THE BLACK RAVEN

Old pros: Charles Middleton; George Zucco

THE BLACK RAVEN (1943). Director: Sam Newfield.

"He's suffering from rabid delusions aggravated by a moronic mentality." -- Amos.

Amos Bradford (George Zucco), once known as the criminal the Raven, now runs an inn called The Black Raven. On a dark and stormy night he gets a variety of guests, many of whom have some ulterior purpose. Mousy Horace (Byron Foulger) is running away with $50,000 in embezzled money. Winfield (Robert Middlemass) is a crooked political boss whose daughter, Lee (Wanda McKay), wants to run off with the man she loves, Alan (Robert Livingstone of Borrowed Wives). Mike Bardoni (Noel Madison) is another crook, and Whitey Cole (I. Stanford Jolley) is an escaped con who's out to get vengeance on Amos. When someone gets murdered -- the first death of several -- the Sheriff ("Charlie" Middleton) is called in and matches wits with the acerbic Amos. While it's fun watching Zucco and Middleton working together, The Black Raven is a forgettable picture. Glenn Strange, who played Frankenstein, is cast as the half-wit handyman Andy, and is fine. Zucco [Fog Island], Middleton [Charlie Chan's Murder Cruise] and Foulger are also excellent.

Verdict: Another cheap PRC timepasser. **.

BORROWED WIVES

Nita Martan

BORROWED WIVES (1930). Director: Frank R. Strayer.

Peter Foley (Rex Lease) has to get married by midnight or he'll forfeit a fortune. Unfortunately, the woman he loves, Alice (Vera Reynolds), is with another man, Joe (Robert Livingstone). Peter owes money to his boss, Parker (Sam Hardy), who insists that his secretary, Julia (Nita Martan), pretend to be Peter's wife. So off they all go to the creaky old home of Peter's Uncle Henry (Charles Sellon) and Aunt Mary (Dorothea Wolbert). Things are complicated when Alice and Joe show up, along with Julia's cop boyfriend, the aptly-named Bull (Paul Hurst). Borrowed Wives was probably meant to be a laugh-riot, but it isn't that funny, and it's an awkward mix of bedroom farce and "old house" movie with secret passages, people who disappear, and even a prowling bobcat  -- none of this does much good. Most of the acting is of the stilted stage variety, with people delivering their lines to the back row of the theater; Dorothea Wolbert is the worst offender.

Verdict: Forgettable creaky old movie. *1/2.