BEHIND THE MASK

Kane Richmond as the Shadow

BEHIND THE MASK (1946). Director: Phil Karlson.

The day before Lamont Cranston's (Kane Richmond) marriage to Margo Lane (Barbara Read), he learns that an impostor has broken into the office of the Daily Bulletin and murdered blackmailing reporter Jeff Mann (James Cardwell). Angered by this impersonation, Cranston leaves the pre-wedding party to investigate, incurring the extremely childish wrath of his fiancee. To make matters worse, Margo's maid Jenny (Dorothea Kent) is just as shrill and immature as Margo is, and has a vendetta against her boyfriend, the hapless Shrevvie (now played by George Chandler).

George Chandler, Barbara Read, Kane Richmond

Behind the Mask might have been a decent mystery were it not for the fact that Monogram studios decided to combine the Shadow character with elements of screwball comedy, with the result that nothing really works. The antics of Margo and Jenny, who are constantly hitting their boyfriends, are so tiresome as to be excruciating, and pretty much crowd out any real entertainment value the picture might have had. Joseph Crehan, repeating his role as dyspeptic Inspector Cardonna, is too manic in this by far, and he also loves to keep hitting Cranston. There are a couple of aborted cat fights and more than enough scenes of Margo becoming hysterical because Cranston supposedly has other women's unseen lipstick on his face.

Marjorie Hoshelle with Bill Christy on left and Kent and Crehan on the right 

Chandler plays the role of Shrevvie more like a butler and assistant and is not as stupid as in the previous film, The Shadow Returns. Richmond is a perfectly okay actor who desperately needs a better script and a bigger studio. James Cardwell [The Shanghai Cobra] makes an impression as the rakish reporter Jeff and it's a shame he gets bumped off so early. Edward Gargan [Detective Kitty O'Day] provides the film's few moments of fun as a detective who's suffering from the flu and alleged hallucinations, and Marjorie Hoshelle [The Mask of Dimitrios] is very vivid and striking as Mae, who is mixed up in illegal betting. Robert Shayne is very young and good-looking in this but his performance is no great shakes, and poor Pierre Watkin is as blah as ever as the police commissioner and Cranston's uncle.

Verdict: This has little to do with the Shadow pulp stories. *1/2.  

THE RED DRAGON (1945)

Sidney Toler,  Fortunio Bonanova, Benson Fong, Willie Best 

THE RED DRAGON (1945). Director: Phil Rosen.

Charlie Chan (Sidney Toler) and son Tommy (Benson Fong) are in Mexico City when Charlie is called in to investigate what turns out to be a series of strange murders. People are being shot to death in front of witnesses but nobody (but Chan, of course) can figure out how come there is no assailant in the room or even exactly what kind of weapon has been used. The first victim is a man who discovered a 95th element whose destructive powers in an atomic bomb could wipe out the entire country! The suspects include Marguerite Fontan (Carol Hughes of Meet the Boyfriend), whom Inspector Carvero (Fortunio Bonanova) has special feelings for; Countess Irena (Marjorie Hoshelle), an entertainer with a shady background; Alfred Wyans (Robert Emmett Keane), who is all excited over the loss of a certain typewriter; Joseph Bradish (Barton Yarborough), an oil salesman or possible smuggler; and others. With Mantan Moreland working elsewhere at the time, Birmingham Brown is replaced by his cousin Chattanooga (Willie Best of Dangerous Money). The title refers to a type of Chinese ink. The members of the supporting cast in this are mostly colorless, but the story has clever elements and the leads are, as ever, swell. And we mustn't forget the scene when Charlie does the rumba to the shock of son Tommy!

Verdict: Chan capably treading water. **1/2.