ranger," she plays Stella Faring, who has lost her rebel husband in the Civil War, and only wants to return with her son, Rob (Don Grady), to the home they once shared. Unfortunately, the house was taken by the Yankees and sold to Case Taggart (Scott Forbes), who says that he is the legal owner and she and the boy cannot stay. Stella moves in anyway, and soon others are interfering in this mini-war until someone gets shot. This is a very interesting story with a fine performance from Crawford and from handsome Forbes [Adventures of Jim Bowie], who appeared mostly on television in the US and England where he was born. Young Grady and John Anderson as a friend of Stella's are also notable. ***.

Joan in "One Must Die" on  Zane Grey Theater
On the other end of the spectrum is "One Must Die," in which John Baylor (Philip Carey) comes to a house in Texas to arrange a will for a dying man, Hobbes (Carl Benton Reid). Hobbes has two daughters, Sarah and Melanie, both played by Crawford, but it is obvious from the first that this is a lame split personality story that was hackneyed long before 1961. Joan is good, if a bit too old, for the part, but at least she gets to spit out the line: "You call yourself a man -- wanting someone as drab and sexless as Sarah!" The woman's mental problems are resolved so quickly at the end that it's comical. *1/2.

Joan appeared on The Virginian in 1970 in an episode entitled "Nightmare." In this Stephanie White (Crawford) marries John White (Michael Conrad), but he is crippled in an accident and dies in a fire. After she inherits his business, to his brother's consternation, it is discovered that her first husband died under similar circumstances. When Stephanie is accused of murder, the Virginian (James Drury), is one of the few who believe in her innocence. Joan has some very good moments in this.**1/2.