Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Michael Freedland. Show all posts
Showing posts with label Michael Freedland. Show all posts

Thursday, February 21, 2019

JACK LEMMON

JACK LEMMON. Michael Freedland. St. Martin's; 1985.

This overview of Lemmon's life and career is a fast read which gives most of the facts and highlights without digging too deeply, but it does manage to get across Lemmon's character, his devotion to acting, and his approach to certain challenging roles, such as in Some Like It Hot and Days of Wine and Roses. The book briefly discusses his first marriage, then his relationship with actress Felecia Farr, which led into his second, long-lasting marriage which was not without its problems, although this book downplays them considerably. His film work is certainly not ignored, and the book explores his working and friendly relationships with director Billy Wilder and actor Walter Matthau, with whom he collaborated numerous times. Along the way Lemmon did television and stage work, but his most frequent appearances were in films. He appeared in such early works as Betty Grable's penultimate film Three for the Showthe dreadful It Should Happen to You, and the vastly over-rated The Apartment. Frankly Lemmon was guilty of shameless mugging in some of his films, such as Luv, but he developed into a fine dramatic actor in such movies as The China SyndromeMissing and Save the Tiger, for which he won a Best Actor Oscar (he had won a supporting Oscar for Mr. Roberts). Published in 1985, this book doesn't go into his later major triumphs in Glengarry Glen Ross and in the stage and TV adaptations of Long Day's Journey Into Night.

Verdict: A nice book on Jack Lemmon, but hardly the last word. ***.